Bilibili is a new type of barrage video website, in addition to users who are interested in ACG, users who come for other factors also account for a large part. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 After the broadcast of Info "Fate/Zero", Station B has put a lot of effort into promoting it in order to attract this group of users, and the effect is finally reflected now.

In the past few years, Yu Kamiya has created "RWBY", "Magical Girl Naha", "Magical Girl Madoka" and now "Fate/Zero", and its far-reaching influence has gradually begun to change the ACG circle in China, transitioning from a pool of stagnant water to new vitality, attracting more and more people to join this field.

Most of the animations produced by Yu Kamiya do not have the bad habits of 11 area animation, which is very in line with the aesthetics of most Chinese film and television works, so every animation he produces is regarded as a classic in the Chinese ACG field. Now that the first season of "Fate/Zero" is over, from the setting, plot, characters and drawings of this drama, it is a top production, and the role of Lancer Zhao Yun has also attracted a lot of attention, and the twelfth episode has been broadcast for less than a week, and the audience's enthusiastic response has been very close to the end of "Madoka Magical Girl", and "Fate/Zero" has become the best drama of Amway in the Chinese ACG circle.

Although the world is in 2018, the ACG culture is far less prevalent than in the previous world, around 2018, China's ACG cultural circle is becoming more and more mature, and absorbing the experience of the 11 districts to begin to develop its own ACG industry. But in this world, the popularity of ACG culture is about the same as that of the last world before 2010, and there is basically no mature ACG circle except for the current B station.

The biggest reason for the low influence of the animation in the 11th district is that the animation in the 11th area of this world is not as good as in the previous world, there is no pillar-level hot-blooded juvenile animation in the sea of death, and there is a lack of EVA, Dragon Ball, Pokemon This phenomenon-level classic, the lack of influence directly leads to the fact that China TV rarely introduces 11 area animation, so you can imagine how poor China's ACG field is now.

Before that, there may be a question to be discussed, that is, how to evaluate ACG culture, and whether the introduction of ACG culture is good or bad.

Kamiya Yu's own answer is quite complicated.,First of all, although he supports the development of ACG culture with interest, he doesn't think it's a good thing.,To put it simply, it's a spiritual entertainment and pastime like an online novel.,Animation has a more terrible mental invasion than online novels.,If the animation is still produced in the 11th district, the toxicity will be on a higher level.,Kamiya Yu is not uncommon on the Internet to see examples of watching animation and seeing a head show funny.。

Take District 11 itself, District 11 is a big country in animation, but the social circle of District 11 itself is crowding out ACG culture. Of course, it is also a pathological tendency for District 11 to evolve into a brainless discriminatory ACG field circle.

Since the positioning of ACG culture itself is not pleasing to the people, why does Yu Kamiya want to promote ACG culture in China, this reason is similar to the animation industry in District 11 today, no other, unless there is a third world war, the development of Chinese ACG culture is an inevitable process of social history, if it is not developed correctly, the result is likely to be similar to the situation of the ACG circle in the previous world.

The fundamental reason lies in market demand

In the modern era, after being materially satisfied, it is inevitable that people will begin to pursue spiritual satisfaction, including novels, animations, comics, movies, etc., even if there is no behind-the-scenes to promote the development of ACG culture, people who are interested in ACG culture will contact it on their own. Then Kamiya Yu will simply be the founder himself, with the experience of the previous world, he can at least guide this circle in the right direction and avoid detours. In this process, it is inevitable to come into contact with and learn from the experience of the animation industry in the 11th district, which is a pioneer.

Of course, Kamiya Yu has no leisure to do animation for the rise of Chinese ACG culture, he prefers to see China and the previous world, excellent works have been developed in a blowout, and he is an animation fan himself.

・・・・・・

"Fate/Zero" passed the flashpoint of the plot of the twelfth episode, and confirmed the name of "fund reclamation". Although "Fate/Zero" has always been inferior to "Madoka Magi" in District 11, the exaggerated drawing has become a topic of conversation in the animation industry, and there are also older generation of animation supervisors on Twitter who praise it. They have experienced the peak of animation in District 11, and at that time, one-shot one-shot and one-shot two-shot animation were still prevalent, and I felt nostalgic when I saw the smooth frame rate and full-action painting of the twelfth episode.

Yu Kamiya logged in on his laptop and could see that his Twitter account had been commented by some followers who had watched the older generation of supervisors.

"I didn't expect to see such a touching anime in the industry that has been completely commercialized, and the anime "Fate/Zero" can feel the sincerity of [Ennoku] animation production company in that way. -- Taniguchi Sea. "A retired animation supervisor, he was involved in the production of several famous animated films during the golden years of animation in District 11.

"Ahh~ Indeed, I was recommended by others to watch this episode, and at that time I thought "only this kind of painting can be called a real animation", and then the storyboard details of Kamiya's supervision are also great! I was ashamed to think that these storyboards were all in the hands of a rookie animation supervisor who had been in the industry for less than a few years, and as Taniguchi said, it was a touching work. - Kento Miyamoto. "Semi-retired supervisor,The last time I participated in the production as a concept art supervisor,Most of the animations involved in the production have disappeared and no one has mentioned it.。

"Newcomers are monsters. - Hitoshi Kobayashi. "The older generation of supervisors is now basically only involved in the production of theatrical animations.

"Well, [Yuanzhikong] animation production company is really different, because other animation production companies can't do it to this extent for various reasons. However, the [Edge-no-So] animation production company did it, not that the current animation production companies in the industry are not sincere, but the [Edge-no-Kong] animation production company exceeded the specifications, and the courage of Kamiya's supervision is amazing. - Ken Fujii. "He is currently an active supervisor of the older generation, with very high qualifications in the industry, and is currently serving as the chief supervisor of the [Forest] Animation Production Company, which is as famous as the [Sunrise] animation production company, and it is a good honor in the industry to receive his praise. Because he was still in the position of animation supervisor, he could see the problem with "Fate/Zero" clearly, and even the major animation production company he worked for would not be able to produce the effect of the twelfth episode.

In the face of these high-scoring comments, after thinking about it, Yu Kamiya used his Twitter account to leave a message: "I was relieved to see that everyone had a good response to the twelfth episode, because everyone at [Yuanzhikong] animation production company and many freelance concept artists worked very hard, and this time I will accept these praises in their place, and in the future, [Yuanzhikong] animation production company will also strive to produce more interesting works." (To be continued.) )