readx;?“ Xi Qing, what did you do when you went to Paris and London? Bian Xuejing snuggled in Xi Qing's arms and asked. Pen & Fun & Pavilion www.biquge.info

Xi Qing said with a smile: "I went there to pick up treasures, and now I'm coming back because I want to open a museum." Now that the museum's business license has been issued, I can be regarded as having my own business in the future, and I can take care of you. Moreover, I don't want to continue to develop in the entertainment industry, maybe Ode to Joy 2, and Fight Bar Mask Man is my screen debut, and it is also a farewell performance. ”

"You mean, you're quitting the entertainment industry?" Bian Xuejing was a little surprised, because judging from the current situation, Xi Qing is already a popular student in the entertainment industry, and when Ode to Joy 2 is broadcast, he will definitely be promoted to the front line.

Xi Qing said: "Yes, quit the entertainment industry, but I'm still in the literary circle, it's just that I don't go to the screen, I have more important things and more important roles to play." Of course, you can replace me as an entertainment producer, producer, or even a big director in the future, and I will support you behind the scenes. ”

Bian Xuejing immediately smiled when he heard this, his husband is worried about his own business, but Xi Qing has always been in the literary circle, and he has not gone all out to enter the entertainment industry, now that he can make his wishes come true, what could be better than this.

"I also support you, whatever you want to do, I will be by your side."

"Thank you." Xi Qing kissed Bian Xuejing for a while, and then got up: "Bian Xuejing, now I want to tidy up the porcelain I received, you can bask in the sun outside first." ”

"Yes."

Coming to the room, Xi Qing began to check the porcelain on the shelf, because there were too many of them, he had no way at all, and he didn't have so much time to check them one by one, so he simply used the aura to distinguish the strength of the colors in the porcelain.

"Northern Song Dynasty Ding kiln carved plum vase ......"

This can be included in the exhibition.

"Five Famous Kilns, ......"

Xi Qing sighed in his heart, and carefully took the plum vase, which was about 40 centimeters high, off the shelf.

Baiding porcelain, the crown of white porcelain burned in the Song Dynasty, this plum vase is milky white as a whole, the color is extremely pure, and it is not yellowed because of the passage of time.

The glazed light of the plum bottle is between the glassy and the milky, the carved lines on the bottle are strong and powerful, unrestrained and smooth, the layout is sparse, and the lines are mostly one wide and one narrow in parallel, which is the unique technical style of porcelain carving in the Northern Song Dynasty.

This is also the first time that Xi Qing has seen the complete five famous kiln porcelain, if placed in China, this plum vase can definitely be regarded as a national first-class protected cultural relic, even in the many domestic collection of cultural relics, it is also extremely rare.

Song Daijun kiln purple spot bowl, this can also be had.

This purple spot bowl is red and blue in color, intricate, brilliant and colorful, and the charm is extraordinary.

In addition, there are Southern Song Dynasty official kiln washing, Southern Song Dynasty Longquan kiln blue glaze chrysanthemum petal tea cup, Chenghua Doucai Tianzi jar, Jiajing colorful fish bath pattern jar, colorful Wanli colorful bottle and so on.

Just a few pieces of porcelain, Xi Qing estimated in his heart, its value, at least more than 200 million RMB, and it is also the kind of price without a market, in the domestic auction market, these objects, three or five years may not be able to see one.

In particular, the Wanli five-color dragon pattern vase, although the age is slightly behind in these porcelain, but the production process is extremely exquisite, the four sides are painted with colorful Ganoderma lucidum dragon pattern, the pattern is auspicious and auspicious, and the blue and white script at the bottom of the vessel is "Ming Wanli Year System", the font is neat, and the inheritance is orderly.

These pieces of porcelain can be regarded as national first-class cultural relics, you know, even in the millions of collections in the Palace Museum, there are only more than 1,000 pieces of collections that have been assessed as national first-class cultural relics. Therefore, these devices can definitely set off an uproar in China.

Of course, there is also that piece of Yuan blue and white.

Blue and white porcelain opened up a new era of transition from plain porcelain to colored porcelain, its magnificence and majesty, the style of painting is bold, the painting is varied, the production is exquisite and very rare, so it is extremely precious.

Xi Qing has not seen the authentic works of Yuan blue and white in the major museums he has been to, and Xi Qing has brought back a total of six pieces of blue and white porcelain.

At the first glance, Xi Qing was attracted by the blue and white porcelain jar on the top, which is about 278 cm high, with a wide circle of feet at the bottom, a straight mouth and a short neck, a slightly thicker lips, a round abdomen, a gradual widening below the shoulders, and a gradual tightening to the bottom of the abdomen.

The main ornament of the porcelain jar is "Guiguzi descending the mountain", which describes the story of Sun Bin's master Guiguzi, who promised to go down the mountain to rescue Sun Bin and Dugu Chen, the famous generals of Qi who were trapped by Yan State, under the repeated request of Su Dai, the envoy of Qi State.

The whole blue and white ornament is colorful, the picture is full, sparse and dense, the primary and secondary are distinct, the whole is integrated, the characters are portrayed smoothly and naturally, the charm is full, the mountain stone is dyed heartily, the pen is fine, and it is perfect.

You know, in the surviving Yuan blue and white porcelain, painted with the theme of character stories is even rarer, such as the "Guiguzi down the mountain" picture jar painted with character stories of the Yuan blue and white jar, known to be handed down only 8 pieces, and none of them are in the country.

If Xi Qing puts this porcelain into the museum that opens, it will definitely cause a sensation in the domestic collection circle, and it will also be beneficial to the opening of his museum.

In addition to this blue and white porcelain, Xi Qing also selected a fish-patterned blue and white porcelain jar, which is a piece of porcelain placed next to the Guiguzi blue and white porcelain, which is painted with a pattern of mackerel, white, silver carp and mandarin fish playing in the water.

Xi Qing knows that in Chinese culture, the four fish of mackerel, white, silver carp and mandarin fish are homonyms of the words "clean, white, honest and clean".

In addition, on the shoulder of the jar, there are peony entwined branches and auspicious lotus petal patterns on the feet, the mouth of the jar has a wave pattern unique to the 14th century, the shoulder of the jar has a peony pattern, and the auspicious cloud treasure grid at the bottom of the jar is painted with patterns such as Ganoderma lucidum, conch, money, and flames.

Although it is not as good as the Guiguzi Yuan blue and white porcelain jar in terms of value, this fish pattern jar can be regarded as a fine product in the Yuan blue and white flowers, and it is rich in aura, and among the many collections of Xi Qing, there are few that can be compared with it.

In some museums in China, there are indeed a few fish pattern jars, although Xi Qing has not seen them, but he also knows where they are.

Judging from the current market of Yuan blue and white porcelain in the international auction, the value of the Guiguzi Xiashan porcelain jar should be around 100 million RMB, and this fish pattern jar is much lower, at most about 20 million, but the comparison is not just based on the price. Art has always been based on his beauty.

That's all that Xi Qing organized, and Xi Qing finally recorded all the porcelain vases exhibited in the front row, and then he just had to wait.

After Bian Xuejing and Xi Qing separated, she continued to work on the post-editing of the Mask Man of the Battle Bar, and Xi Qing also promised to make up a few shots of her last issue.

In the future, the center of Xi Qing will also be transferred to literature and art.

……

A few days later, Lisa arrived.

"Boss, I'm going back and forth, but you want to reimburse me...... Wu Lisa was too busy in the past two days, spending a lot of money back and forth, and was complaining to Xi Qing.

"I said Sister Lisa, if you want me to say, I just lack a professional private lawyer right now, so you might as well help me."

"Do it for you?"

"Of course, I can reimburse all your expenses, including your usual dinner, open up business relationships, in the future, my company, and my museum will have legal affairs to consult, my group can't do without the legal director, then this position will be yours."

Xi Qing is not short of money, and after saying it, Lisa was immediately tempted.

"What you say sounds pretty good."

"Of course it's good, if you don't promise me to consult someone else soon, maybe I'll find a headhunter, this matter is quite urgent."

"Don't look for a headhunter, what a waste of time, just me, just me, just me, just right, I also want to go to a law firm to resign."

"Okay, then it's decided." Xi Qing knew that Wu Lisha also wanted to partner with her, after all, Xi Qing still had this self-confidence.

After returning home in New York, Lisa Wu immediately packed up all the collections in New York and mailed them back to China.

Going to the law firm to resign, plus mail, all these things add up to only one day's work.

For her own choice, Wu Lisha also suffered a lot of losses, and several lists in her hand had to be handed over to others, and several consultant positions arranged by the law firm were also cancelled, so it can be said that she left the house.

"Hehe, Sister Lisa, after a while, you will definitely be proud of your choice......"

Xi Qing also knew that if Wu Lisha had to choose this way, she would lose something, but this was nothing more than what she would usher in in the future.

Xi Qing can imagine what kind of impact and impact this collection will have on China's antique industry after it appears in his museum, and at that time, Wu Lisa will also become his right-hand man, the focus of existence.

"Why did I believe your blank check......" Lisa said with a pout.

"How can it be a blank check, so let's wait for you to come back. When I come back, I will give you a big gift and give you a villa. ”

"Xi Qing, I can't ask for this, I'm living a good life now, I don't need this ......"

Wu Lisha is indeed not bad for money, which Xi Qing does not doubt.

A month later, with the help of Xiaobai, the decoration of the Longfeng Chengrui Museum has been completed, and there are still a few special display cabinets that have not been done, it is estimated that in half a month, the museum will be able to open, Xi Qing has been busy over there for the past few days, and the collections in the basement have also been transported to the museum in batches.

Lisa arrived in the capital half a month ago, and she came with her, as well as the director of the Guimet Museum, Carry. Jimei.

To show his sincerity, Kari. Jimet not only agreed to Xi Qing's conditions, but also gave Xi Qing a batch of Dunhuang cultural relics, including more than a dozen paintings and calligraphy donated by Frey that year, as well as Xi Qing's "White Jade Tiger" proposed by Xi Qing as trading items.

These cultural relics include more than 30 mutilated Buddha statues in Dunhuang, more than 20 murals stolen from Dunhuang, and most preciously, there are 130 volumes of Buddhist scriptures that were lost in those years.

Wu Lisha can also be said to have lived up to Xi Qing's trust and obtained so many precious cultural relics, and the price he paid was seven sketches of Picasso.

Green vegetables and radishes have their own loves, and it is difficult to tell who took advantage and who suffered losses in this transaction.

After receiving Xi Qing's notice, the Ministry of Culture made a special report on this matter, and as soon as the report came out, it caused a shock in the national collection, archaeology and Buddhist circles, and countless collectors and monks rushed to the capital from all over the country to ask for the appreciation of those Buddhist scriptures.

At that time, there were several experts in the collection and archaeological circles, as well as senior monks in the Buddhist circles, once the news came out, Xi Qing's museum had not yet opened, and it had become popular throughout the antique collection circle.

As for the security of the museum, the peripheral Xi Qing was handed over to a reputable security company in the capital, with a total of 40 people for internal monitoring and patrol in the museum, divided into three shifts for 24-hour patrol.

This ensures the safety of the museum.

Everything is ready only to owe the east wind, now Xi Qing whether it is a collection, or safety, the sensation has achieved a certain effect, and, although in terms of floor area, the Dragon and Phoenix Chengrui Museum is difficult to compare with many large museums in Beijing, but in terms of the quantity and quality of the collection, the Dragon and Phoenix Chengrui Museum is not inferior, and even surpassed.

Led by Guiguzi Yuan Xiashan blue and white porcelain jars and Longshan cultural black pottery, supplemented by porcelain from the five famous kilns of the Song Dynasty and the official kilns of the Ming and Qing dynasties, and hundreds of pieces of Qing Dynasty porcelain constitute the ceramic exhibition hall, the quality of its collection can be said to be second to none in China.

It can be said that it is a collection of stone axes from the ancient civilization period to the bronzes of the Shang and Zhou dynasties, and then to the iron swords of the Han and Tang dynasties, showing a grand history of war.

Not only that, but in the sword exhibition hall, there are also foreign medieval foils, cross swords, two-handed swords, and large two-handed swords with a total length of 1.4 meters for chopping.

In addition, there are spears in the Roman style, scimitars in the Persian style, chain mail sewn into leather or thick cloth with round, diamond-shaped or small square pieces of metal, and shields firmly held together with iron bars and rivets, and the crosses on the shields make it easy to see their origin at a glance.

It was also the first time that Xi Qing had seen these collections of Wu Lisa, and what interested him the most was the strange helmets, most of which were round and tapered, with an iron sticking out of the front of the helmet to protect the nose.

Among them is a domed helmet, said to be from the 12th century, with the entire head and face covered except for a slit in the front eyes, and many small holes cut out of the panels to allow breathing.

Seeing these helmets and weapons, Xi Qing couldn't help but think of Don Quixote's classic character in his mind.

This is also the only sword exhibition hall in China, although it has not yet opened, but many Tibetan friends from the nearby areas and cold weapon lovers who heard the news are already in a relationship with each other, and ask Xi Qing to open it to them in advance, wanting to have a sneak peek. (To be continued.) )