He who gives everything has nothing, and he who gets everything knows nothing. Pen & Fun & Pavilion www.biquge.info

Sayaka Miki made a wish to become a magical girl, and after fighting the witch countless times, the moment she struggled on the line of life and death, she knew that she had lost the qualification to stay by Kyosuke Kamijo, but she was still struggling and wailing. She gave everything and didn't get anything in return, and no one even knew what a heavy price she paid. I thought that she would be happy to see Kyosuke Kamijo happy, but the appearance of Shizuki Hitomi made her realize how stupid she was, and she made a selfless wish with selfish thoughts.

Sayaka Miki regretted it.

Kyosuke Uejo's violin performance received a lot of praise, and Sayaka Miki desperately guarded the city without anyone knowing.

・・・・・・・

Kyosuke Kamijo and Hitomi Shizuki become a couple, you and me, Sayaka Miki fights to the death with a witch alone, and the soul gem is blackened by negative emotions, even when she is reminded by other magical girls that she has no intention of purifying the soul gem, at that time her spirit has fallen and she begins to enjoy the negative emotional effects of the soul gem filth.

・・・・・・

Kyosuke Uejo successfully realized his dream and successfully performed on a well-known stage and was unanimously praised by the judges.

With his violin music in the background, Sayaka Miki successfully defeated the witch, tearing up or devouring the witch that appeared with brutal and cruel means.

・・・・・・・

When he received the coveted award, Kyosuke Uejo happily said on the bandstand, "The person I want to thank the most is the one who was always by his side when he was hospitalized and never gave up on him no matter what setbacks he experienced..." ”

・・・・・・

Kyosuke Kamijo forgot about Sayaka Miki, who had been cheering him up all the time, and remembered the lady who gave him flowers.

Hitomi Shizuki forgot that Kyosuke Uejo was the person her closest friend liked.

Sayaka Miki was betrayed by her closest friends, betrayed by her favorite people, and targeted by the malice of the world.

In an instant, the soul gem was completely polluted and shattered into a black lamentation seed, and Sayaka Miki also degenerated into a [Mermaid Witch]. With the last ray of hope in his arms, he approached Kyosuke Kamijo with a twisted witch body and wanted to pour out all his feelings to him, but when he was shocked and denounced as a "monster" by him!

The human part of Sayaka Miki is completely consumed by despair, and the grand banquet of the Witch of Pain is held here with the violin music performed by Kyosuke Uejo as the backdrop and the magnificent performance stage as the venue.

Hitomi Shizuki was brutally turned into a violin by the [Mermaid Witch], Kyosuke Kamijo became a caged bird and imprisoned on the witch's stage, and every time he played the violin, Hitomi Shizuki wailed, and the audience who originally came to watch Kyosuke Kamijo's performance turned into a puppet and gave extremely warm applause when he heard Hitomi Shizuki's wail.

Kyosuke Uejo was manipulated by the witch to play the most familiar violin song all the time, and Shizuki Hitomi's mournful wail also made him cry in despair.

・・・・・・

"Will the plot be too dark?,I remember that the original work was warned by the [TV Broadcast Ethics Association] because of the plot problem.,Just in case, it's better to apply for a fifteen-year-old rating."

"The original work of "Madoka Magical Girl" can probably be divided into three chapters: hope, despair, and redemption, with Xiao Meiyan, who has the ability to travel through time, as a clue to start with the hope chapter. The process may vary, but this technique is the favorite narrative technique used by Ryogo Narita, the author of "Wine of Eternal Life" and "Persona of the Headless Horseman", to disrupt the plot timeline and allow the characters to trigger and relive their memories. ”

"With hope as a foreshadowing, despair as the mainstay, and redemption as the ending of the story. The focus is on the portrayal of despair, hoping to transition to despair, and then elaborating on despair more concretely, only in this way can the redemption as the ending be more impactful and infectious to the audience. ”

"Then there's the plot.,The general framework is about the same as the original.,But the ending must be modified.,The original ending is wonderful but not perfect.,The missing part is only made up in the theater version."

"The content of the theatrical version can actually be incorporated into this article."

"Gertrud the Rose Witch, Charlotte the Snack Witch, Elly the Witch of the Box, Albertine the Doodle Witch, Gisela the Silver Witch, Elamaria the Shadow Witch, Oktaviavonseckendorff (Sayaka Miki), Izabel the Artist Witch, Patricia the Squad Leader, Roberta the Witch of the Birdcage, Relief witch kriemhildgretchen (kame-maru), stage equipment witch walpurgisnight (witch's night). ”

"And the final appearance, the [Witch of the Universe] who represents the despair of this world."

In the consciousness space, Yu Kamiya recalled the original information when he created "Madoka Magical Girl", each witch is associated with a plot unit, but these plot chains did not satisfy him at all: "The [Witch of the Universe] is destroyed by the [Witch of Relief (Madoka Kame)] or the [Witch Who Doesn't Exist and Is Not Anyone] defined as the Principle of the Ring. ”

"Added the content setting of the theatrical version of [Magical Girl Madoka の Rebellious Story]"

"Re-edit the setting of [Witch of the Universe], in the original work, it is the price of Madoka Shikame's overly ambitious wishes, including all the despair in the world. However, Kamedo's own wish is to destroy all the witches in the world and change the existence of witches from the rules, so the [Witch of the Universe] is also destroyed by the wish itself as a price. ”

"Combined with the theatrical version, you can set [The Witch of the Universe] as Xiao Meiyan, she is the cause of the reincarnation of time, and the causal lines entangled in her are no less than the circle god herself, and she has quietly fallen in countless reincarnations. Incarnated as the [Witch of the Universe] and with the last tiny wish, the witch destroyed the original world, created the ideal world, and let "herself" wander in this world to "save" Kameka to satisfy her deformed wishes. ”

"[The Witch of the Universe] is the cause of everything, and what she desires is the fruit of all things."

"Xiao Meiyan is the cause, and the deer eye circle is the effect."

"[Witch Night] can be a very good fuse, for example, the [Witch Night] that still can't be eliminated after a big battle is stopped by Xiao Meiyan's words when she wants to kill Shikamedo, and QB jumps out as a bystander to break Xiao Meiyan's [Witch of the Universe] identity, saying that this world is actually the true image of a cage she created."

"Madoka Shikame, who witnessed the destruction of the world in [Witch's Night], retrieved her memories of countless reincarnations through QB's ability, and she understood everything and wanted to draw a happy end to everything."

"The cause and effect that has entangled her and affected countless worlds has been transformed into the power of desire."

"The [Principle of the Ring] was born, transcending the timeline and the universe, almost equivalent to the immutable mathematical theorem of the universe that wiped out all witches before they were born."

"Well~ Since it is integrated into the content of the theatrical version, the rhythm and narrative technique of the story need to be adjusted slightly. "Wine of Eternal Life" flashback? Keeping the original floating contrast? Well, in fact, it is also possible to take the means of playing the future chapter and the despair chapter in "Danganronpa" together. ”

"The flashback method is suitable for story unit dramas, and a long story like "Madoka Magical Girl" will disrupt the rhythm of the plot, and it is not impossible for two episodes of "Projectile Carousel" to be broadcast together, but it always feels like it lacks impact compared to the original."

"Keeping the original narrative approached? Then it is necessary to adjust the rhythm of the story, and hope will continue to lay the groundwork for the despair chapter, and at the same time advance the development of the story smoothly beyond imagination to achieve the follow-up contrast effect. ”

"The hope chapter changes the history of Asami Ba becoming a headless horseman, and Madoka Kame's wish for a cake becomes a magical girl smoothly. It wasn't until the seventh episode that all the members faced the [Witch Night] and ended with the annihilation of the group, Xiao Meiyan's time shuttle as a clue to open the despair chapter, and Xiao Meiyan, who once again witnessed the death of Shikameyuan, swore that she could not be allowed to continue to be a magical girl, and the means taken to stop her were more intense and rude. ”

"The despair chapter maintains the rhythm of the original work, Sister Yama Mei turned around, Sayaka Miki degenerated into [Mermaid Witch] in despair, and Kyoko Sakura and [Mermaid Witch] died together, and until the arrival of [Witch's Night], Kameka did not make a wish." (To be continued.) )