Chapter 261: Ten Years of Fascination

As a director, of course, Murphy can't leave the entire crew and run to have fun with Gal Gadot on his own, not to mention other aspects, the representative of the American AIA insurance company in the crew will probably call him like crazy, so that even if he is alone with Gal Gadot, he will be harassed to the point of annoyance. Pen Γ— fun Γ— Pavilion www. biquge。 ο½‰ο½Žο½†ο½

So, he chose to continue working, and as soon as the afternoon shooting was over, he threw the crew to Seth Rogen and Paul Wilson, and took Gal Gadot straight back to the hotel.

Murphy and Gal Gadot are in love, and they haven't seen each other for nearly a month, and there is only one outcome after the relationship.

In the hotel suite, Gal Gadot was lying on the soft carpet, Murphy pressed on her back from behind, because in the underground garage of the hotel before, the two had come to an extremely fierce car shock, and now the movements are very gentle, and he will whisper a few words in Gal Gadot's ear from time to time, saying a few touching love words.

"My dear ......," Gal Gadot said as she propped herself up, turned her head to kiss Murphy passionately, and panted, "like this...... It's not fun......"

Maybe it was because she had read Murphy's script, and after adjusting her breathing, she said, "Like...... Ride me like Master Yoda rode Luke Skywalker! please! Ride me like Master Yoda rode Luke Skywalker! ”

"I will," Murphy grabbed Gal Gadot by the shoulders and pulled her up, "I'll ride you all night like Master Yoda rode Luke Skywalker!" ”

Gal Gadot straightened up, relying on the strength of Murphy's shoulders, and stood on the carpet, the whole person quickly entered a state of euphoria, and shouted loudly, "No! No! I don't want one night! I'm going to have a whole year! ”

"Willing to help." Murphy quickened the frequency of his movements, "My goddess. ”

A year is unrealistic, one night is impossible, after sending Gal Gadot to the clouds again, Murphy also felt tired, took Gal Gadot to the bathroom to take a shower, the two put on a large bath towel, held red wine and two glasses, sat on the balcony of the suite, while enjoying the night view of Sydney, while pouring out their thoughts.

At noon, the two didn't talk much, Murphy went to work, and returned to the hotel in the afternoon, where war broke out directly, and there was not much verbal exchange.

It's summer in Sydney, it's hot during the day, but cool with a sea breeze at night, and you can see the brightly lit Sydney Lover's Harbour from the balcony.

"I dream of you every day."

Sitting in a high-backed wicker chair, Gal Gadot put his feet cocked on Murphy's legs opposite, and the bath towel hung from his waist, revealing two long, slender, fair, and sexy legs, "But you never dreamed of me." ”

"Honey, you don't know it......" Murphy's hands gently kneaded Gal Gadot's slender calves, and from time to time he walked up, "I am busy and tired from work, and I fall down every day and sleep like a dead pig." ”

Hearing Murphy's self-deprecating words, Gal Gadot couldn't help but laugh, but then retracted her smile, this long separation brought her endless thoughts and insecurities that she had never felt before.

One of Murphy's hands slipped into the upper part of the long legs, rubbing them lightly, and said, "Didn't you just feel how much I missed you?" ”

Gal Gadot lifted his foot and deliberately pressed it on Murphy's lower abdomen, but didn't say anything.

Her family is close to Ivy Nivo and knows that there are so many temptations in this circle.

However, Gal Gadot is a smart person after all, and instead of bringing up such a topic head-on, he muttered sideways, "Who knows how long this feeling will last?" ”

In fact, she could feel that Murphy had an almost insane infatuation with herself, which was the reason for her insecurity.

Murphy leaned over and kissed Gal Gadot's delicate face, his hands continued to roam the two long legs, and gently bit the pair of white earballs, "They, they can fascinate me for ten years." ”

Gal Gadot pursed his lips, but said, "Count you as talking." ”

"It's a little chilly out there," Murphy picked up Gal Gadot's knee with one hand, grabbed her by the shoulder with the other, and picked her up, "Let's go back." ”

Today's work was not easy, and after returning to the two big battles, Murphy obviously felt a little tired, and not long after returning to the bedroom to lie down, he closed his eyes and fell asleep.

Gal Gadot leaned against the head of the bed, heard Murphy's even, long breathing, picked up the remote control, turned up the temperature of the air conditioner a little, and pulled over a blanket over Murphy, who was pillowed on his thighs.

Seeing that Murphy was still holding his legs even when he was asleep, Gal Gadot couldn't help but shake his head and smile, now Murphy is like a child, and only in front of himself is he not the mature and resolute director who appears to the outside world.

In his sleep, Murphy had a dream, in which a woman pinched a baby with mud and sand by the beach, prayed to the sky, and the sky sent blessings, a gust of wind and thunder and lightning intertwined, and the baby made of mud and sand suddenly came to life, and let out bursts of crying, and in an instant, decades passed, and he appeared on the island and met the baby girl, but the baby girl had grown up, and it was Gal Gadot's appearance.

She was wearing a red and blue retro battle armor, and under the extremely short blue battle skirt, she had two slender, light, and active legs, and she always flicked when she walked, which fascinated him very much.

Then, the two got together, and he hid on the island and played with these long legs year after year......

The obsession that penetrated into his bones made him forget everything.

However, after waking up, Murphy is still the same sober Murphy, knowing that he still has important work to do and a long way to go.

With a full schedule, Murphy still had to take responsibility and work on the filming of Deadpool, except for a morning trip to Sydney Harbour, where the Sydney Opera House is located, with Gal Gadot taking a day out of the day.

Not to mention normal filming, after work on a normal working day, Murphy is also the latest group of people to leave the crew.

After the end of the day's shoots, he was planning how to complete all the shoots in such a short time, and every day for half an hour after work, he was either deciding on his work schedule or having meetings with other departments.

The director of a crew will never be idle, and if you want to find a quiet job, don't be a director.

Among them, Murphy put a lot of energy into the filming and production of the action scenes of Colossus and the Sand Angel, especially Colossus, the crew did a lot of preparations, like the kind of static dialogue scenes with black spiders, and you can also use the strong fear perspective method to shoot more easily, but the action scenes cannot be used.

Murphy and the production team needed to calculate and choreograph Coloss's actions, and considering that Colossus was more than 2 meters tall, it was far more difficult to shoot intense action scenes with the Sand Angel than to force perspective shooting.

Although Krakow, the actor who plays Coloss, is already 193 centimeters tall, he is still a big step away from the height of Coloss's body, and the action drama team plans to continue to use dual-track shooting, switching back and forth according to the situation on the set to simulate his height.

The fight of Cowlix was the most difficult to shoot, and the fight between a giant more than 2 meters tall and a woman 1.7 meters tall was very challenging to film.

Before filming the difficult battle between Colossus and the Sand Angel in the final climactic scene, Murphy can use a small duel between Deadpool and Colossus to train his team in the highway chase.

During the shooting, all the car chase scenes were done in front of the green screen at Fox Studios, and the opening battle scene of Deadpool was also filmed in the studio, and Murphy used two sound stages from Fox Studios, except for a large studio with multiple scenes, and in the other small studio, only the highway bridge in front of the green screen was built.

This part of the construction is very time-consuming and costly, but compared to the cost of road closure shooting, this shooting method is still relatively economical, otherwise Murphy would not have used it.

The total investment in the film is here, and Murphy must think about the reasonable arrangement of the scenes and the way of shooting.

There is also the scene of Deadpool riding in a taxi, which was also filmed in the studio, and the crew had already gone to Detroit in advance to shoot all the background materials needed.

To use the footage, Murphy had the prop master set up nine LED panels around the car, which was a great setup that could be used to perfectly replicate the subtle light and shadow changes on the highway during the shoot, and he also adjusted the lighting based on the landscape footage in Detroit, using the lighting changes to simulate the changing conditions of the road.

The whole filming process was quite crazy, the highway scenes, the crew had nearly 250 shots to shoot, so there were very, very many things to do every day, Murphy planned to complete the shooting of 200 shots in a week, which was a very difficult task, and the crew didn't even have time to eat, let alone go out with friends at night.

The highway scene is definitely a highlight of the movie, and Murphy takes this scene very seriously, so the crew has to find a way to do it perfectly.

Murphy's use of LED panels to create a change of light and shadow also helped the lens blend in better with the background, and the entire scene was shot with a digital camera, and since there was no time and place and enough money for the location shooting, the crew had to use the background of the Detroit shoot and the foreground of the familiar shot for compositing.

This order is also important because it is one of the few scenes in the film that has an urban setting.

Murphy and Helena Espoo spent a lot of time designing the city where the story takes place in the early days, starting with a Gothic city that combines Detroit and Sydney, and the crew needed to find a balance on the highways between Detroit and Sydney and the two cities, and spent a lot of time on the streets, highways, overpasses, and buildings as well as textures to make the world feel real.

Compared with Murphy, Gal Gadot, who came to Sydney, had a feeling of idleness, and after walking around Sydney twice alone, he simply returned to the studio to work with Murphy.

On the third day of filming on the highway scene, she returned to the studio and met a funny-looking little girl. (To be continued.) )