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His eyes were fixed on the monitor screen, and Murphy didn't turn his head, as if it was just a trivial matter, and asked casually, "You found out who the whistleblower is, tell me." ”

Bill Rothes glanced at Murphy and nodded slightly.

The crew quickly set up the venue, and the most special thing about the venue was the big bed placed in the center of the green screen, the dazzling red color of the big bed was in stark contrast to the surrounding green screen.

Jessica Simpson in a long red dress and Seth Rogan on the **** top are ready to go.

It was probably more than two months of fitness that worked, and although Seth Rogan did not lose weight, the fat on his body was significantly reduced, and the protruding muscles were quite shapely.

Jessica Simpson on the other side sat on the edge of the bed, letting the hairstylist sort out her slightly loose blonde curls, she didn't have any clothes on her upper body, and she didn't seem to care about that, and there was no requirement to clear the field in the contract, just sitting here generously, letting some scrutinizing eyes sweep by.

Although she hasn't been in contact with movies before, she has been working hard in the circle for many years, and she doesn't care much about nudity.

And her more famous singing career is also taking the sexy route.

"David, the lights are softer!" Murphy shouted to the lighting crew, "Change the shot of Godie's death to a hard light!" ”

When his eyes turned back from the lighting crew, he saw Margaret again, and saw the busy David Robbie, and Murphy was not surprised that she appeared again, David Robbie was so busy that it was impossible to accompany her to play in Los Angeles, and he could only bring her to the crew.

However, she did not affect the filming of the crew.

may have grown up on a farm, she has a very wild temperament, but she is very sensible, and always hides in a corner that does not affect the shooting and plays alone.

It's better today, Ruttger Haar, who participated in the filming, also came to the crew with his thirteen-year-old son, and it was not too boring to have his peers as companions.

After adjusting the lighting, Murphy took a look at the effect, and then nodded to the field notes.

The scene reporter walked up to the camera, put the scene note card in front of the camera, and shouted, "Sin City Scene 4, Act 1, start now!" ”

On the set, Jessica Simpson, who was ready, immediately got entangled with Seth Rogan, and the main camera controlled by Filip Raschel also focused on Jessica Simpson's ****.

It's both a recreation of the comic book scene and Murphy's request, just like Jessica Alba, who is never ambiguous when the actor should be exposed, and it's not about art, it's just about business.

He doesn't say anything like those directors in Europe, such as nudity, 3 skins and S.M, for the sake of art, these are just to attract the audience.

The purpose of the film is as simple as that.

So, according to Murphy's request, Seth Rogen and Jessica Simpson kept changing poses, and during each pose, the film crew would use three cameras to shoot a large number of shots from different angles, especially many of Jessica Simpson's topless scenes.

The crew apparently forgot that there were minors present at the scene.

"That's how these shots were taken." Margaret stood in the distance, watching the intermittent shooting, and said something with an accent, "It's not nice at all!" ”

"You know what!" There was a little boy standing next to him, nearly a head taller than Margaret, squinting at Margaret's eyes with some disdain, "Do you know who that woman is?" That's Jessica Simpson, the dream girl of a lot of boys! ”

Margaret's eyes narrowed slightly, and she clasped her hands on her chest, "Is it famous?" ”

"Sure enough, it's a hillbilly from Australia!" With an inexplicable pride in him, the boy said sarcastically, "A hillbilly who doesn't know anything! ”

"Hillbilly?" Margaret turned to look at him, "Rhein Hall, are you talking about me?" ”

"Is there anyone else here besides you?" Rhine Hal raised his hand and pointed at Margaret's mouth, "It's so dirty to talk about!" ”

Then, he pointed to Margaret's old and white denim suit, "It's so dirty!" There is an earthy smell on all bodies! ”

In Rhein-Hall's eyes, this girl is okay, but she is too earthy, purely a hillbilly from Australia.

Margaret nodded at him, but said nothing or did anything.

The crew is filming, and her brother is still the head of a department, so if it affects the filming, it will definitely be detrimental to her brother's work.

Although she was not yet thirteen years old, Margaret could still see this.

Rhein-Hal next to her looked at her with even more disdain, and the sense of superiority that grew up in a big city became more and more obvious.

Margaret clasped her hands to her chest and just watched the shooting on set.

Murphy's filming continues, Jessica Simpson is lying on top of a patch of red, playing Godie who has been murdered, and a camera assistant is standing there, using a handcam to shoot close-up shots, the camera still focused on her unabashed ****.

Transmitted to the director's monitor, the white skin and the blood-red sheets create a stark color contrast.

The high-definition digital camcorder brings the convenience of shooting, and other effects can be added through post-production special effects.

Murphy solved this problem with digital photography, when shooting, he only needed to pay attention to the angle and depth of field in the storyboard of Frank Miller's original comics and new drawing boards, and all stylistic problems were solved through post-production, including adding digital backgrounds and creating color or silhouette effects.

The footage that has already been shot has also proved to Murphy that digital photography can compete with traditional film in shaping the art of imagery.

With the development of film technology, digital photography technology is no longer a convenient means, but more of a new way of film creation.

Regarding digital photography technology, Murphy also communicated with Quentin Tarantino in the early preparations.

Quentin is a smart and even cunning person, who used to criticize films such as "The Matrix" that rely on digital stunts, but only vented his opinion that "film is the purest way to show image art"; When he discovered through Murphy's experimental short films that digital photography could also create a unique cinematic style, the guy got his head up and vowed to shoot his own digital work as well.

After all, compared with the dispute between film and digital over the physical quality, how to express the concept of film needs is more important.

Filming for this scene ended quickly, with Murphy having the crew switch to shoot footage of Muffle's injury in a model car, where Seth Rogan was pulled to reapply makeup, and when he came out, his rough face was covered in white band-aids.

"Rhine Hall," Margaret said to the boy next to her, who was very superior, before leaving, "didn't you say you wanted to show me, a hillbilly, the bustling city of Los Angeles?" I'll be waiting for you at half-past five in the passage next to Studio 3. ”

"Okay, hillbilly." Rhein-Hal wondered if he should call a few friends from school and play a good trick on this rustic girl.

Margaret walked to the set again, filming had begun, and there was an old man in a cowboy hat standing next to her, and this familiar outfit made her feel a little good.

But seeing so many band-aids on the fat actor's face, she couldn't help muttering, "Why did you make it look like this?" ”

This was heard by Frank Miller, the idea in the comics, who knew the most and for some reason, explained a few words to the little girl.

"This is the first time the tough guy Muffle has been injured, and these messy and flat pure white band-aids hanging from his dark cheeks and rough arms can make his scars scatter a striking fluorescence, but yet they seem so insignificant in front of his indifferent consciousness."

What Frank Miller didn't expect was that the little girl listened very seriously, and a pair of blue eyes also showed a little curiosity, seeing that this was the same age as his little daughter, Frank Miller continued, "This kind of color design can intuitively express the fierce physical fitness of Muffle's beast, provide evidence for his amazing ability to resist beatings and self-healing, and also hint at his weathered life and calm and stubborn character, making a reasonable interpretation of Muffle's seemingly humble reason for revenge, So that the development of the plot becomes logical. ”

Margaret didn't expect to get an answer from an inconspicuous old man, and asked curiously, "How do you know so much?" ”

Frank Miller smiled, "Because I drew this comic." ”

"I see!" Margaret suddenly realized, and asked curiously, "Is there anything else?" ”

"Look," Frank Miller said, pointing to the blood on Seth Rogan's face, "and what comes out of Muffle's injury is a very rare red blood in the whole film. This otherwise normal color of blood is precious and unusual in the story scene of the story filled with white plasma. It not only reflects the violent theme of the film, but also echoes Godie's red sheets, alluding to the cause of Muffle's revenge, and connecting the entire plot of the story "Sin City". ”

I don't know if I understand, Margaret nodded mechanically, and then said, "I've been watching Murphy shoot for a few days, and I can't understand some things, can I ask you for advice in the future?" ”

People are old and their hearts are softer, Frank Miller hesitated, but still agreed, "As long as I have time, you can come over at any time." ”

Today's shooting time was close to half past five, Margaret did not wait for her brother, walked out of Studio 2 in advance, and came to the quiet passage of Studio 3 as agreed, and Rhein Hal had arrived. (To be continued.) )