I'm not too in a state today, so I won't write it reluctantly, so I'll just talk to you here. It's free anyway, so if you don't dislike it, just look at what I say.

I feel like I'm going to have to write this chapter sooner or later, because whether it's Tieba or some readers and friends, this question has been raised - too much nonsense, too much watery plot.

I'll admit that as an online writer who writes novels, this is a very failure. Because the concept of the novel is a literary theme that focuses on the portrayal of characters, and reflects social life through a complete storyline and environmental description.

As a rookie writer, I am a pure novice, and I will be at a loss to seek guidance from the "old rivers and lakes" at first. Everyone is always persuading me to follow the routine, it seems that online novels are playing routines these days.

I don't know how to become a god. Perhaps the three young men of the Tang family have been constantly changing for more than ten years, and they have achieved the ultimate in fantasy cultivation, which is worth emulating. can also be like the third uncle of the southern school and Jiang Nan, find another way and become a god. But this is not my path, just like Li Xuchen in the article, he is really not suitable for cultivation, so he should do what he likes and step out of his own path. These will be written later, so I won't go into more detail here.

There will be a lot of stories in this novel, not necessarily all ups and downs, but also a lot of plots that come naturally. I mixed a lot of digressions, or some of my own thoughts and feelings, or even jokes I saw elsewhere, and I would never admit that I was making excuses for my plagiarism......

I want to write the novel like stand-up comedy, with a storyline, baggage, jokes and jokes. Of course, it can also be understood as storytelling.

Everyone also knows that the famous works of Journey to the West of the Three Kingdoms are all fighters in novels, which can be called eternal classics. And where are these classics drawn? Drawing on myths and legends, historical legends, folk tales and fables, etc.

Vernacular novels, in ancient times, were something that could not be put on the table, and if they wanted to be disseminated, they had to rely on storytellers to adapt these stories into storytellers.

Some friends may ask, just now you were still saying that you wanted to write the novel like stand-up comedy, how could this lead to storytelling again? It's still very difficult to distinguish between storytelling and stand-up comedy, and if you have to say one, two, three, it's purely a bar. After all, I didn't learn this either, so I just use Mr. Guo Degang's point of view to explain it.

In short, both are storytelling, both have commentary and baggage, and both are consistent from an artistic point of view. So how do you tell the difference? Either according to the person, everyone is used to listening to Mr. Guo's cross talk, then he said that everyone thinks that storytelling is stand-up comedy, if it is a recognized storytelling actor, then even if he says stand-up, everyone thinks it is storytelling. There is also a simple, same story, everyone laughs, this is stand-up comedy! Otherwise, it is storytelling.

Again, I didn't learn this thing, at least in the eyes of a layman, Mr. Guo Degang's words are still very reasonable. If you have a professional friend, you can solve my doubts, the QQ group is in the comment area, take the opportunity to do a wave of advertising, haha (*^.^*)

Storytelling and stand-up comedy both have a basic element of "buttons", and the so-called "buttons" refer to those gripping suspense. There are large buttons and small buttons. "Big Button" is mainly based on narrating the storyline, with a rigorous structure and meticulous attention. "Little buttons" are mainly based on creating characters.

The novel also pays attention to foreshadowing and foreshadowing, which is what we call "digging pits" in our daily life, I have not done a good job in this regard, after all, the level is limited, I hope to make progress in the future, and everyone is welcome to put forward valuable opinions and suggestions.

One of the things I want to do at the moment is to integrate the parts of storytelling that are different from novels into the novel, especially the colloquial characteristics of storytelling.

I have written some fantasy in the past, and I only sent it to the editor after accumulating a certain amount of manuscripts, which may be that my writing is too poor and I have repeatedly hit a wall. Not long after I started writing this time, a friend around me told me: "When I read this novel, I feel like I'm chatting with you, it's very familiar, very similar to your usual speaking style."

I didn't think anything about it at the time, I must have my own style in what I write, isn't that what everyone is? Later, when I thought about it, it was like a lightning bolt cutting through the endless night, to use a very cliché metaphor. I had an idea, and that's what I wanted!

In the novels I wrote before, no matter what the plot is, the characters in them talk and act, it is always difficult for me to describe clearly, and it always seems pretentious (of course, this book also has this situation). Now I want to tell you a story in a chatty tone, talking about calves at the same time, hoping to create a talk show feeling.

In the process, I can also let everyone know me a certain way, and maybe I can make a lot of friends. For example, the name of the group, your sister, spend the rest of your life together, etc., I believe that more and more friends will join us in the future.

Those who often listen to cross talk know that Guo Degang always likes to joke about Teacher Yu Qian, say some jokes such as "biological friends", and also tell a lot of "Teacher Yu's stories". Yue Yunpeng and Sun Yue of Deyun Club are the same, as well as Hunan Satellite TV's soldiers and Zhao Weiguo, etc., this kind of joke is a common practice in the cross talk industry.

I also want to learn this kind of "jokes in life", interested friends can chat privately about me becoming the "male No. 1" and "female No. 1" of a certain story, and the contact information is also in the QQ group. Don't forget to add a group!

This method has been used by some authors before, but it is difficult to do this in the form of a short story, and I was also inspired by the famous League of Legends commentator Ash. He pioneered stand-up comedy, so why can't I apply it to the novel?

It's just that I really can't tell the "story of my sister-in-law", even if I have the talent to write "exciting but jungler, fun but cousin, delicious but chicken soup, fun but Xiaocang", I don't have the courage to say "anti-vulgarity is against the people".

What's more, there will definitely be many readers and friends who will complain: "Good young people, just drive when you say drive!" Really, the hero doesn't ask where he comes from, the driver doesn't look at the age, hurry up and put in the coin, and the one in the back is still in line......

After so much talking, I finally dragged out today's more foolishness.,It's a pity that the novel can't have a final poem.,After all, there's no need to suppress words.,I can't hear you watching the novel and eating melon seeds.。 Let's just take a shot at the end of this chapter.

The three emperors and five emperors of morality, the famous Xiahou Shang Zhou.

The five tyrants and seven heroes made trouble in the spring and autumn, and they rose and died in an instant.

There are several lines of bluestone names and surnames, and there are countless barren hills in the north.

The predecessors sowed the seeds and the later people reaped, saying that the dragon and the tiger are fighting!