For the time being, Yuu Kamiya put aside matters related to the establishment of a subsidiary [Yuyu's Sora] and left it to Aoi Morishita to follow up. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

The main purpose of the establishment of the sub-animation production company [Yu-no-Kong] is to produce theatrical animation.,As a special branch of the animation industry,Theatrical animation doesn't have to follow the seasonal time changes.,So even if you miss the best time to set up, it won't have much impact.,Besides, the original intention of the establishment of the white point [Yu-no-Kong] belongs to the nature of playing tickets.。

After waiting for a while, after the production cycle of "Fate/zero" is not too tight, Yu Kamiya plans to take out the storyboard of "Five Centimeters per Second" for animation, the original "Five Centimeters per Second" is only a little more than an hour long, and the amount of work to draw the storyboard is not very long, which is basically equivalent to the number of storyboards in about 3 episodes of "Fate/zero".

"Five Centimeters per Second" is a very special theatrical version of the animation, even if it is an over-interpretation of the plot, Yu Kamiya still thinks that this animation has a lot to explore. The most impressive belongs to a netizen's fictional stalk, 5 cm/s multiplied by 13 years (the time of the male and female protagonists respectively) multiplied by 365 days multiplied by 24 hours multiplied by 60 minutes multiplied by 60 seconds = 20498.4 km = the distance from the South Pole to the North Pole, the male and female protagonists took thirteen years to go to the two extremes of the world and came to the farthest place from each other.

"5 Centimeters per Second" is an anime that deserves to be over-interpreted, using artistic expressions to let the audience find their own answers, even if it will not be popular with the public, Yu Kamiya tries to maintain the atmosphere depicted in the original work as much as possible.

"But when will I have the time to draw the storyboard of "Five Centimeters per Second"~ Hey, even if the storyboard is drawn, what is the point of the animation production company not being established." Yu Kamiya smiled bitterly and muttered to himself, throwing his urgent mood out of his head and focusing on the storyboard work in front of him, "Fate/zero" storyboard is nearing completion after a period of his liver explosion, and the production progress of the animation has also come to the twenty-first episode, all the plot clues are closed, and the Holy Grail War is coming to an end.

The overall plot of the remastered version of "Fate/zero" still follows the original, and only modifies the shortcomings that Yu Kamiya thinks. The plot changes from episode 17 onwards are only limited to battle scenes, such as the Golden Shining Gilgamesh using [EA / Obedient Sword] against the conquering king Iskandar [King's Army], in terms of the look and feel of the picture, the foreshadowing highlights the anticlimactic tail of the conquering king Iskandar's exit, which is one of the points that Kamiya Yu thinks must be modified.

Although it is impossible to defeat the Enemy Treasure [EA・Obedient Sword], Kamiya Yu still wants to highlight the strength of [King's Army] as much as possible, so as to act on itself to enhance the character impression of Iskandar, the conquering king.

"The performance strength of [King's Army], how can I show the effect of the inherent nodule and the [EA Obedient Sword], the original [EA Obedient Sword] directly broke the enchantment and caused the sky to collapse, here is it possible to use the inherent enchantment to continuously repair and improve the expressiveness of [King's Military Strength]." Yu Kamiya recalled the storyboard of the original painting that had been determined before, and it didn't take long for him to have the answer.

The key point is Princess Weber's three spells.

Princess Webber uses three spells to order the conquering king to carry out orders with a long-term goal, which greatly wastes the magic of the spell, but it is explained by the novel to coincide with the state of mind of the conquering king Iskandar, putting him in a "great" state. Then Iskandar, the conqueror who is in an "excellent" state, is happy to be ruthlessly crushed by [EA Obedient Sword], and no matter how you look at it, this setting is wasted. The audience substituted the vision of Iskandar, the king of conquest, and this duel could not feel exhilarating at all.

Yuu Kamiya recalls and recalls the memory of drawing a simple original picture storyboard one stroke at a time.

"The first act of the remastered version of the golden glittering Gilgamesh and the conquering king Iskandar

Gilgamesh: [King's Treasure] is greatly enhanced, tilting tens of thousands of Noble Phantasms to bombard [King's Army].

Iskander: [King's Army] has been strengthened by three spells, and has been able to show its full strength, the overall quality of the army soldiers has been strengthened, and some warriors have a real heroic spirit level for a short time, and some treasures can be used.

Result: The King's Army withstood the full opening of the King's Treasure, and Iskandar, the conquering king, approached Gilgamesh under the cover of some warriors, intending to take off Gilgamesh's head with a broadsword.

Act II

Beginning: Gilgamesh's golden armor formed a shield against attacks, and he was forced to flee using the Noble Phantasm, praising the strength of the king's army and acknowledging the conquest of King Iskander.

Gilgamesh: As a compliment, use the EX-rank Boundless Treasure [EA・Obedient Sword].

Iskander: The King's Army Launches a Second Charge.

Result: In the face of the terrifying power of [EA・Obedient Sword], [King's Army] struggled until the last moment before it collapsed, during which there was a scene of the inherent barrier confronting [EA・Obedient Sword].

Act III

Beginning: [The King's Army] has completely collapsed, and Iskandar, the conquering king who has lost all his combat power, returns to reality, even if he has nothing and is not afraid of death, and intends to give it a go.

Gargamesh: [King's Treasure] and [Heavenly Lock] are used together.

Iskander: Still trying to fight closely, shoot several Noble Phantasms, [Heavenly Lock], and finally lose the enemy.

Result: Iskandar was confined by the Locks of Heaven and was killed. ”

"It's basically like this, defeated like Iskandar, the king of conquest, but without the look of being easily crushed like the original." Yu Kamiya sat on the office chair and stretched, quite satisfied with his idea.

・・・・・・

The Fate/zero anime has aired TV Tokyo for its seventeenth episode, and it is probably one of the most exciting and exciting moments of the anime. The trump card air battle between Berserker Lancelot and Golden Gleamesh is the most important thing is the knight king Saber's liberation treasure's real name [Sword of Oath of Victory].

"Fate/zero" does not make it clear who is the protagonist, and it can be said that which one is the protagonist, there are many viewers who substitute for the conquering king Iskandar group, and there will only be more who substitute for the real protagonist group Knight King Saber, about Saber's performance in this Holy Grail War has always been one of the points of contention, and the topic extended from the outright novels "Knight's Twilight" and "Knight's Tragedy" - whether Artoria Pendragon is a qualified king and whether all the tragedies were born from her.

[Sword of Oath Victory] gives the answer.

In order to create an animated effect, Yu Kamiya postponed the fourth volume of the "Fate/zero" novel, which was supposed to be released to the public, until after the seventeenth episode aired.