Yu Kamiya believes that the audience's level of brain supplementation for a character, scene, or plot depends on the sense of identity and the amount of information. Pen, fun, pavilion www. biquge。 info

What is identity? It is the audience's recognition of a certain character's behavior concept, which is analogous to the novel is the so-called "sense of substitution". The reason why the protagonists in Chinese online novels rarely have extreme personalities is because readers are "ordinary people", they are not great people who commit great crimes or sacrifice themselves, and these two protagonist templates will cause readers to subconsciously resist and cannot substitute themselves into the protagonist's vision.

In the same way, the same is true for light novels in District 11, and the cultural differences between the two places can be seen from the comparison of light novels and the protagonists of Chinese online texts. It's just that although the cultural aesthetics are the same, the position of the protagonist of the Chinese online text is in line with that of European and American readers, many European and American readers are sighing when they first come into contact with the Chinese online text, and they are finally no longer the waste material protagonists of the Japanese comics, no longer the European and American Wei Guangzheng, and the light novels in the 11th district have also produced a lot of novels similar to the position of the protagonists of the Chinese online literature in the commercialization stage, but that is also the leftover routine of the Chinese online text, which can be summarized as the type of "rebirth, other world, and Long Aotian". "Overlord" (King of the Undead, Bone Aotian), "About My Reincarnation as a Slime", "Sword Art Online", "Problem Children in the Other World" and so on are all masterpieces of this kind.

Therefore, there are often light novels or comic readers jokingly saying that "Chinese online literature is 500 years ahead of Japanese light", and the protagonist position of Korean novels and comics and other works is also biased towards Chinese online literature, and there are very few herbivorous protagonists like 11 districts.

Video works such as animation and movies cannot use the word "sense of substitution", because the information shown by animation is more specific and complete, and many places do not need the audience's brain to make up for it and have already perfected themselves, replacing the "sense of substitution" is the so-called sense of identity, the recognition of the actions and words of the animated characters.

This is very important for animation, including the appeal and tension of the plot depends a lot on the audience's identification with the characters. To give a very classic example, Luffy in "One Piece", which viewer would substitute himself for this stupid boy who only knows how to eat? But after the audience determines that Luffy is the protagonist and identifies with him as the core of the whole story, then there will be a sense of identity, based on Luffy's own cognition to understand this fictional world, happy as he is happy, sad as he is sad, and angry as he is angry.

The most classic plot in "One Piece" is the [Top War] when Luffy's brother Ace was executed, and the clip of Ace sacrificing his life to save Luffy won many tears from the audience.

The audience is not related to Ace, why do they cry over the death of an animated character? The reason for this is that the audience identifies with Luffy as the protagonist and empathizes with everything that happened to him. This sense of identity is not substituted for the story itself, but in the form of a subtle spectator. The contradiction between the form of a bystander and empathy is the most difficult part of the audience's identity, and the director of many film and television works has not fully mastered it, so the director will definitely not be obscure.

After talking about the impact of identity, the next step is the amount of information.

Or take the death of One Piece Ace as an example, compare [Audience Touched] to the riverbank, the sense of identity is the bridge to the riverbank, and the amount of information is the opposite side of the riverbank, if there is no opposite side as the opposite side of the supporting bridge, then the audience's identity as a bridge has no meaning. The amount of information is the basis of everything, and the most important factor affecting the audience's sense of identity and brain supplementation.

What exactly is the amount of information? A large number of memories before Ace's death are informational, and Luffy's reaction to Ace's execution is informational, and even background BGM is one of the information in a broad sense.

Just imagine, if any of the above factors were missing when Ace was executed, would the tragic feeling that the audience felt when watching this plot still exist? Even if it exists, what effect does the absence of that factor have on that sense of tragedy? As a result of the tragedy of Ace's death, the increase in the amount of information is a multiplication formula, and the more things you add to it, the greater the result of the whole equation may be, so the memory killing of the 11 area animation will become a classic routine of the hot-blooded boy manga.

Because the whole multiplication equation has matured, the parts that can be innovated so far have been excavated by the predecessors, and it is difficult to add more things to the information equation.

Brain supplement is based on the sense of identity and the amount of information, the so-called thousand readers have a thousand Hamlet in their hearts, and only belong to the audience's own point of view outside the objective.

A viewer who only watched the episodes of the plot of "Top War" and a viewer who has been watching "One Piece" since the first episode have absolutely no the same perception.

Back to the topic, when Saber liberates his real name and uses the Sword of Oath Victory, the original animation of "Fate/Zero" is like a viewer who is just watching the plot of "Top War", and the narration of Mrs. Alice Phil von Einzberen completes the most basic information. The remastered version of the "Fate/Zero" anime Saber uses the Sword of Victory of the Oath, so as long as you have watched the "Knight's Twilight" novel and watched the soon-to-be-animated "Knight's Twilight", you will agree with the concept that Saber adheres to, and know her past and persistence.

Will the Liberation True Name [Sword of Oath Victory] be given a different meaning, and what kind of changes will the royal road that Saber insists on show under this dazzling golden light.

This belongs to the field of the audience's own brain.

In fact, with the original work of "fate/stay/night", part of the plot of "fate/zero" will not be so ugly, and Yu Kamiya's creation of the character biography light novel is also to make up for the inconvenience caused by the absence of "fate/stay/night" as the basis of the work in this world.

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"Tuk-tuk." There was a slight knock on the door, only twice, as if disgusted.

Yu Kamiya immediately recognized who this unique knock belonged to, and said preparedly, "Come in." ”

Kamiya Qiong, who was wearing a professional black suit, stepped in and looked at Yu Kamiya, who was engrossed in facing the computer, and sighed softly, "Yuu, have you forgotten something?" ”

Kamiya asked leisurely, "What time is it?" ”

"Nine o'clock."

He nodded, looked at Kamiya Dome in front of the office door and smiled, "Chiyo Bookstore, right?" ”

Kamiya Qiong bowed calmly: "Editor-in-chief Akiyama is already waiting outside. ”

"Thanks, I'll go out. I can't continue to work when I go home during this time, so I want to do this part of the work as much as possible during working hours. ”

Kamiya Qiong pouted while holding the document in his hand, "So it's all my responsibility to be so busy that I don't even have time to prepare." ”

Yu Kamiya stood up and straightened his suit, pinched Kamiya Qiong's face as he left the office, and said with a smile: "No one said that, and there is no need to think nonsense." ”

"Work is work, and I will not compromise on rest." Kamiya Qiong followed and exited the office and snorted dissatisfiedly.

"Yes~ Yes, then I'll go first." (To be continued.) )