Chapter 128: Majepa

Regardless of whether Yawen was nervous or not, he was ranked 4th, and he still walked into the examination room more than ten minutes later.

And Jun Rose looked at her number plate, No. 17, it seems that there is still a long time! Should she go to the toilet early?

Getting lost or something, it's a hard injury. In order not to pee your pants, it is better to prepare in advance!

Therefore, as soon as Yawen left, Jun Rose pulled Jun's mother to find the toilet.

This kind of behavior is seen by some people, and it becomes a desert escape.

If Rose knew what these people were thinking, she would have to give them a big ear scraper. Isn't it just an exam? In China, there are not too many big exams and small exams, will she still be afraid?

In fact, Jun Rose thinks that if she sends Yawen to China and receives some Chinese-style education, maybe this poor and nervous problem will be cured without medicine!

Fortunately, the design of the school is much the same, at least, the design of the public restrooms on each floor is the same. Jun Rose and Jun Ma didn't have much trouble to find the bathroom, Jun Rose and Jun Ma solved their physiological needs, tidied up their clothes in the mirror, and when they went out, they just heard: "No. 13, from." ”

The seats are long gone, Jun Rose and Jun Ma stand against the wall, looking at each other and smiling - whether they can pass the test or not, the goal is about to be achieved!

When the black boy on the 16th came out of it, Jun Rose kissed Jun's mother, took the number plate and walked straight in.

Jun Rose didn't know how many crooked nuts at the door who called Jun Rose 'Yellow-skinned Monkey' had grown their mouths and broken their glasses.

When Rose walked into the room, three white examiners came into view, and in order to avoid suspicion, Master Gary, who wrote her a letter of recommendation, was not there.

Jun Rose bowed first, and then began to introduce herself: "Hello everyone, I am the No. 17 candidate from China, Jun Rose, you can call me Rose." ”

For such a short introduction, the teachers were also drunk, and then the only lady among the three examiners signaled that Jun Rose could start.

Jun Rose was not polite, came to the piano, bent down and moved the piano bench with both hands, tested the distance between the front and back, and then sat down with her buttocks, and tried whether it was strong or not.

His movements are skillful and natural, but they are casually practiced as if they were in his own piano room. However, his actions were very natural, and they did not arouse the disgust of others at all, but the feeling of some little girls being naughty and playing in their own homes.

After adjusting it, Jun Rose put her hands on her laps, looked at the keys with her eyes, and then raised her arms.

In an instant, Jun Rose's temperament changed.

If at the beginning, Jun Rose gave people the feeling of playfulness and casualness, at this moment, you can definitely see a queen's sense of control over her own domain, and there is a domineering attitude of absolute control.

Here, she is the king, she is a qiē.

The moment the ten fingers touched the keys, as if they were suddenly injected with infinite power, the lightning and stone fire "pumped" on the keys, and a sound like a pinch suddenly came out of the huge Steinway body!

Under Jun Rose's children's dress, a pair of white arms were exposed, looking so slender and weak. But it was such a pair of arms with a crisp, domineering momentum, which showed his energy in an instant.

This is definitely a musician who can mobilize his own emotions and integrate them into the performance, and can arouse the passion and resonance of others! Watching him play, it's easy to forget that he's taking an exam, or performing or something, and you're completely captivated by his hands on the keys.

The hands swept over the keys in a constricted shape, bringing a full and exciting stream of sound like the Yangtze River. The arms are at a very comfortable angle to the piano, making people feel that the hands are simply too comfortable on the keys, and each movement can send the fingers to the place where they want to go, and the work of the fingers is to "lift up" and "fall". The combination of big arms, small arms, and fingers is breathtaking!

A rousing chord sounded from the high register of the piano, but the main theme sounded with a hint of heroism. This "Majepa" officially shows its grandeur!

This melody feels a bit like Chopin's "Revolutionary Etudes".

Again, under the rushing sound of the left hand, the right hand plays a melody composed entirely of chords. The performance technique of "Luoti" was vividly interpreted by Jun Rose at this moment.

Every time the wrist is raised, it will inevitably sound a chord with the sound of gold and stone. That kind of crispness and decisiveness sounds like it makes people's blood boil!

Watching Jun Rose's performance, the examiners' eyes finally became focused.

This little one, who is only twelve years old, does have something extraordinary about her. Whether it is in terms of technical techniques or emotional processing, she has her own style.

In fact, Jun Qiang's choice of "Majepa" surprised the examiners. Although Jun Rose's momentum is very capable of bluffing people, none of the examiners are fuel-efficient lamps. Curtis's name is not given for nothing, and in the best piano majors, it is not easy for people to stay.

But at the end of the first stanza of Jun Rose, all the examiners raised their hearts to their throats--

As one of the top 10 piano pieces in the world in terms of difficulty, twelve-year-old Jun Rose chose to challenge it, and in their opinion, it was a complete adventure.

Although as long as you have a certain foundation, you can start with Majepa, but it is still very difficult to ensure a strong sense of rhythm without any confusion, basically no mistakes, and complete the complete and smooth playing. After all, the middle voice is not something that can be mixed casually, plus this piece has more than an octave, has power, and speed, and if you want to play it well, it is also a body lì live. And Jun Rose's little arms and legs, whether they have that strength or not, it's really hard to say.

In fact, Jun Rose's choice of this song is also an adventure. If it was in the last life, Jun Rose really didn't have the courage to sing this difficult song in the world.

But in this life, after so many years of Tai Chi practice, although Jun Rose has not achieved much success, the strength of her body is beyond the reach of many people.

Touching people with emotion is good music.

If it is a cheerful and lyrical music, Jun Rose may not be able to express it properly. And the feelings that Majepa Etude wants to express, she now has a profound experience.

Matepa is a national hero of Ukraine, having served in Poland King Johan? Kakimiru, who was a servant in the court, was discovered by the nobles who stripped him naked and dragged him out into the countryside on a horse. Later, the dying Majepa was fortunately rescued. Became a Cossack soldier again. Because of his courage and conscientiousness, he later became the commander of the Cossacks. This story shows the heroism and indomitable fighting spirit of an ordinary person.

Liszt loved the heroic deeds and fortitude of Majepa from an early age, and in this symphonic poem, he reveals the universal laws of mankind's transition from darkness to light, from suffering to victory.

This section has a total of more than seven minutes of melody in the middle section, and Jun Rose has integrated her feelings into her feelings, whether it is sadness in the early stage, calm sadness or fierce in the back. Even if the feelings in the latter part are a little depressed, for her who is only twelve years old, the expression is already in place.