Chapter 26: Off topic
Compared with Fang Yi, Hao Le, Liang Wenchao, Ding Kexin; Tao Xiaoman's painting seems to be handy.
Not to mention the sketches that he is good at, Chinese painting: gongbi painting and freehand painting, that is, Western oil painting, Tao Xiaoman can be familiar with it, just like that poem, thousands of grinds out of the deep mountains, she is already carved jade.
At this moment, Tao Xiaoman chooses the white drawing method in gongbi painting, focusing on a kind of likeness, using the form to convey the meaning, and using a realistic painting method.
For their parents, the filial little padded jacket naturally understands, the soft pen, the light outline, relying on the rigidity and softness of the line itself, thickness, clumsiness, square circle, and density. The little padded jacket to adjust the figure of her parents, as for the facial expressions, she has done it like a expressive shape.
For Tao Xiaoman, she prefers nature in her parents' expression, and does not like to be strict with any form, the line of the touchpen does not change much, thin and even, after further coloring the characters, the posture of the parents and parents tends to be more standard, and it is very common for a father and mother to watch TV in the living room, homely, but the most substitution of the picture.
"I'm done too." Ding Kexin raised his hand.
"Mine is fine, and I got a top three." Fang Yi raised his hand accordingly.
"Be quiet, don't delay the other contestants from drawing." Teacher Cai Wenying understands very well that creators don't want to be disturbed when they enter the creation, and the first few have done a good job.
But at the scene, Tao Xiaoman, Xi Qing, and Hao Le have not yet completed their works, and they must be given a little time.
However, although Cai Wenying expressed that she did not want other players to be anxious, the students waiting for the results below were a little impatient.
They don't know what professional painting is, but they just think that it's the same as an exam, whoever draws faster will be more powerful; Usually those who finish in the end are not very good at drawing, and it is embarrassing to draw, and naturally everyone who is destined to lag behind others has finished painting one after another.
The works of all six people were handed over to the judges' table at the next time.
The students also began to talk about it below, and they all said that they wanted the judges to bring a few paintings to everyone to take a look at.
Everyone has their own champion in their hearts, just as there will be a thousand Hamlets for a thousand readers.
"Yes, I think this painting is very feeling, you see the daughter washing the feet of her parents, what an imaginative and emotional painting."
Le Nan liked one of the paintings, and as soon as he said it, Han Shudong next to him snorted disapprerovingly: "Don't you think this daughter is a little too busy, washing the feet of two people by one person, the painting looks a little bit discordant. Harmonic. This is a bit different from Ding Kexin's works in the past, I think she is too obsessed with wanting to express her filial piety, and her intention is too obvious, and she is a little eager for quick success on the picture. â
Han Shudong is also an oriental artist, as a senior brother, he has studied painting for a few years more than Ding Kexin, and he can tell the flaws at a glance. Gao Xiaoshan also agreed: "Yes, the whole painting looks a bit fake, I think this kind of group photo of the three of them is the best, such as this one." â
Gao Xiaoshan's simple and direct reference is Tao Xiaoman's paintings, Tao Xiaoman's family portrait completed by white strokes, father and mother are sitting on a wooden chair, hands on their laps, eyes staring at each other, as if looking at a camera, it can be seen that it is a pair of parents who rarely take pictures, most of their lives have dedicated their youth to their careers and families, but have no time to record their lives. As for Tao Xiaoman herself, she leaned over, her hands naturally wrapped around her parents' shoulders, and her expression was full of the sweetness that a girl of her age should have, not knowing the world, and it was a happy inner display; Naturally, I haven't realized that my parents are getting old, and I will have to support my parents in the future, so it's easy to say in this regard.
But the background of the whole picture is selected as a corner of the home, and the choice of the background of the home is more direct is to sit in the living room, with your back to the kitchen, and the firewood, rice, oil and salt in the kitchen naturally become an extension of the picture, which can make you imagine that the home is actually like this, ordinary firewood, rice, oil and salt....but the extraordinary part is left to everyone's imagination. In the future, this home will be borne by you?
The more I look at this painting, the more I feel, not only Gao Xiaoshan, Han Shudong recognized this painting, and Mr. Cai Wenying also gave a high evaluation.
It is undeniable that among Tao Xiaoman's works, the expression is the most natural and smooth, and the processed characters seem to have a sense of vividness and intimacy on the paper. To put it bluntly, the painting is very spiritual, inexplicably substituted and attractive.
Then Fang Yi's works are also good, showing a solid foundation, and there is no particularly big resonance among the other students. However, there was one work that several judges were a little incomprehensible.
The background of the picture is in the snow, where the sunflowers are facing the sun, depicting three pairs of backs, in this back, two women and one man, reflecting the woman is a long braid and a raised ponytail; The embodiment of the man is a circle of smoke floating in the air, the back is blurred, one east and one west are stored zĂ i, the snow-capped mountain sunflower is just the dividing line between them, although the four main objects are in the same picture, they are like three different spaces, there is an indescribable sense of distance, and each individual conveys loneliness....
Teacher Cai Wenying can see that the author is using a paintbrush to rub out the sunflower part to enhance the texture and heaviness of the sunflower stems, and then he uses the technique of dividing and dyeing in the gongbi method to depict the snow in the background, dragging the color of the snow away, forming a gradient effect of color from thick to light.
Not to mention, it is indeed very high-end and atmospheric in terms of artistic techniques, reflecting profound skills. But the topic of a family, is this off topic? Teacher Cai Wenying was puzzled at this moment.
"What is this? This digresses, right? â
Han Shudong said, while letting Gao Xiaoshan next to him look at it, Gao Xiaoshan also laughed when he saw it: "Yes, this contestant is dreaming of painting." Look at it...."
said that Han Shudong and Gao Xiaoshan saw it very roughly, and when Wang Ling got this painting, she tasted it much more seriously: No, it seems to have some content.
Unlike the others, Wang Ling saw the position in the upper right corner of the scroll, where was the sun emerging after a round of snow-capped mountains. Under the light of the sun, here, it is Wang Ling's own vision, that is, Wang Ling and the sun went to look at this painting, and found that with the entry of the sun, the back was slightly clearer. It can be seen that the woman with the big pigtails is her mother, the ponytail is her sister, and the smoke is the big cigarette pouch in his father's hand, and his back is also clear at this time.
That's right, Xi Qing used the change of brilliance to apply color to the space, and in the daylight, the figures of his father, mother, and sister appeared more clearly. But only Xi Qing himself!
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PS: Thank you for Qiqi, Ernian, withering, He's no treasure, Tianhai Xiangyun for the reward! Roll all over the floor and ask for collection! Tonight, did you take me?
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