The owner of the bar, Wu Kai and Wu Dashao, were full of energy at this time, and asked people to open the calligraphy and painting they bought, ready for Lin Yi to carefully appraise it. Pen, fun, pavilion www. biquge。 info

At this time, Xiao Song also came back from the bathroom, and saw a large group of people around the wine table, as if they were watching the excitement, and they were also busy squeezing into the crowd, and when they saw that they asked Lin Yi to help identify calligraphy and paintings, they couldn't help but be curious, and said in their hearts, does this Xiao Linzi still have this ability? If there really is, how can it be assigned to the business department, and it is more than enough to go to the counter of the sales department to do worship. However, seeing Lin Yi's age, Xiao Song shook her head again, in her impression, the pawn shop and the old courtiers who identified the collateral were all bearded, and the old man, how could Lin Yi be so young.

"Alas, I can't do things well without hair on my mouth, I hope this Xiaolinzi won't make a fool of himself, so as not to affect himself. To be precise, it affected his image in Wu Dashao's mind. Xiao Song was thinking nonsense in his heart, and the calligraphy and painting had already unfolded. Those who were curious couldn't help but stick their heads out to look. Wu Dashao was triumphant, and seemed to be deliberately showing off the divine power he had picked up, and he didn't stop it.

The light in the bar was a little dim, but this did not prevent Lin Yi from observing the calligraphy and painting, but he saw that the painting was about three feet long, with a thick wheat straw as the horizontal axis, so that it could be easily rolled up and stuffed into a paper tube, or a bookcase for collection, and then touched the paper with his hands, which should be a very good rice paper.

You must know that painting requires a high level of paper, and the softness of the paper, the degree of ink absorption, and the degree of flexibility can all determine the condition of the painting. The simplest example is the traditional Chinese splash ink painting, which has the highest requirements for paper, requiring the rice paper to be able to "scatter ink", "expand ink", and "dye the forest", only in this way can a "primitive" abstract ink block be formed at the moment of splashing ink, and then the painter can use his imagination to paint according to these abstract ink blocks.

In addition, due to different ages, the color, flexibility, and stretch of calligraphy and painting paper are also different. Specifically, the longer the time, the more yellow the paper becomes, the tentacles are quaint, giving a sense of staleness. Of course, it is precisely because of this that many counterfeiters deliberately use a chemical "yellowing" technique to smoke those fake calligraphy and paintings into yellow paper, at a glance, it seems that the era is very old, but one thing is easy to see, that is, this kind of "smoked yellow" works, the yellow is too uniform, so that the overall look is a "big yellow paper", which looks very unreal.

You know, the reason why a calligraphy and painting is yellowed is related to sunshine and moisture, and it is impossible for a painting to be all the same color, after all, this thing is rolled up, hidden, and even packed in a paper tube, so the ancient calligraphy and painting are generally easy to yellow at the edges, and the center remains the same, as long as you know how to do it, you can see it at a glance.

In retrospect, it is precisely because of so many particularities of calligraphy and painting paper that many famous appraisal masters, when appraising calligraphy and painting, the first thing they see is not the content of calligraphy and painting, but the paper that carries these contents.

Of course, Lin Yi didn't understand these things before, but he learned a little bit from Uncle Chang when he was in Hong Kong, and now he takes it out to show off, which is more than enough.

Just looking at the paper, Lin Yi's first feeling was that the --- yellow was too uniform, to be precise, the paper was deliberately old. However, this kind of old-fashioned method is very clever, at least there is no trace, if it weren't for Lin Yi's trip to Hong Kong and seen a lot of old calligraphy and paintings, he wouldn't dare to conclude that this paper is authentic.

Looking at the content of this painting, it turned out to be a --- donkey!

That's right, at this moment, the whole painting is a little gray donkey looking up to the sky and barking, only to see its naughty posture, its hooves are light, its tail is waving, and its appearance is cute and cute.

The content of the whole painting is as simple as that, and the last paragraph next to it --- Huangzhou!

……

It is said that there are "three uniques" in the modern Chinese painting world, Mr. Xu Beihong painted horses, old man Qi Baishi painted shrimp, and Huang Zhou donkey painted. Huang Zhou likes the spirit of donkey hardship and hard work, and he has repeatedly complained about the donkey in his paintings, saying that the donkey "is not as noble as the cow and horse, but it can withstand wind and rain, frost and snow, endure humiliation and hard work for a lifetime, and be absolutely obsessed."

In fact, in the late blooming art world of modern China, Huang Zhou can also be said to be "famous at a young age", and he became a well-known painter at home and abroad in his thirties. Based on a large number of sketches accumulated over the years, he has created many excellent works that express the life of ethnic minorities, such as "Playing Polo", "Visiting Doctors", "Prosperity of People and Animals", etc., and he also created a set of illustrations for his cousin Liang Bin's novel "Red Flag Spectrum".

It's just a pity that during the "Cultural Revolution", he suffered hardships and was forced to tearfully burn a basket of sketches, resulting in only more than 500 sketches handed down, and then sent to Xinjiang as a participant in the "labor reform".

Since then, Huang Zhou has spent more than three years in Xinjiang as a donkey herder, living in a dirty and filthy donkey shed, herding donkeys, driving donkey carts, and taking donkeys as companions and friends. In this way, Huang Zhou watched the donkey every day, stroked the donkey, talked to the donkey, and got close to the donkey; He and the donkey share honor and disgrace, and he and the donkey depend on each other. Whenever Huang Zhou walked out of the hotel drunk, the donkey immediately stepped forward to carry him home, in order to alleviate Huang Zhou's fatigue. In that turbulent special era, the donkey, the most despised animal in Xinjiang, gave Huang Zhou infinite warmth and comfort. The troubled artist sighed with infinite emotion that "a donkey is better than a man".

In this way, once he returned to the city and once the right to paint was restored, Huang Zhou first wanted to make the images of donkeys shine on the stage in his artistic creation, thus achieving the famous "painting donkeys".

It is precisely because Huang Zhou is so famous that in many antique stalls, there are imitations of his fakes, if there are customers who do not know the goods, they will be fooled by the stall owner, "This treasure is the master of the Cultural Revolution was robbed of the house and scattered out of the ink treasure, we have to 'hide and cherish'!" ”

As soon as Lin Yi thought of this, he listened to Wu Dashao's very cooperative speech, and his tone was solemn and full of sighs: "Brother, I have asked a few connoisseurs, this painting is likely to be a treasure that flowed out of Master Huang's Cultural Revolution, we should cherish it!" ”

Lin Yi, I'll it!

What about the lines?

Also, what kind of connoisseur is that, you ask? Also "Master Huang", Huang Zhou's surname is Liang, and his full name is "Liang Huangzhou", not Huang.

Lin Yi has always had a gentle temper, and his principles of life have always been kind to others, but it doesn't mean that he will talk nonsense, and he will say that the fake is genuine.

So he was ready not to be afraid of offending this Wu Dashao and directly told the facts---

But at this moment, the wings of his nose moved, because a strange fragrance actually came from the scroll in his hand.

How can it be?

Killing Lin Yi didn't believe that he would look away, whether it was the paper of this painting or the ink of this painting, it was basically fake, but the fake was a bit realistic, could it be that there was any mystery in this painting?

With this hint of doubt, Lin Yi began to use his sensitive nose to carefully search for the hidden mystery of this fake calligraphy and painting......

Seeing that Lin Yi was holding this calligraphy and painting without saying a word, Wu Kai and Wu Dashao were a little anxious, so he urged: "Brother, do you understand, is this painting real or fake?" ”

The spectators next to him were also impatient, scratching their ears and cheeks and saying, "Yes, I've been looking at it for so long, can I still see a flower." ”

Lin Yi ignored them, his expression was solemn, as if he was thinking about something.

Xiao Song was also very curious, what she was most concerned about was not the authenticity of this painting, but whether Lin Yi would be ugly or not, and whether it would affect herself, but she was ready to leave a phone number for Wu Dashao......

Lin Yi took a deep breath, suddenly looked at Wu Dashao with burning eyes, and asked, "Do you believe me?" ”

Wu Dashao didn't know why, but he still nodded, "I said it earlier, as long as it is Xu Dashao's friend, it is my Wu Kai's friend." ”

After hearing this, Lin Yi didn't hesitate anymore, only to see that he suddenly picked up the calligraphy and painting, pulled it again, and tore it directly!

Wu Dashao was stunned, damn, what's going on?

Then he immediately came back to his senses---

Don't, even if your buddy trusts you, you can't play like this, you tore me up for a 20,000 yuan painting! (To be continued.) )