"Violet Blooming Garden" is an animation produced by Kyony Animation Company six years ago, and it is also the only work written by Emi Uehara herself, and it is precisely because of the appearance of this work that she has pushed her to the pinnacle of Japanese Gothic style, and is known in the industry as an unsurpassed master of original painting in the field of animation Gothic style. As for the picture of the work itself, the plot or the musician design, not to mention in this world, it is a masterpiece that makes people feel amazing in the last world where Kamiya Yu is located.

A divine work, a magical work, a divine work, a god-level work that cannot be surpassed!

Yu Kamiya didn't like this arrogant word very much in the last world, and he wouldn't put such a label on any of his works. In a broad sense, there is no kind of literary film and television work in this world that can be called a masterpiece, and in a narrow sense, there are many unidentified onlookers who like to press this word to some commercial fast food works, which has caused the value and meaning of this word to plummet, and even become a word dedicated to satirizing this kind of thing.

"God's work? Hehe. This is probably the marvelous reaction of most people to the mouths of some people about God's work.

There are a thousand Hamlets in the eyes of a thousand people, and there may be a thousand different masterpieces in the hearts of a thousand people.

Kamiya Yu is the same.,There are several works in his heart that can be called masterpieces.,For example, when he came into contact with anime, "Lelouch the Rebellious" gave him great shock and surprise in all aspects of the anime.,Even when I rewatched it later, I found that there are actually many deficiencies and imbalances in all aspects of this animation.,It doesn't prevent him from labeling this anime as a masterpiece in his heart.,Because at that time, only this anime brought him a touch and a shock that shook his heart.,With the passage of time, he may forget the plot of this work., But he will never forget the feeling that this work once gave him.

God's work is such a word that will float in different people, different life experiences and experiences.

Even so, Yu Kamiya, who now has extremely mature anime experience, still labels "Violet Blooming Garden" as a masterpiece.

To say that this anime itself is a legend in the world of Japanese animation, originally made from the current Japanese novel world Taishan Beidou - Fog Mirror Ruri, a genius novel writer that even Yuu Kamiya is amazed by. You must know that this world tends to be idealized, and geniuses like Uehara Emitsu and Kamiya Qiong, which are beyond the imagination of ordinary people, are not scarce to the level of national treasures. And this foggy mirror Ruri is a national treasure of genuine value in terms of novels, and has been praised by the Japanese literary circle as the most outstanding fiction writer in Japan in the past 100 years, and every novel she produces will become a Japanese phenomenon topic, whether it is a long story, a short story or even a fantasy light novel.

In particular, the admiration of the younger generation in Japan has almost reached the point of fanaticism.

Of course, Yu Kamiya has seen her works, and I was amazed at the first sight, but I felt that there was no ingenuity in her words. The text is delicate and delicate, just like Yamato Nadeshiko, which is full of Japanese classical charm like Uehara Emitsu, as if abandoning all the vulgarity of lead and vulgarity, and every word has the power to touch people's hearts. Previously, Yu Kamiya had never seen a fiction writer whose words were so powerful, and even the countless classics of the previous world or modern online novels combined could not find a fiction writer whose words could match her.

Kamiya Yu in the last world has a very hazy feeling about writing, and the most intuitive thing is that the appropriate use of ancient words or playing with those ancient words that ordinary people can't understand can create a sense of loftiness in writing, until the first time he came into contact with the works of Fog Mirror Ruri, he clearly realized how pale and ridiculous he was in writing, and every tall plot he carefully conceived was not as infectious as a small scene in her pen.

Putting aside the writing of the foggy mirror glass, what amazes Kamiya the most is her control and description of the characters, although not everyone can be impressed by her pen, but everyone has a character and words and deeds that meet their own definition. The protagonists and supporting characters are extremely plump, flesh and blood. Every time I read the works of Fog Mirror Ruri, I will have a strange feeling that it is not the plot that guides the characters, but the character that determines the plot that appears later.

It is these two supernatural talents, coupled with the amazing amount of knowledge that have lifted her to the pinnacle of Japanese pop literature, and even those vulgar and bloody romance plots will be rejuvenated under her pen, giving people a completely different intuitive feeling. However, it just so happens that it is her ability to turn decay into magic that restricts the development of her work in other fields.

Generally speaking, it is undoubtedly more graphic and aesthetic to make a novel into an animation, but all the works of Fog Mirror Ruri are extremely good, but they are also called the "graveyard of the production company". So far, there have been several films, and the animation production company has been criticized and ridiculed by all the people and media who have seen the original novel of Ruri Kirigami for wanting to make her work cinematic and animated. Although these companies have made excellent works, they are still a cut short of the original work, and they can't find the world depicted by the foggy mirror glass pen for readers.

Against this backdrop, "The Violet Garden" is probably the only work in Japan that animates Ruri Kirigami's novel without being widely criticized, because it expresses the charm of the original in every way. "The Garden of Violet Blooming" was made by Uehara Eriki named by Murray Ruri herself, because this was the first time she did this, it set off a lot of waves in the novel industry at the time, speculating about the personal relationship between her and Uehara Eizuki, and then many investment companies that wanted to hug the thigh of this national writer were naturally stingy with their money.

After a round of planning, each episode of "Violet Garden" with a total of 11 episodes has a huge budget of almost half a billion yen, which is far more than Yuu Kamiya's last world, excluding the most expensive machine combat anime such as the theatrical version of "Gundam Seed", and as for the picture effect, it lives up to expectations and achieves the level of explosive picture quality comparable to the theatrical version of "Ghost in the Shell". In particular, the animation scene design, character image, and cultural atmosphere that Uehara is responsible for are all a visual feast that makes people can't take their glasses off.

"Violet Blooming Garden" just tells the light fantasy story of a female robot looking for "self" in the background of steampunk, a theme that is not new, but the pen tip of the fog mirror glass and the support of many funds set off an unprecedented storm around the world at that time, becoming one of the most representative works of Japanese animation in the world.

The investor's decision was correct, although "Violet Blooming Garden" is an animation, it bears the name of the national writer of Fog Mirror Ruri, and after a round of publicity and various commercial activities, almost every investor has made a lot of money, and it has also allowed Kunny Animation to survive until now.

Don't get me wrong, this is not to say that Kyony Animation made much money on this animation, in fact, in addition to handing over the character design and original art to Uehara Eizuki, all the subsequent animation production steps were undertaken to large outsourcing companies or studios. In the industry, animation production companies are equivalent to construction workers, who has ever seen a boss who sells a house give a dividend to a construction worker for selling a house? This is illustrated by the fact that the production company of the world's popular original anime "The Girl and the Chariot", which is extremely popular in Japan, is facing bankruptcy.