After the filming kicked off in Belfast, the first thing Murphy did was to adjust the shooting style of all the photographers in the film crew through a lot of on-site shooting, and these frequent NG scenes were mainly based on extras and scenery empty scenes, and the photographers of each group took turns, and then Murphy and Philip Raschel gathered them together to watch the video footage and solve specific problems. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 ｉｎｆｏ

Different from the two-camera or three-camera shooting commonly used in film shooting, because the crew will be divided into three later, neither the number of photographers nor the number of shots shot can be compared with a film.

Although Murphy and Philip Raschel focused on the issue of filming style when recruiting photographers, no two photographers in this world will have exactly the same style and working style, especially those photographers who work with Murphy for the first time, and there must be a process of adaptation if they want to meet Murphy's requirements.

Now that Murphy's fame is here, there are only benefits to working with him, and the photographers are doing their best to pay attention to their work to ensure that the lenses they shoot fit well.

No two photographers in the world have the same style, but with enough communication and working together, they were able to work together as a close-knit team, and the footage they shot was visually very similar, so Murphy and the entire crew were always on a tight-knit approach.

Before filming their respective parts, the cinematographers were constantly comparing their shooting logs at Murphy's request, and they also used the PIX system online dailies to preview each other's dailies through a secure connection, in the words of Fili-Raschel, making Game of Thrones a super-cooperative "connected masterpiece." ”

While everyone knows the importance of communication during a shoot, the reality is that Murphy and the photographers are so busy that they can't guarantee that they will find time to chat every day, but they still make an effort to read their respective shoot logs and often watch what other people are shooting on the Pix.

Just like the entire crew, the photographers share the same team.

During the first week of shooting, all of this helped the photographers understand what they were doing and what they needed to do, and how they were doing it.

For example, when Seth Rogan directed the filming of a night scene, the crew hung a huge moon-shaped box under the crane as a luminous body, and Murphy came to the set to look at it, saying that he liked the device very much, and decided to use it in some of the night scenes he filmed.

This kind of learning from each other was widespread on the set, and Murphy and all the cinematographers worked hard to keep the shots consistent

In the time leading up to the crew's split-up, Murphy was able to bring the cinematographers together so they could learn from each other and improve together.

During the shoot, Murphy used David Robbie to use natural light sources for all the well-lit exterior scenes, so as to make the shots closer to natural reality, and these natural light sources, whether from sunlight or firelight, were more expressive in saturation and color, and looked more prominent and dramatic.

After half a month of adjustment, the crew got on the right track step by step, and Murphy also got quite a lot of extras and scenery empty shot material, and then the main actors arrived on the set of the Titanic Museum in Belfast one after another, and the intricate relationships between the major families in Westeros needed to be presented clearly and unmistakably by Murphy with camera lenses in the next three months.

In the huge open-air studio, dozens of staff members were busy with their respective work in an orderly manner under the command of several assistant directors of Murphy, two cameras were set up on preset tracks, and one camera was hung under a long boom, and the microphone used for live recording was also installed on the pole, and two sound engineers and assistants were constantly adjusting to achieve the recording effect that Murphy wanted.

The next thing to shoot was a night scene, but it was placed during the day, and as in the past, most of the night scenes Murphy would still be filmed during the day, and then adjusted for later shooting.

"Fili, the lens of the second camera has dropped fifteen degrees."

Sitting behind the monitor, Murphy looked at the test shot and shouted to Philip Raschel, who was directing the film crew, "The boom is lowered three more feet and shot down at a thirty-degree angle!" The track of Unit 1 is shifted two feet outward, and the angle of the camera remains the same. ”

Filip Raschel adjusted the camera at Murphy's request, and Murphy left his director's position and walked up to the two actors who had just entered the set, asking them to do a test move and check the details of their costumes.

Clothing and styling, anything with the marks of modern society must be eliminated.

No epic film or TV series can completely eliminate all bugs, but the director must not use this as an excuse to be careless in his actual work, and must do everything possible to reduce the existence of bugs.

Confirming that there are no problems with the costumes and styling, Murphy focuses on the two actors, who are about to be filmed in a conversation between Jon Snow and the little devil Tyrion Lannister, who are a stark contrast.

The actor who plays Jon Snow is a newcomer from CAA, an Englishman named Haan Jot, and his audition performance is quite impressive.

As for the little devil, because of the appearance conditions, there are not many candidates for Murphy to choose from, and after Bill Rossis's efforts, he successfully found Peter Dinklage.

Although the current Peter Dinklage cannot be compared with the mature stage after starring in many big productions in succession, this type of actor is too difficult to find, and Murphy does not want to use forced perspective on a large scale, which would mean more money and time, so he still chose this special actor who is extremely scarce throughout Hollywood.

Because of achondroplasia at a young age, Peter Dinklage could only be "inferior" all his life, but this did not prevent him from embarking on the road of acting, unlike many stars who became monks halfway, Peter Dinklage graduated from the acting department of a regular college and is a real professional.

Already showing talent and talent as a student, he was the top student in his class, and began writing scripts while still in college, and Murphy was impressed by the "preppy" style and rigor of Pete Dinklage when he auditioned, which was the main reason for choosing him.

When the two actors finished moving, Murphy patted his hands lightly, and waited for Haan Jot and Peter Dinklage to look over and wave to the two of them.

"Hahn," Murphy looked at the young actor first, "your character is still very young, and you don't need to push too it. ”

The young actor has a good aware, which is one of the reasons why Murphy chose him.

"Hmm......" Hahn-Kate nodded vigorously.

Then, without a trace, Murphy stepped back and looked at Pete Dinklage.

This step back can make the two more equal, Murphy will not despise anyone, even the black actor he doesn't like, the two sides will work together for a long time in the future, and he will not be stupid enough to talk to Peter Dinklage in a top-down or condescending way.

A special person like Peter Dinklage often feels extremely sensitive, and when he sees Murphy's unmissable movements, his face does not show it, but his favorability in his heart has greatly increased.

Getting along with people is often a very deep science.

"Peter, Tyrion's character is very complex," Murphy said in all seriousness, "he has a good side and an evil side, and you need to balance his complexity. ”

"I studied the role seriously." Peter Dinklage is well aware that he is limited by his congenital conditions, and if he wants to be successful, he must put in more effort, "I think in a way everyone is like this, people are inherently complex creatures, unfortunately sometimes we think too narrowly, for example, there are only good guys and bad guys in novels, one of the highlights of the script is that the characters are blurred about good and evil, and you will feel sympathy for some characters who have done bad things, and as an actor I think it's funny, Tyrion is a good guy who does bad things, There is no shortage of bad guys who do good deeds in the play, which I think is very interesting. ”

Murphy didn't expect Pete Dinklage to think so much, and asked, "What do you think is Tyrion's greatest charm?" ”

Without any hesitation or reflection, Peter Dinklage said, "His sense of justice, his spirit of speaking for the weak, is very heroic, even if his family has always turned a deaf ear. ”

"Not bad." Murphy gave a thumbs up to Peter Dinklage, "Now I'm really looking forward to your performance." ”

He thought for a moment and said, "I'll shoot this scene from Tyrion's POV perspective first. ”

An ugly-looking dwarf and deeply disgusted by his father, Tyrion Lannister has a complex personality and, in general, is a sympathetic and scheming man. Because of his bad reputation and deformity, Tyrion is often misunderstood and made a scapegoat for many crimes, but he always uses his wits to save the day.

He is quite a special presence in the whole series.

Tyrion Lannister's life can be described as a never-ending psychological abuse, but his POV perspective doesn't feel miserable, only excited, because his counterattack is also the most powerful.

His father threw his first wife as a camp prostitute to the soldiers, and he finally shot him dead in a pit; His prostitute lover betrayed him in public, and he strangled her to death in bed with the Prime Minister's chain.

So Murphy will let fate abuse him a little harder, and "Little Devil's Revenge" will be one of the ultimate nirvana of the entire series...... (To be continued.) )