Wu Tianyuan jumped up excitedly, just said that he wanted to collect the authentic works of the three kings, and today he will find the treasures of Wang Xizhi and Wang Xianzhi's father and son here!

Three kings, Wang Xizhi, Wang Xianzhi, and Wang Xun! Qianlong's Sanxi Hall is famous for its collection of their authentic works. The three Xi are the scholars Xi Xian, the Xian Xi Sheng, the Holy Xi Tian, the scholars hope to become the sages, the sages hope to become the sages, and the sages hope to become the people who know the heavens, that is, to encourage their unremitting pursuit and diligence.

Sanxi Hall, located in the Xinuan Pavilion of the Palace Museum, was originally known as the greenhouse, and was later changed to Sanxi Hall. It is the study of Emperor Qianlong of the Qing Dynasty, and it is also the most obvious symbol left by him as the owner of the Palace of Nourishing Hearts.

In the eleventh year of Qianlong, he collected the great calligrapher Wang Xizhi of the Jin Dynasty "Sunny Post when the Snow is Fast", Wang Xianzhi's "Mid-Autumn Post" and Wang Xun's "Boyuan Post". These three ancient ink treasures were cherished by Emperor Qianlong, who deliberately stored them and played with them from time to time.

In the fifteenth year of Qianlong, Sanxitang collected 134 famous artists from the Jin Dynasty and later generations, 340 pieces of ink and 495 kinds of rubbings, becoming the most important calligraphy tablet.

Later, the "Three Hopes" experienced a turbulent displacement in modern times, and after leaving the palace in 1951, the "Mid-Autumn Festival" and "Boyuan Post" were acquired by the state and returned to the Forbidden City, and were stored in the Palace Museum in Beijing.

The ill-fated "Sunny Post in the Fast Snow" drifted through most of China, but eventually ended up in Taiwan, thousands of miles away, and is currently in the National Palace Museum in Taipei, where there is a replica of Sanxi Hall.

"This time, there are two authentic works of the two kings in Tianyuan, as long as you find the calligraphy or tablet of the last Wang Xun, even if you really have your own Sanxi treasure post!"

This time I really picked up a treasure, the two pieces of calligraphy are more precious than all the recent combined, the two kings are genuine, rare in the world!

"Although I can't use my ability to identify the authenticity, I can make Yuan Kewen pay so much attention to estimate the probability of authenticity, go back and find an authoritative appraisal to identify it."

The latest discovery of this time is also a unique ancient book of the Song Dynasty, and now Wu Tianyuan can only hear the Qing Dynasty, and the Ming Dynasty can only be identified by absorbing energy, and it is far from the Song Dynasty, so he can only find someone to identify.

Wu Tianyuan rushed home overnight, put away the treasure found this time, and went to Tianjin the next day, because there was still Pu Dong, a Manchu relic, to hunt for treasures.

"This is the famous Red Bean Pavilion at that time, and now it is an old warehouse?"

Wu Tianyuan came to the Tianjin Red Bean Pavilion that year, love Xinjueluo? Pu Dong, a Peking Opera ticket holder, alias the owner of the Red Bean Pavilion, one of the four sons of the Republic of China. Since childhood, he has read the scriptures and history step by step in the upper study, learned to compose poems, studied piano, chess, calligraphy, and painting, collected gold and stones, tablets, and was good at governing seals.

Pu Dong was born in the second year of Guangxu, because he ranked fifth, and the laymen respected him as "Dong Wuye" and did not call his name. Since childhood, he has loved Kunqu Opera and Peking Opera, because he is a wealthy family of the Qing family, and he often comes into contact with some famous artists in Beijing and Kunming at that time.

"Brother Gongzi back then was not only from a famous family, but everyone also had real talents and learning, and they had their own strengths, which was much better than the current rich second generation!"

Wu Tianyuan sighed that in ancient times, being rich and powerful was only one aspect, and only by having real skills could he win respect. Now that the world is declining, people's hearts are not ancient!

He walked into the warehouse and walked around, heard the clues, spent money to rent it directly, the old rule, and dug treasure chests.

"This is the Sanxitang Fati?"

Found the treasure chest, the top is 32 ancient books, it turned out to be the Sanxitang Fati.

The book is the twelfth year of Qianlong, the emperor Hongli ordered Liang Shizheng, the secretary of the Ministry of Officials, Jiang Pu and others, the calligraphy works of the past dynasties in the collection of the inner house.

"Sanxitang Fa Ti" is well-engraved and has a huge volume, which can be called a huge work in the series. After completion, only a few dozen copies were given to the favored ministers.

Later, in the seventeenth year of Qianlong, Fu carefully selected five volumes of the famous law books of the past dynasties from the collection in the palace and engraved them on the stone. At this point, the "Three Xitang Laws" has been completed. By the end of the Qing Dynasty, it spread widely.

"It's too fateful, I was just about to design the Sanxitang exhibition hall in the museum, and I found the authentic works of the two kings one after another, and now even the Sanxitang Dharma is available?"

Wu Tianyuan was incredible, he really wanted to come to something, but it was normal, Pu Dong was a descendant of the royal family after all, and it made sense to have a palace secret.

"Heshen's Huayan Sutra?"

Another handscroll is the Huayan Sutra copied by He Shen for Qianlong, sprinkled with tens of thousands of words, and the words of the ministers, neat and atmospheric.

"I asked the master to copy it in order to celebrate my mother's birthday, right?"

Wu Tianyuan saw the words of He Shen last time he won calligraphy, and now he looks even more shocking, worthy of being a university scholar, his font is its own, no less than Liu Yong.

"Tang Ouyang Xun's Huadu Temple Post!"

Wu Tianyuan cautiously opened the bottom of the box and wrapped the thick scroll in red silk, and the first one turned out to be Tang Ouyang Xun!

Ouyang Xun, a famous calligrapher and official in the Tang Dynasty, one of the four masters of regular script, and Yu Shinan, Chu Suiliang, and Xue Ji of the same generation are known as the four masters of the early Tang Dynasty. Because his son Ouyang Tong is also good at calligraphy, it is also called "Da Ou".

"Could it be the other one?"

Wu Tianyuan was excited, and he had a wonderful feeling that his wish had come true, and he felt that he had opened the last painting scroll.

"Wang Xun's March post!"

Wu Tianyuan jumped up all of a sudden, laughed and said, sure enough, it is the last king of the three kings, Wang Xun has disappeared for many years!

Wang Xungong's calligraphy, Dong Qichang called it "chic and ancient, the Eastern Jin Dynasty is romantic, just like in the eyes." His masterpiece "Bo Yuan Post" is a rare authentic handwriting of the Eastern Jin Dynasty, and it is the only authentic work of the Wang family of the Eastern Jin Dynasty, and has been regarded as a rare treasure by calligraphers, collectors and connoisseurs of the past dynasties.

"Boyuan Post" is a letter to greet relatives and friends with illness, and "Xuanhe Book Pedigree" contains: "Xun III is known as a book, and his family is a scholar. Xun's grass saint is also spreading. This post was collected by the Northern Song Dynasty, Dong Qichang and others in the Ming Dynasty were collected, and it was one of the three Xixi of Qianlong.

"Xuanhe Book Spectrum" also contains its cursive "March Post", which has been missing since the Qing Dynasty, and today it has finally reappeared.

"Wang Xizhi's seal book is on the tablet, Wang Xianzhi's Bingshe post, plus Wang Xun's March post at the end, Tianyuan also has its own Sanxi Hall!"

Wu Tianyuan was excited, now that he has the Three Kings Treasure Post, plus the 32 volumes of the Sanxi Hall, he will be able to arrange the Sanxi Hall of Tianyuan immediately, with the porcelain and jade in his hand, etc., he is excited when he thinks about it.

When he returned to the museum, it was already afternoon, this treasure hunt was full of returns, and he found the authentic works of the three kings, first arranged the Sanxi Hall, and then found experts to identify, and the first characteristic exhibition hall of Tianyuan was officially completed.

"Old Ren, quick, take stock of the things in the warehouse and rearrange them according to Sanxi Hall!"

"Yes, here, according to a few bulletproof display cabinets, inlaid into the wall, hang three Xi treasure posts."

"All the porcelain and jade seals are taken out, all the furniture is used, the three Xitang laws are placed on the bookshelf, and there are also rites and justice, and the unique products are also placed!"

Wu Tianyuan commanded Lao Ren and asked the staff to carefully arrange the Sanxi Hall, Hu Jianmin saw that the three kings were already sluggish, and he couldn't help for a while, only Wu Tianyuan could do it himself.