Ninetieth Piece Experimental Creation of Creation
The dormitory is new, and ten minutes ago, the attic with the pavilion cloister was still a picture on paper.
Sang Sang picked out from the dozens of architectural drawings that the teacher held, and then watched the teacher put the attic picture on the open space, poured a few buckets of water on it, the architectural model drilled out of the paper like bamboo shoots, and the water was long, and the complete attic was presented in less than three minutes, and even the tables, chairs and bed tents inside were still ready-made, which was similar to the house of the temple, but the difference was that the house could be turned back into seeds for recycling, and the creation painting could not.
The attic is made of wood and stone, with no connecting gaps or chimeric lines, and it is as if it were directly generated, like a bed and a large wall cabinet that hides paintings, all of which grow directly from the ground or wall, and cannot be moved, except for an empty studio, which was soon filled with a large amount of paint, paper and pen by the accompanying teacher.
Sangsang and the same items were tested, and found that their materials were no different from the trees and stones that naturally existed in the wild, if I had to say, there were some problems with the structure of the house, there were no load-bearing walls, but the first floor was hollowed out to make a studio, the ceiling was very thin, the second floor was divided into several rooms, and the furniture was not light, once the aura dissipated, the whole house would collapse like the building blocks where the cornerstone was removed.
On the table in the living room, there are several pictures of daily necessities, as well as delicate pictures of snacks.
The Emperor picked up a picture that resembled a flower-shaped cake and was eager to try: "Put this in the water or water it directly?" ”
"I remember the teacher said that there was a tray for things when it was created."
Sang Sang was sensing the concentration of aura in the painting, listening to what the Emperor of Heaven said. No longer holding the picture to explore the principle, he took a few round plates similar to saucers from the wall, and the Emperor Xingchong took the bucket that poured the house at the beginning. A bucket of water was drawn from a pool with a diameter of one meter in the center of the living room.
The two of them are like children discovering new toys, you mix a spoonful of watering paintings, and watch a plate of dim sum grow like mushrooms after the rain.
Sang Sang was still testing the ingredients of the dim sum, and the Emperor of Heaven had already lost a few stomachs one by one: "The taste is average, too light." ”
"Like a mixture of flour and rice flour and honey, the vitamin content is not low, and it also has a bit of aura." Sang Sang broke a small corner and chewed slowly: "It's not sweet or greasy, it's just right." But it should not be eaten as a staple food. ”
"I still have a lot of freshly cooked food here." The Emperor immediately took out a large pot of Tom's special braised fried and grilled delicacies, only took out a little of each, and continued to use time to confine the collection.
Creation. It is the characteristic of Danxia painting.
In addition to the paper, pen and paint used to paint the paintings, Danxia paints living and dead things, claiming that nothing can be created. They called the painter who painted the dead thing the object painter, and the painter who painted the living thing called the spirit painter.
The painter is responsible for the clothing and housing of the Danxia people. Inanimate items like clothes, accessories, household items, furniture, houses, etc. are among them; The spirit painting is responsible for food and travel. Grain, fruits and vegetables, meat and livestock, all kinds of riding animals, etc.
Danxia paintings have a variety of expressions, there are light color freehand and heavy color realism, but one thing is the same, the aura content in the painting is the only criterion to measure the quality of Danxia paintings, the quality level of things created by less aura is low, and the quality level of things created by aura is high, and the paintings without aura can only be used as decoration even if they are beautiful.
Therefore, if you want to become a Danxia painter, you must have an aura affinity.
Sangsang's full-value affinity made the teachers of the Qinghe Painting Academy ecstatic, but after joining the Qinghe Painting Academy. I didn't follow the class schedule like ordinary students, but spent two days in the library. Then according to the class schedule, choose what she is interested in, if the teacher has objections, she will directly smash the aura crystal to take this course, and even the dean put down his body and wanted to accept her as a disciple was rejected by Sang Sang, this kind of willfulness is really suffocating.
If it was usual, her behavior would definitely make people very angry, but it happened that the appearance of the "Law Heavenly Pill" spread vigorously, and the dean and some teachers and elite students hurried to seize the opportunity to grab the "Law Heavenly Pill". The remaining teachers of the Qinghe Painting Academy simply let her go to and from class at will because of Sangsang's royal status, so Sangsang became more free.
Sangsang's course selection is naturally not random, she is different from other students, the aura condensation and indoctrination that others value is no problem for her, and she can teach the teacher in turn about color composition, she needs to make up for the theoretical foundation, as well as creative painting skills.
Interest is the best teacher, Sang Sang, who opened the Xueba mode, quickly understood the relevant theories about Chuangsheng painting through self-study and after-class Q&A, and then found that the trick of Chuangsheng painting skills is consciousness indoctrination.
Consciousness indoctrination can only determine the form of things that are created, not the core.
Isn't the focus of creation painting? It's air and water!
Sangsang came to the gestation pool.
As the name suggests, the gestation pond is a place where paintings are turned into real objects.
The gestation pool is not uncommon, at least there is such a small pool in the living room of Sangsang's dormitory, it is not the building itself, but the teacher directly digs a deep pit in the living room, and then depicts the pool wall of the purification rune array and the soul gathering rune array. The water in the pool is the groundwater.
In fact, in the Danxia Realm, as long as there is water, it can be used to create life, but the energy of the river water and spring water outside is less, and the amount of water required will increase.
Sangsang put his hand into the pool and felt the nature of the water.
The Danxia realm also calls the energy in the water aura, but Sang Sang found that the vitality in the water is also very strong, but the aura in the air is the vitality of the earth of Xuanhuang's mother qi, and this is the vitality of water.
"Water and soil, the two most important factors for the germination of life, whether this is the case, try it to find out."
Sang Sang thought about it, drew a bucket of water, took out a piece of his past practice work, and put the silver mecha suit he drew for Xiaojin, and put it in the water.
Painting or painting, no change.
"Doesn't a single water work?"
With a twist of his fingers, Sangsang guided the aura to pour into the painting, but no matter how much aura was poured in, the painting remained unchanged.
"It's not enough to only have water and aura, it's not right to make a seed painting? Must use pen and paper here? Or is it just a painting drawn in the world that envelops the Origin of Creation? ”
Sangsang began to paint, ten paintings, three of which used ordinary ink paper and pen, three used liquid energy dyeing and energy paper, and four = used the pigment paper and pen of Danxia painting.
Danxia aura is introduced into each painting, with equal content, unified into a standard energy crystal.
The ten paintings are clothes, jade pendants, toothbrushes, double-storey cottages, rice, buns, grapes, fish, pigs, and horses.
The ten works are placed in the gestation pool one after the other.
The paper absorbs the water of the gestation pool, and the "High-end Custom Hand-embroidered Silk Curved Dress Design Drawing" melts in the gestation pool, and the hand is quick to catch up a ball of pulp, and the hand is slow to estimate that there will be nothing left.
"Ordinary paper and ink that don't contain energy can't be used."
Not surprisingly, the second and third "Jade Pendant" and "Toothbrush" have been reduced to pulp.
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