Just as she was just starting to look at the excitement, Su Yun painted a scroll. Pen, fun, pavilion www. biquge。 info

"I said trouble let's go."

Seeing Su Yun's expression, he looked like he was about to roll up and leave, so the experts had to get out of the way and let He Lao go to the front.

He Lao was very grateful to Su Yun, thinking that if he saw that it was a fake later, he would have to quietly persuade this girl to leave here quickly.

The experts first looked at the signature, seal and color, and then looked at the silk quality of the picture.

Su Yun used rice paper, and it turned into a silk painting in the Tang Dynasty, and sure enough, Taotao lived up to the setting that there is fantasy in it.

"The silk color is dark wheat yellow, the silk is deep into the texture of Juansu, the toughness of the silk is very good, the Jiangnan silk, the warp is thick and the weft is fine, there is a back, there is a mirror light that has been repeatedly rolled up, it is the raw silk of the early Tang Dynasty.

Half-cooked powder with hot soup, mallet like a silver plate, so it will make the characters wonderful into the pen.

The Tang people used pounded silk to paint, and only pounded the silk flat, so that it would not hinder the brush.

Unlike the current forgery painting, the silk is boiled and then pulped, such a fake antique silk will not be broken naturally as the ancient silk, there will be crucian carp mouth and snow silk, you see, this silk is the ancient silk of the Tang Dynasty."

The speaker gently lifted the small opening on the side of the silk painting with his fingers.

Identification Dao.

"Qi Lao, you are specialized in the restoration of ancient Tang silk paintings, you said that this is Tang Juan, that must be right."

The expert named Qi Lao continued to stroke his beard and said: "The Tang Dynasty painter Zhang Yuanzai said, 'Qi Su Wu Lian, ice and mist silk, delicate and dense, and the wonder of the machine'."

I didn't expect to see such a well-preserved fine silk from the Tang Dynasty today.

Not to mention this painting, the silk drawings of this painting alone are already very valuable for collection and research.

I don't know if you're willing to sell this picture to our institute, girl? ”

If it weren't for Qi Lao's obsession with various Tang Dynasty silk paintings, others would definitely think that this old man was crazy.

This is a banner: Wu Daozi's real handiwork, you let people sell it to you as Tang Juan.

Old man, I don't think so if you want to be cheap.

So everyone also understood and didn't care about Qi Lao's words.

Knowing that this is Tang Juan, there is no need for other identification by Qi Lao.

Then an old expert who studied Tang Dynasty paintings said with a magnifying glass:

This depiction of aristocratic scholars traveling in spring and indulging in amusement by the waterside under the forest in the mountains is exactly the content of Wu Daozi's "Joyful Spring".

Look, this green onion cage, spring waves rippling, the slope bank undulating unevenly, a large area of green color.

The picture is given the main tone of spring color, outlined with gold thread, and dyed with pastel, which looks rich and elegant.

Seeing this, although I admit that this is exactly the same as the "Joyful Spring Picture" in the imitation photo materials of the Taipei Museum.

But I have to wonder if "Hip Spring" is a shocking lie.

Because I can't see Wu Daoxuan's brushwork in the picture of Huanchun, Wu Daoxuan's brushwork has changed and frustrated, and the painting style of 'more than enough strength' in the later period is completely unseen.

The so-called Wu takes the wind, and the orchid leaves describe the momentum of the test, 'its potential garden turns, and the clothes flutter'.

Let's look at the clothes of the characters in this picture, which are rich and deep, and contrast with Wu Daozi's color. Wu Daozi is good at applying color to the ink marks, and slightly applying the technique of slight dyeing, that is, the so-called 'light brushing of danqing', the simple color matches the sparse lines.

It's not the same as the rich and colorful painting style in this picture.

That's why I said that the Huanchun diagram may be a shocking lie, and it was not made by Wu Daoxuan at all! ”

Although the expert said this, his eyes looked greedily at the painting that Su Yun put on the booth.

There was an expression of disdain and concentration on his face, but in fact, his heart was already turbulent.

Because he could see that this picture far surpassed the imitation in the Taipei Museum in terms of pen power and composition.

And then from the seal and silk painting, it was confirmed that this is indeed Wu Daozi's authentic spring picture!

He is treated as an honorary guest expert by Tianfu Auction House every month, and he receives a bonus from Yutian Group.

Of course he knew the instructions given by Mr. Han today, that is, he must not let this woman surnamed Su come out in the auction.

Even if she uses the name of an expert, she has to say that the lot in her hand is worthless.

But this picture taken out by Miss Su is really a lot of experts present, so this one found another way and said that Wu Daozi's picture of the spring was a shocking lie.

Then he is only doing scholarship, raising reasonable questions, and does not use his prestige to discredit this picture as worthless.

So not only does it make the value of this woman's auction surnamed Su drop, but it also protects himself, after all, he doesn't just take the salary of the Han family.

As soon as he said this, the wealthy businessmen who had been listening to the experts below also turned their heads and ears.

Although the imitation picture is said to be priceless, it is not in the mainland, and no one has speculated.

Then they have to think about it, in case it's really a big lie.

Although they received a painting that was a good worker, it was an anonymous painting, and they might have to smash it in their hands when the time came.

Hearing this expert's argument, He Lao couldn't help it, and almost spat him in the face.

"Selling fame and reputation is not as open as you are.

Wu Daoxuan's only secret "Joyful Spring" is a long time ago decided in the ancient painting world, I can't imagine that you would put forward such a ridiculous argument. ”

He Lao only thought that he was trying to make a name for himself, but he didn't know that he actually wanted Su Yun's lot to be unsold.

For example, some self-proclaimed red scholars who want to make a name for themselves in the red academic world will put forward some shocking ideas to explain the Dream of Red Mansions.

There are many opinions, but there is nothing so outrageous.

He Lao reprimanded him a few words, and began to compare the painting style of Wu Daozi, who he had studied for many years, with this picture.

"I believe everyone has already seen that the painting and the materials used in this picture are preserved.

I don't know how much better than the imitation picture in Taipei, but I can see that this must be the real thing. Only then can you look at the picture and imagine that the good spring light is rendered by the brush and embellished with a lively wave.

Just as the Song Dynasty poet Huang Tingjian once wrote a poem and commented: "There is still a pen in the world, things are vast, the smoke and the scenery is cold, and the flowers are often afraid of flowers flying and butterflies scattering, and the bright window is a hundred times a day." ’

Since you said that this picture is not the style of Wu Daoxuan in the later period, I will give you a comparative evaluation. ”

He Lao looked at the expert who spoke just now, with a look of disdain on his face.

But in order to prevent others from really listening to his fallacies and confusing the public, He Lao still explained:

"First of all, the dense points on the top of the mountain, the branches and leaves on the treetops, are not flat and straightforward, resulting in insufficient ingenuity.

In contrast, the very small characters are depicted in a complete and thoughtful manner, with a bishaw expression.

What are the characteristics of Wu Daoxuan's figures?

The figures he painted, the thickness of the vermilion powder, all see the bones are high, the flesh is sinking, the side is around, the cover can be understood on all sides, and it looks like a plastic, with an 'eight-sided business'. (To be continued.) )