"You should probably thank her. Pen "Fun" Pavilion www.biquge.info"

On the screen, the middle-aged lawyer patted Nick on the leg, "But remember one thing, don't mess with her!" ”

There was a burst of laughter in the theater, and the laughter was unusually loud, and such laughter appeared more than once since Amy's plot reversal.

"This pair...... Kyle Dunst leaned back and back, "it's just amazing, it's really a perfect match!" ”

"Hahaha......"

There was laughter all around.

Judging from the laughter alone, this is definitely the laughing reaction of a big bad movie, but near the end of the screening, not even one person left the show, and no one was dissatisfied or mentioned anything related to bad movies.

The movie is dark, and the movie is joyful!

The most interesting thing about the movie is that there is no "villain" in the whole film, and the story itself is the villain.

Amy is both a perpetrator and a victim, the media always focuses on the victim's side, so they give her attention and sympathy, and after Kyle Dunst knows the truth, Nick becomes a victim again, so his feelings move to him again.

"In fact, marriage is not like this, no one is clean, everyone is both a perpetrator and a victim."

When the subtitles fell, Kyle Dunst heard a middle-aged man in the front row say that he was not married and could not feel this experience, but felt that this was a very interesting movie, and the director used an obscure way to ridicule marriage, love and the media, which was simply swearing and not spitting dirty words.

The film was over, and the theater was filled with joy.

"Such a film with a dark theme." The young black man said to Kyle Dunst, "The director is really good at making such a good entertainment." ”

A friend of his interjected at this time, "It's really good, this movie is amazing." ”

Another person opened his mouth and said, "The cousin is matched with a dog, and it will last forever." ”

The lights on the ceiling came on, and the audience began to leave the venue one after another, and Kyle Dunst noticed that most of the people had smiles on their faces, clearly enjoying Gone Girl.

Daisy, who watched the premiere, did not have a smile on her face, but felt that something had been touched.

An hour before watching this film, she was all comfortable: "You see that marriage is like this, men are so fucked, they will split their legs to find their little sister in only three or five years, and if they can't get married, they will be cold and violent, so they rub the fire." ”

After 1 hour, to her surprise, there was a big reversal.

James Franco's Nick Dunn is pitiful at home, and Daisy feels like throwing up when he holds Amy's hand and practices saying I love you over and over again.

The scariest thing is that Daisy finds that she is a bit like Amy, although it doesn't match her realm - she is so pretty, sexy, smart, and cool.

But the strength of that kind of Bichi is really similar.,It's paranoid and more real and sensitive.,In high school, someone described her as Lori-faced Bichi heart.,She has since remembered the ugly word Bichi.。

Murphy blackened the marriage scene with great humor, and in the face of the dinner crisis, Amy did not pick the bread crumbs, but chose to smash the entire table, splashing her husband's face with blood, and the husband was forced to accept his fate from then on.

Seeing the ending, Daisy sympathizes with Nick, although it seems that a man can conquer the whole world, in fact, his free will is always dominated by women invisibly......

Walking out of the Emirates Rock Theatre, where the premiere was held, Daisy looked back again, as if ...... It seems that Murphy's directing skills have improved again.

She was the first person to see Murphy's films, and she also watched him grow step by step from a young director to the current point, and naturally there was a special feeling in her heart.

In almost every film, she can see Murphy's huge progress.

This "Gone Girl" is definitely a model of a feature film, Murphy's grasp of the plot is perfect, the warmth of the surface and the coldness of reality are perfectly combined, and the segmented narrative in the first half is combined when the truth appears in the second half, which is very ingenious.

Daisy never imagined that marriage could evolve like this, and the husband and wife went from falling in love, to cheating, to extremely intense, and it must be said that it was a very clever game.

Also, Murphy shouldn't like the media much, right? After watching this film, it is not difficult to see how easily the public is captured by the media and appearances, and the "enthusiastic" crowd in the film has become the background of the cold truth several times.

"Is that really what marriage is all about? Is it just a system set up by human beings to reproduce the next generation? A kind of bondage in the name of love? Why did it end up like this, controlling each other and using each other? ”

Thinking of this, Daisy had a cold war, marriage or something, the most terrible, it is better not to touch it.

"How?"

In a theater in Santa Clara Valley, California, a brown-haired girl walks out with Mobick Stari and says, "Still so angry?" ”

"There's no need." Mobick Stari shook his head, "It's worth it to see such a wonderful film, even if it is temporarily blinded by some propaganda means." ”

What is it to be misled to see such a special film?

But when he saw his girlfriend in a blink of an eye, the expression on his face was somewhat unnatural.

The film's point of view, disguised under the façade of entertainment, is so sharp that it can make people re-examine marriage, and it can make marriage-phobic people even more afraid of marriage, and the rift in marriage reaches the point where it cannot be repaired.

The most terrible thing is that the far-reaching suffocating depression also makes the suspenseful atmosphere of this film perfect.

A black car drove away from the Emirates Rock Theatre, and Robert Downey Jr., who was driving, had a smile on his face all the time and couldn't stop, and Susan Downey, who was sitting on the passenger seat, frowned and seemed confused.

"Is it that funny?" She looked at Robert Downey Jr. and asked, "Is the marital problem reflected in it funny?" ”

"Marital problems?" Robert Downey Jr. shook his head, "Honey, don't be fooled by that guy Murphy, this so-called marriage problem is just his personal bad taste." ”

He turned his head to look at Susan Downey, "Now that you're out of the theater, think about it, how much does this in the movie have to do with real life?" ”

Susan Downey thought for a moment, then shook her head slightly.

"Murphy has made a lot of progress in comedy and humor."

With Robert Downey Jr.'s character, once the conversation box is opened, it will naturally not be closed easily, "Didn't you notice, the comedy elements in this film can't be ignored, in the process of watching it just now, the audience behind it will laugh once in a while, many characters have witty and humorous dialogues, I like this technique of interspersing comedy in suspense, it can adjust the atmosphere well, but it doesn't go overboard and become nonsensical, Murphy's black comedy fan is indeed out." ”

"Hmm." Susan Downey nodded.

She's also a filmmaker, and of course she can see these things.

"Murphy's use of subtext is simply superb." Robert Downey Jr. was very emotional, "I think 'Gone Girl' can be a textbook work in this regard. ”

He paused, coughed twice, and added, "The opposite of this is "Moulin Rouge", although it is also a very good movie, but the central word 'love' appears too many times, there is no subtext space, all for you to say." ”

"Look at 'Gone Girl' again." He said endlessly, "There are a lot of subtexts in Murphy, but they are all presented to you, not by the lines. ”

Knowing Robert Downey's chattering character, Susan Downey agreed with his words and said, "Murphy's sarcasm of the media, the banter of the truth, the criticism of the illusion of happiness, and the despair of marriage are all naturally brought out after watching the movie." ”

"So...... Robert Downey Jr., using Murphy's words, "makes the film look very high." has a good theme, but what throws these big truths naked in your face is an ordinary movie, and a good movie is a good theme for you to understand and experience by yourself. ”

"Murphy just doesn't go astray." Susan Downey sighed softly, "The future is limitless. ”

She recalled the end of the movie, and said, "The narrative technique used by Murphy is absolutely classic, the layers of warm boiled frogs create a suspenseful and depressing atmosphere, without being abrupt, these repressive molecules really surround the viewers, devour people's minds, and make it impossible for people to escape." The meaningful ending of the film at the end is a fatal blow, which completely penetrates this repressive molecule into the hearts of the viewers. ”

"Honey." Robert Downey Jr. took out a free hand and gently patted his wife on the shoulder, "I said it all, this is Murphy's bad taste, don't be influenced by him." ”

Seeing Susan Downey's expression, Robert Downey Jr. suddenly felt that it was necessary for him to go to Santa Monica to settle accounts with Murphy tomorrow.

"My dear," said Susan Downey suddenly, "you've made a wonderful friend. ”

Robert Downey Jr. could understand her subtext, shook his head and said, "You won't understand the friendship between us, we are not only friends, but also the best brothers." ”

Susan Downey really can't understand this kind of relationship between men, especially in a place like Hollywood, where the relationship between their small team is really rare.

"The tragedy of love is not life and death, the tragedy of love is indifference."

I don't know why, sitting at the dinner table the next morning, thinking of the movie I watched last night, David Ellison's mind jumped out of this sentence, and he muttered in his heart while eating, "Some people seem to be born for movies, and the works they create are also born to be movies, just like "Gone Girl." ”

After all, he studied at USC Film School, and "the story that Murphy came up with, even if it is interpreted from many different angles, is still endless." ”

Thinking of this, David Ellison looked at a number on the paper next to him, which was what Stanton Studios had just called to tell him that the advance box office of "Gone Girl" was $6.2 million!

David Ellison then received a call from his father, and Larry Ellison told him to rush back to San Francisco early tomorrow morning. (To be continued.) )