In the world of music, the two complement each other, you play the strings, I pluck the keys, a look at each other, it seems that without too many words, you have found a tacit understanding in the world of music.

This McBrae's HOME has an indescribable taste, and this super sense of musical substitution has nothing to do with the lyrics, because some people can't understand the English lyrics, but just the melody, this kind of melody, is enough to make people fascinated.

Music knows no borders, and sometimes, it is the instrument itself that combines the sounds of those musical fragments, metals or utensils to create this wonderful musical story and collide with sparks.

Liu Sandao gradually guided Xi Qing in the music, so that the latter felt the true charm of the instrument, so Liu Sandao just hummed in the back, and the feeling of that family was still hovering in his mind.

After singing the song, Liu Sandao directly called Xi Qing to his music room.

The interpretation of a song, Liu Sandao has been determined, this Xi Qing can be accepted as his apprentice.

Liu Sandao's music room is 40 square meters, and there are cabinets on both sides of the room, with traditional oriental instruments on one side and Western instruments on the other.

Xi Qing saw that there were horse-head fiddles, erhu, flutes, and some musical instruments that Xi Qing couldn't name at all.

Liu Sandao took down an erhu from above, he didn't say much, and after tuning the piano twice, he sat on a chair and began to pull it up.

Xi Qing had been exposed to the erhu when he was a child, and he had tried to pull it with the older generation of artists, and it was much more difficult for him to have an erhu than other musical instruments.

There are a lot of exquisiteness in this erhu, the most important thing is that the bow should be good, the bow is composed of a stem and a bow hair, the bow hair is tied to the two ends of the stem, and then the bow hair and the two strings of the erhu are rubbed to make a sound.

When pulling, it is actually a love-hate process of bow hair chords, and a good luthier will have a feel to find the most comfortable playing power and frequency for this friction.

It is not an exaggeration to say that this is the kung fu in his hands, when Liu Sandao pulls the string, it can be seen that the line of his hands is like flowing water, and he has a high grasp of this erhu.

Now, Mr. Liu has pulled the famous art master Huang Haibad's "Horse Racing", and the sound will immediately make people excited.

This horse race is a demonstration of the fast-paced composition of erhu playing, full of masculinity, exhilarating and tinged with local Mongolian music.

"Horse Racing" is actually derived from Mongolian folk songs, and imitates the effect of the horse-head fiddle through tremolo fingers during the interpretation, and the style of the song is distinct;

"Horse Racing" emphasizes the smoothness of the bow and the fullness of the timbre, and the whole piece is cheerful, warm in color, and pays attention to a coherent sense of line; Liu Sandao played this piece for Xi Qing to listen to, he wanted to give Xi Qing a point of view first, that is, the erhu is not a weak instrument, and can only play a tune like Erquan Yingyue.

Horse racing takes erhu playing skills to a new level, successfully proving that erhu can also express unrestrained, rugged, fiery, jubilant, and indomitable masculinity.

When Liu Sandao was pulling the strings, Xi Qing paid attention to the fingering of his hands, the frequency of the swing, and the performance of the bow. Any musical instrument can not escape the cooperation of the hand, the interpretation of the erhu should pay special attention to the unity of the two hands, in addition to the left hand to cut the strings, change the strings, the right hand bow is also very important.

To put it more seriously, the difference between an ordinary luthier and a high-level luthier lies in the display of the right-handed bow, a good luthier can play the piece forcefully, with knots, and the perfect combination of the song and the swing of the hand.

And the bad luthier is just a violinist, mechanically doing the job, and that's it.

For this horse race, Xi Qing has heard it for a long time, and naturally he didn't say anything about the song, and he was able to control it, and he almost quickly mastered the running of the fingers of his left hand on the strings.

Speaking of which, this horse racing song still has a certain pattern, and Xi Qing has already controlled the active and swift finger raising traces with the help of the warm current in his brain.

And the feeling of the strength of the fingers falling on the strings is already a breeze for Xi Qing.

In this world, Xi Qing can't find a second finger who has a better grasp of the strings than himself.

The rise and fall process of the finger pressing action and the elasticity of the fingers depend on the flexibility of the metacarpophalangeal joints, and Xi Qing has always been clean and neat in this regard.

The learning process is boring and tedious, and there are repetitions and repetitions. No matter how good the song is, because you always practice, you will lose the good feeling.

But in Xi Qing, this feeling did not appear.

The first time I grabbed the erhu and formally played a tune, Xi Qing was excited, and the left hand followed the regular string cutting and walking the tone, Xi Qing was a fresh and exciting experience that traveled all over the body.

Despite dozens of repetitions, the horses pulled out by Xi Qing do not have the kind of domineering momentum, and even like the laziness and humor of pig racing and sheep racing, but in Liu Sandao, he is a rare genius.

Unexpectedly, this kid can remember the fingering for the first time he plays the piano, and his fingers skillfully stroke the strings, and there is no rusty feeling.

And if it weren't for the bowing, the position of the piano, and the frequency of pulling, I am afraid that this horse race would have been conquered by him today.

Liu Sandao knew that Xi Qing's talent was amazing, but in the history of erhu singing, there had never been a genius who could complete the performance of a horse race in one day.

And it seems that this kid's posture, he can't stop being in it, with a slight smile and stubbornness on his face, as if he must perform this song today.

……

As the sun set, the faint shadows of passers-by in front of the house were jagged and crushed by the remnant sun while walking, and the wind blew through the windowsill and swept away a little dust in the house.

Later, Liu Sandao went to the living room, and the repeated tunes made him impatient, leaving Xi Qing to practice alone in the house.

Fu Hongjiang and Qin Xuan, seeing that the time was not early, also had plans to leave. However, the kid was still playing, and Qin Xuan couldn't walk for a while, so he could only wait boredly in the living room.

Over and over again, music with different problems came out of the house, which lasted for more than half an hour, and when several people felt that today, it was impossible for Xi Qing to practice this song well.

Unexpectedly, in the next second, the majestic momentum, warm atmosphere, and unrestrained melody rushed into the ears of the three people.

It was as if countless galloping and neighing horses suddenly broke into their homes, and the neighing sound, from far to near, suddenly made the three of them believe that it was true.

It was as if there was a horse race in front of me.

The voice was warm and vivid, in a trance, and the three of them realized that it was Xi Qing who completed this work.

At this moment, Liu Sandao can almost know that the most difficult use of fast bow and jumping bow skills in this piece, as well as the use of plucking strings and vibrato skills, Xi Qing has learned all at this moment.

That's right, in just one day, no, half a day, Xi Qing mastered this horse racing tune, he is really a musical wizard!

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