On this day, even if it was a year-end party held by the [Edge-no-Kong] animation production company, the other members of the company were divided into different batches and arranged to be held in different hotels because of the large number of them. Pen & Fun & Pavilion www.biquge.info Of course, Yu Kamiya must have his own selfish intentions in arranging a year-end party at Uehara's Etsuki's house, and the high-level people who participated in the Uehara Etsuki's year-end party basically belong to the same circle, and at least half of the women maintain a deep emotional connection with him.

As soon as the year-end party passed, the whole company fell into a state of laziness and laziness when I went to work the next day, and Yu Kamiya expected this situation, and the next two days were used to clean up the company's hands and tails left this year, and the workload was much less than usual, and in two days it was the official Spring Festival in District 11.

The Spring Festival in District 11 is January 1 of the new calendar, and a small number of areas retain the habit of celebrating the Spring Festival in the Chinese lunar calendar.

This time, Kamiya Yu arranged a four-day holiday for all members of the company, and the production cycle of animation was relatively tight, and many animation production companies still had a large number of employees busy working overtime even during the Spring Festival, or they relaxed the production cycle by stopping the broadcast for a week. The animation production ability of the animation production company is relatively good, and Yu Kamiya is not too worried about the production cycle.

【Rim of the Void】The company's senior management is probably the most idle when Kamiya Yu celebrates the New Year.,Anyway, it's no different from the general holiday.,There are no relatives and family members don't need to pay New Year's greetings.,Kamiya Yu and Kamiya Dome don't care too much about the type of customs.,Basically, the kotatsu at home all day lives a small life for the two.。

Aoi Morishita and Haruka Morishita want to go back to their hometown together.

Yuki Chinatsu, a legal Lori who lives in the company all the year round, is also going back to Hokkaido.,The last time I came back from Hokkaido, I naturally brought a burst of laughter with a hometown accent.。 There are regional differences between Japanese and Chinese, and a person who is proficient in Japanese but has no experience in translation is likely to be confused when he first hears real Japanese, wondering if he has learned holiday language.

Uehara Emitsu and Poison Island Purple are probably not available, although they did not directly manage the Uehara family, many important scenes during the Chinese New Year need to be handled by Uehara Emitsu himself.

Five more glass is also going back to his hometown of Chiba Prefecture to visit his sister,After graduating from high school, he broke into Tokyo.,After more than a year of confusion, it's finally stabilized.,[The edge of the sky] The high-level treatment is basically nothing to say.,It's much better than the top management of some large enterprises.,This kind of thing is equivalent to the ancient scholar who won the top prize in the eyes of the general 11 district families.,Since the five more glasses served as the painting supervisor, her family's poor days have been relaxed a lot.。

Kumamoto Alice's specific situation Kamiya Yu doesn't know for the time being, but it has been said that if Kamiya Yu needs her, she can continue to work, and the [Edge's Empty] holiday is not mandatory, and many workaholic employees have no plans for the New Year at all.

The intensity of work in District 11 is world-famous, animation production is a high-intensity work industry, the industry can force so many newcomers away is the whole reason, everyone is working hard, everyone is working patiently, abnormal work intensity has become the norm in the industry, at this time any normal staff can not stand this pressure but will become the target of public criticism, District 11 seems to be very united in the foundation of the same, those who are out of the group, whether it is good or bad will be excluded.

Even if the environment of [Yuanzhikong] is very relaxed, the social environment is not like this, and employees have to work harder in order to earn more money.

"Add special effects..."

In his office, Yu Kamiya intently examined the original painting of "Five Centimeters per Second" displayed on the computer screen, and unconsciously touched his chin with his left hand in contemplation. Maybe it can't be called an original painting, because this original picture has all kinds of colors and special effects, and it should be defined as a beautiful illustration. In order to create a "5 Centimeters per Second" with the ideal picture effect, Yu Kamiya was not satisfied with the fact that he was painting with consciousness, and began to use consciousness to manipulate those complex special effects software to completely simulate the actual animation effect. The original painting in front of me, which uses special effects technology to synthesize, is much higher than the level of the original painting of "Five Centimeters per Second" drawn by Yuu Kamiya's consciousness.

In the consciousness space, the image quality of the finished product of "Five Centimeters per Second" has reached the limit of the 2D animation level, and every frame of screenshots can be used as a desktop, and the painting level of each frame is beautiful.

But after all, it is also a work in the consciousness space, where he can create a real world at will, and in the real world he is an ordinary person after all. The distance between the creative environment makes it difficult for him to grasp the boundary between the two, and how to maintain the best effect comparable to the space of consciousness in the real environment.

"Try again."

Kamiya Yu leaned on the office chair and slowly closed his eyes, relaxed and instinctively entered the pure white world of consciousness, every time he came to the world of consciousness, he fell into a white space, Kamiya Yu did not deliberately create anything in this world and would always maintain this appearance. As his mind fluctuated, his realistic body appeared in this pure white space, and when he opened his eyes, the whole space underwent a real earth-shaking change.

The endless grassland is laid into the distance, the bleak breeze blows gently, the line of sight passes through the junction of the earth and the night sky, the night sky is bright, the galaxy is shining, and the eye socket is a huge planet, looking at the sky can clearly see all kinds of traces on the surface of the planet, or rifts, or large craters smashed by meteorites, or climate clouds covering the sky, exposed to such a scene as if the soul is purified, and the emptiness in the field of vision makes itself seem incomparably small.

"In reality, how do animations show this effect?"

However, Yuu Kamiya was already tired of the shocking scenery in front of him, and sat on the grass to simulate the real environment and animately recreate this scene.

"The sky is dominated by planets, and the changes in clouds are used to highlight the visual focus of the scene, and the earth is just a foil to this scene, mainly highlighting the emptiness of the scene and reflecting the loneliness of the male protagonist's mood."

"The most commonly used narrative means of "Five Centimeters per Second" is the handover of the scene and the emotions of the characters, with the lines as the traction, acting on the fantasy style The appeal of the scene is constantly raised, the so-called state of mind, which is the essence of the whole animation."

The narrative technique of "5 Centimeters per Second" is similar to the stream of consciousness but does not belong to the pure stream of consciousness, using the lines as a reference scene to depict the state of mind of the characters, as if adding a layer of tulle between the audience and the animation, and what kind of scene the audience will see through this layer of tulle depends on themselves, which is also a kind of romantic art in production.

For example, when the protagonist is sad, the sky must be cloudy, and it will be better if it rains heavily, if the protagonist is grief-stricken, then the protagonist roars when it rains and then adds some loud thunder.

If the protagonist is sad and the sun is shining around him, and he is still in a place full of fun and laughter such as a game park, don't doubt that this must be a funny movie.

There are very few places where film and television works use this shooting method, the reason is that the realistic scene is difficult to match with the mood, unlike animation, which has a more free creative environment, and you can make any kind of picture you want, and adjust the scene, weather, and lighting effects at will. A simple love story can also be very touching in this way of filming.

"In the early days, this kind of filming technique was commonly used in the films, including "Lovely Bones", "Angel Amelie", and "Falling", and there are differences and some abstract and romantic factors, and the reference value is not completely absent."

"In conclusion, the quality of the animation scene is crucial to the inner fit of the character."

Kamiya Yu lay on the grassland and closed his eyes no longer looking up at the beautiful night sky in front of him, a drawing board automatically appeared next to him, and lines quickly appeared on the white drawing paper to completely draw the beautiful scene in front of him, delicate and exquisite painting, just the right color, and dreamy light and shadow effects. Then the painting, which was already perfect, began to regress in a strange way, becoming a beautiful illustration with much less charm but no difference from the previous one, and the missing or modified elements were things that could not be fully expressed due to the limitations of reality.

In less than a minute, the beautiful picture completely changed, and although there was still a shocking beauty, Yu Kamiya was not satisfied with the effect of the illustration.

The illustrations returned to their original perfection, and Yu Kamiya frowned slightly, and the illustrations retried to modify the elements of the painting that could not be depicted in reality in a slightly different way than just now, and labeled each illustration that Yuu Kamiya had completed.

"Unqualified."

"Unqualified."

"Alternate."

"Unqualified."

"Unqualified."

"Unqualified."

"Alternate."

・・・・・・

【Yu-no-Sori】Animation production company,The office of the art director。

Yu Kamiya yawned tiredly, put a thick document in his hand in front of Alice Kumamoto's desk and said: "Kumamoto supervision, this is the second specific production plan of "Five Centimeters per Second", including the original painting style and general requirements, the background adopts a full animation production mode, the overall workload of the art department may be comparable to the original painting department, if you want, then you can take a look first, the pressure on the art department will be reduced a lot when it is officially produced." ”

"Are they all?" Alice Kumamoto was surprised to pick up the heavy document bag, you can judge the amount of content of this document from the weight, and now it is only a few days before the last submission of the production plan, she is still studying the production plan that Yuu Kamiya gave her last time, and she didn't expect to receive the second copy so soon.

"Yes, if there is something that needs to be modified, I will inform you personally, if you don't understand something, you can ask me, now I'm going to a Shinkansen to send five overseers. Also, because I am also responsible for the animation production of "Lelouch the Rebellious", these production plans basically represent all my opinions, and the specific implementation is up to you to explain to other production departments, okay? ”

Kumamoto Alice looked at Yu Kamiya's serious expression and smiled: "I have no objection. ”

"That's good."

・・・・・・

"Ding~~ Dong, please note that the No. 18 train at this station is about to travel, and this train will go directly from Kyoto Prefecture to Kanto Plains Chiba Station, please prepare for boarding accordingly, I wish you a pleasant journey."

The train station was full of people, and the passenger flow at the train station near the Spring Festival increased significantly, crowding through the crowd Kamiya Yu carried a large bag of luggage to the carriage, turned to look at the black-haired girl who was following him and asked, "Then this is the luggage, is there any omission?" ”

Wumore Liuli changed the usual gothic dress, at this time the clothing style is no different from an ordinary girl, white warm clothes with short skirts, dark black pantyhose to ensure a good warm effect, black long straight hair is draped without wearing extra accessories, straight Liuhai covers the smooth forehead, the overall temperament of this dress has also changed dramatically, not as conspicuous as before, it looks like a delicate and lovely simple girl.

She moved elegantly, teased straight Liuhai, and showed a shy smile to Kamiya Yu: "Well, thank you, brother." ”

Kamiya Yu was still worried and pointed to the duffel bag on the ground: "What should I do when I arrive at the station, you can't lift so many things." ”

Wumore Liuli put his left hand behind him and said with peace of mind: "Don't worry, I will make an appointment for a taxi at that time." ”

"Why didn't you call a taxi just now?"

Wugen Liuli looked at Kamiya Yu with subtle eyes, crossed his waist with his right hand and hummed: "Eh, the fare is so expensive, and my brother has nothing to do now, so I just came to help carry the luggage, or do you have any dissatisfaction with my brother?" ”

Yuu Kamiya didn't bend his fingers hard and tapped her head and laughed, "I'm busier than you think." ”

Wugen Liuliyang's small face was full of indifference and said: "Yes~ Yes, anyway, my brother has been so busy all the time, as a thank you gift and a New Year's gift, this scarf will be given to my brother." She took out what she had been hiding behind her back, a gray-black scarf.

Yu Kamiya took the scarf and said curiously, "You knitted it?" ”

Wugen Liuli nodded shyly with a small face, then took the scarf and stood on tiptoe around Kamiya Yu's neck and whispered: "I used to be very good at this kind of manual work, the weather is getting colder and colder, even in Tokyo, you can't be careless, who called my brother is the overseer." I've been taking care of my brother for a year, it's just a gift, and I don't mean anything else..."

Feeling the warmth coming from her neck, Kamiya Yu stroked her black hair and said softly, "Thank you, I will cherish it." ”

After giving the gift, Liuli breathed a sigh of relief, and when he heard this, his little hand stretched out and shook it, and his attitude was dissatisfied with a hint of dissatisfaction: "Don't cherish it, the scarf is something that is used, so it can be used generously." ”

Wugen Liuli continued to stand on tiptoe to help Kamiya Yu arrange the scarf around his neck, took a few steps back and bowed solemnly: "I was taken care of by my brother this year, and I will ask my brother for more advice next year." ”

"Ah, see you next year." Yu Kamiya smiled and waved his hand, watching her board the train before turning to leave.