Chapter 453: Black Killing

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Entering the screening hall, Jonah Hill came out of nowhere, followed Murphy, and walked towards the front row together, Jonah Hill kept looking behind him as he walked, as if there was something particularly appealing to him. Pen @ fun @ pavilion wWw. biqUgE怂 ļ½‰ļ½Žļ½†ļ½

"That's a good chick." He said suddenly.

Murphy had just nodded to a greeting person, and for a moment he didn't understand what Jonah Hill meant, and asked suspiciously, "Who?" Who's good? ā€

"Julia Roberts's niece." Jonah Hill hastened to remind, "It's the girl who just stuffed you with the note." ā€

The theater can accommodate more than 2,000 people, which is quite large, and Murphy is still some distance away from his seat, so he said a few words to Jonah Hill.

"You said her." Murphy didn't take Emma Roberts to heart at all, and after Jonah Hill's reminder, he remembered that he still had a note in his hand, and he didn't even look at it, so he stuffed it directly to Jonah Hill, "This is for you, you can do it yourself." ā€

Jonah Hill immediately cracked her mouth wide and said with a smile, "When Gale comes back, I will definitely say more good things for you in front of her." ā€

Murphy shook his head, just about to give him a middle finger, remembering the current occasion, he took back the hand that was about to be raised, and said, "Joe, don't hit my flag, or I'll kick your ass." ā€

"Am I that kind of person?" Jonah Hill defended himself first, and then leaned over and said mysteriously, "Do you think Emma Roberts is really Juilliard Roberts' illegitimate daughter?" ā€

"You'd better ask Donnie about this kind of thing." How does Murphy know if it's true or not, "He's the most well-informed gossip about this." ā€

With that, Murphy walked towards the row where the crew was, no longer caring about Jonah Hill.

Then again, everyone has a heart for gossip, and Jonah Hill's question also piqued Murphy's curiosity, and he also wondered if Emma Roberts was Julia Roberts' illegitimate daughter?

He didn't have to ask, if Robert Downey Jr. and Jonah Hill, the two big mouths, got the exact news, the rest of the Stanton party would soon know.

Although this rumor is not very reliable, the rumors in Hollywood circles that Emma Roberts is the illegitimate daughter of Julia Roberts have never disappeared over the years, and perhaps only Julia Roberts and her brother can make this issue clear.

Soon, Murphy let go of these thoughts and waited for the movie to begin.

In addition to the premiere at the Lincoln Center, Twentieth Century Fox has finalized 3,000 advance screenings for "Inglourious Basterds" in North America.

This is very different from other films that want to make a difference during the awards season, and the vast majority of films that are targeted at the awards season do not have such a large premiere.

The typical awards season screening model is to first screen in less than 10 theaters, as much as possible to attract only fans of such films, these people will naturally rate their favorite film genre by one or several levels, and it is very easy to create a good reputation.

In the following period of time, this kind of film will not blindly expand the scale of screening, but strive to create a word-of-mouth effect, and wait for word-of-mouth to ferment to a certain extent, and then appropriately expand the scale of screening, and continue to attract audiences who roughly like this type of film, so as to maintain word-of-mouth evaluation.

Accumulating word-of-mouth and limiting the scale of screenings, all with the aim of creating a good reputation......

It is undeniable that the word-of-mouth of a film is one of the key factors that hit the awards season.

When the vast majority of passers-by are excluded, the number of people who see the film is limited, and most of the moviegoers are fans of this genre or supporters of directors and actors, word-of-mouth performance will naturally improve.

On the contrary, if a film is released on a super-large scale, the type and number of audiences it attracts will be large, and word-of-mouth will become difficult to control.

This is also an important reason why even if the summer commercial films are very good, the ratings are often lower than some more general literary films, and the former has too many viewers, several times or even more than ten times that of the latter.

In the case that the quality of the film is not too bad, word-of-mouth can also be created through marketing, such as the battle for the first place in the IMDB rating list of "The Dark Knight" and "The Shawshank Redemption", no one can tell whether there is a promoter behind it, anyway, Warner Bros. DVDs, TV broadcast rights and online paid on-demand are very happy.

At 7:30 p.m. ET, Inglourious Basterds kicked off on time.

Twentieth Century Fox and Weinstein Films' opening credits flash in a close-up of James Franco's face, and then zoom out to Lieutenant Aldo Renner, who plays Lieutenant Aldo Renner, in the background of the airport, who speaks to a small group of people, and Murphy introduces the background of this dry character in the most concise way possible.

The bastards then boarded the plane, a plane took off, and then they were airdropped into France to begin a long campaign of sabotage and killing behind enemy lines.

In contrast to the bohemian nature of Quentin Tarantino's chapter, Murphy's approach outside of the black style is more traditional, and he takes a multi-line narrative approach.

In order to allow more viewers to sit patiently in the theater after watching the opening and be interested, rather than being defeated by chatterbox-style scenes, Murphy also added a battle scene after the bastard squad entered France, and the battle was not only to attract the audience with black, killing and gore, but also to create characters, especially the bat killer.

It's a quick raid, the battle is fast and bloody, the bastard squad mercilessly slaughters the Nazi army, the flying blood and the blasted heads, almost to the limit of R-rated films, and also makes those adult audiences who can enter the theater fascinated and addicted.

The action scenes represented by "fists" and the passion scenes represented by "pillows" are always the most powerful weapons for movies to attract audiences.

After the battle, the bastard squad treats the enemy mercilessly, even the dead corpse has to cut off the scalp, and the super headshot of the bat killer is a killing feast.

Lieutenant Aldo Rainer's carving art also caused a lot of admiration.

Unlike Spielberg's "Saving Private Ryan", which reflects on the war, and Quentin's playful and angry scolding, Murphy does not give any reflection to the battle scenes, it is a naked feast of slaughtering Nazis!

He never feared that this would cause strong controversy, anti-Nazi was one of the most basic political correctness in the entire Western world for decades, and it was not without people or movies that whitewashed Nazis, but they never made it to the stage.

After the rich black killing, the color of the film is slightly brighter, and the narrative naturally shifts to the side of Colonel Hans-Landa and the farmer, except that the lines are not Quentin-style verbose, slightly more concise, and the plot here Murphy does not make too many changes, the farmer completely collapses in front of Hans-Landa's clever methods, and the Jewish family hiding under the floor is mercilessly slaughtered, only their daughter escapes.

The war entered the end, the Allies began to counterattack, and the bastard squad also gained great fame in the past few years, and even reached Hitler's ears.

Hitler is still a clown in the film, and Murphy is certainly not stupid enough to give the Nazi leader any respect in the film.

Sympathy and inclination towards Hitler's position were undoubtedly self-defeating.

The whole film is divided into two main lines, one is the bastard squad, and the other is naturally Soshana who escaped.

In fact, there is no direct contact between these two lines from beginning to end of the film, but there is a lot of indirect contact between these two lines, the first is that both sides are Jews, and the protagonist of the whole story is also Jewish, and the killing of the German army all comes from the revenge of the German army for killing the Jews, the second point is that a very important character in the movie, Colonel Hanslanda, this person is a famous detective of the SS, and the development of the two main lines is closely related to him, and the third is the common goal of both sides - to create a fire or a big explosion in the cinema, Finish off all the German Nazis in the cinema.

The British were also involved in the operation, and they sent a former film critic officer to France, but it turned out that this one was only a mouth cannon after all, saying that the street safety of underground taverns would not be noticed by the Germans, and it turned out to be full of Nazis; He took the initiative to deal with the Nazis, but as a result, he had no real skills other than mouth cannons, and finally used a gesture to reveal his identity, which led to a fire and explosion......

Michael Fassbender's character is definitely one of the most unreliable in the whole film.

Subsequently, the two lines of the film gradually come together, preparing to carry out a shocking assassination of the top leaders led by Hitler.

Murphy also made a lot of changes, such as Sosana's employee and boyfriend are no longer black, and Hitler and the theater have added guards in front of the door to make the assassination look more difficult, etc.

Of course, the ending of killing Hitler will not change, and in order to create a more outstanding viewing effect, the final strafing will be accompanied by countless blood gushings.

After killing Hitler, Murphy used close-up shots to confess to the Jewish fighters who shot wildly at Hitler's corpse twice in a row, until Adolf Hitler was beaten to a mess.

If it weren't for the grading, Murphy would have made this scene more violent and bloody, which is one of the most climactic aspects of the whole film.

Blood and revenge are Murphy's prominent themes, and since this film is going to hit the awards season, why not kill Hitler and the Nazis even harder?

Killing Hitler is a dream for many, and even though this real bastard died more than sixty years ago, being able to solve him with his own hands is still something that many dreamers like to fantasize about, because it is indeed a feat.

As for Colonel Hans-Landa, it won't end much better, and the bastards bump into each other, more shameless than who, of course, is. (To be continued.) )