At this moment, the surprise is inexplicable---

No one expected that this Ming Dynasty Tang Bohu's "Huansha Map" would have two layers. Pen "Fun" Pavilion www.biquge.info

At the moment when Lin Yi unveiled the painting, some sharp-eyed appraisers couldn't help but exclaim: "How can this be? ”

"yes, how so? Could it be that this painting has two layers? ”

……

Wan Jianhao was also surprised, but Tan Jinfu beside him was even more surprised than him. You must know that Tan Jinfu is known as a great god of identification, and he also identified this painting during the preview. However, according to his skills, he could not see that this painting had "something else", and it actually contained a greater secret.

At this moment, everyone's curiosity was aroused, especially those media eyes widened, looking at Lin Yi, as if they were watching something incredible.

Lin Yi smiled when he saw such a result, that's right, his aura did not detect mistakes, and sure enough, there was a mystery hidden in this painting.

Make persistent efforts, Lin Yi continued to take a brush dipped in water, and then used aura as an auxiliary to continue to moisten the painting of Tang Bohu's "Huansha Picture", and then unveiled it.

His movements were gentle and slow, because he was assisted and protected by aura, so that the ancient paintings would not be torn.

Although he did this, it still took a lot of time, but the people around him didn't seem to feel this, they just looked at him nervously, watching Lin Yi uncover the painting in its entirety......

Almost an hour or more.

Lin Yi is finally done, and the last reveal will divide the whole painting into two!

And then a miracle happened,

I saw that in addition to this Tang Bohu's "Huansha Picture", the other one uncovered turned out to be a colorful painting, and it was antique, and it seemed to be more simple and beautiful than "Huansha Picture".

"How so?"

"What the hell is this?"

……

"Is there a painting in the painting?"

"What kind of painting is this?"

……

"It's amazing, it's incredible!"

"Unbelievable!"

"Oh my god, am I blind?"

……

People talked about it again, and no one remembered the fact that they were still waiting to see Lin Yi's joke just now, and they were all stunned by Lin Yi's unexpected "masterpiece".

Tan Jinfu can be said to be the most sober person on the scene, the first thing he thought of was what kind of painting it was, how could it be hidden in Tang Bohu's paintings, could it be said that it was more precious than Tang Bohu's paintings?

A series of questions made him can't help but get closer to see, it's okay not to look at it, and when he saw it, he was stunned.

I saw that the painting turned out to be the famous "Five Kings Drunk Return" by the great painter Ren Renfa of the Yuan Dynasty!

The so-called "five kings" are Li Longji, the king of Linzi (that is, the later Xuanzong of the Tang Dynasty), Li Chengqi, the king of Song, Li Chengli, the king of Shen, Li Fan, the king of Qi, and Li Ye, the king of Xue. When Tang Xuanzong was young, he had a very harmonious relationship with the four brothers, and often feasted and drank with each other, fought cocks and hit balls, or went out hunting, or went to the villa to enjoy. Later, he ascended the throne as a non-eldest son, and in order to prevent his brothers from interfering in politics, according to the advice of the ministers, he appointed the four brothers as magistrates, and dispersed the time of entering the court every year, which finally attracted the intention of King Qi to rebel.

This scroll depicts five princes, including Tang Xuanzong Li Longji, returning from drinking and drunk, with different expressions and attractive attitudes. The colors of the whole picture are bright and elegant, the expressions of the characters are vivid and delicate, and the momentary dynamics are extremely successful, and the drunken horseback riding constitutes the center of the whole picture. The temperament of each prince, as well as the drunken posture, behaved just right.

Besides, this Ren Renfa, the word Ziming, a native of the Moon Mountain Road, a famous water conservancy expert and painter in the Yuan Dynasty, is famous for painting saddle horses. Ren Renfa was talented and extraordinary when he was young, and he was admitted to the examination at the age of 17, and successively served as a doctor in Zhongxian, deputy envoy of Xuanwei in eastern Zhejiang and other important positions in the imperial court. He was mainly engaged in water conservancy construction throughout his life, and had presided over projects such as Wusong River, Tonghui River, and Yellow River, and did not leave his post to return to his hometown until a year before his death, and had outstanding contributions in the history of water conservancy in China.

Ren Renfa loves poetry, calligraphy and painting in his spare time, is good at brush calligraphy, especially good at painting figures and pommel horses, and is another famous painting master after Han Gan, a painter in the Tang Dynasty. His paintings are vigorous with brushwork, concise lines, elegant colors, real and vivid images, and vividly portray the distinctive personalities of the characters and the environmental background in which they live. His works are scarce. The figures in these works are very similar to the horses and the overall painting style, which consistently reflects Ren Renfa's concise, vivid and elegant artistic style.

But at this moment, Tan Jinfu is not concerned about these, but about the authenticity of this painting. You must know that as a famous painter in the Yuan Dynasty, most of Ren Renfa's works are collected in Russia, and there are only a handful of them circulating in China.

But it doesn't matter, who Tan Jinfu is, a well-known appraisal master in China, and he has also dabbled in Ren Renfa's works. He even went to the Russian collection museum in person to see Ren Renfa's most famous work "Zhang Guo Sees the Ming Emperor".

This volume is a representative work of the Yuan Dynasty painter Ren Renfa's character story painting. The story of Zhang Guolao, one of the legendary "Eight Immortals", and his disciples meeting Emperor Tang Ming. The picture captures a clip of Zhang Guo casting a spell in front of the Ming Emperor. On the right side of the picture, an old man sits on an embroidery pier, dressed in green clothes, with his palms upward, smiling and making a gesture. In front of him, a child released a small donkey with full bridles in a cloth bag, and the donkey ran in a running shape. On the left, a man in a yellow robe and a hat sits on a chair with his head slightly lowered, showing concern about what is happening. This person has a magnificent figure and a solemn face, obviously Tang Xuanzong Li Longji. The four attendants standing behind him had different expressions. The expressions of the characters in the whole picture are vivid and delicate, and the momentary dynamics are extremely successful, and the running of the donkey constitutes the visual center of the whole picture, focusing everyone's attention on it and enhancing the storytelling of the picture. Zhang Guolao's composure and ease, Tang Xuanzong's slightly surprised expression, the performance is just right, reflecting the superb artistic level of Yuan Dynasty figure painting.

At this moment, Tan Jinfu is carefully comparing the "Zhang Guo Seeing the Ming Emperor" in his mind with the "Five Kings Drunk Return" in front of him. Compare the techniques, techniques, and techniques of the two paintings.

You must know that all great painters in the history of art will have their own unique style of painting, and this style is in the bones, which is difficult to imitate and surpass.

Tan Jinfu has a unique vision, and he looked at this "Five Kings Returning to Drunkenness" and compared, and finally he came to the conclusion that the brushwork and skills of this painting are absolutely the same as the "Zhang Guo Sees the Ming Emperor" that he has seen, that is to say, the person who painted these two paintings is a person, and this person is Ren Renfa.

After verifying the authenticity of the painting, Tan Jinfu immediately began to evaluate the value of the painting.

For collectors, the greatest value of a painting is expressed in two aspects. On the one hand, it is the artist's excellent painting technique, and on the other hand, the history of the collection of the painting, which is reflected in the inscriptions and seals of previous collectors. The more inscriptions or seals of famous people are, the greater their value.

Thinking of this, Tan Jinfu looked at it and saw that several collectors of this painting had left seals and ink treasures. It's okay if he doesn't look at it, but he was immediately startled when he saw it. (To be continued.) )