Chapter 13: Real Shootouts
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Probably because of the late time, there were not many people in the restaurant, except for the table where the two black people were sitting, there were four or five customers in the corner, plus the waiters were standing near the counter, looking through the transparent glass curtain wall, the situation in the restaurant was clearly visible, enough to ensure the effect of shooting.
While dialing 911, Murphy turned on the phone's built-in recording function, and some things must always be prepared.
"This is the 911 police station!"
A woman's voice sounded through the earpiece, "What's your condition?" ”
"Hello, I would like to report something." Murphy stared through the glass curtain wall, staring closely at the two black men, "The location of the two criminals who committed the robbery and death last night on Beale Road in the Santa Monica Valley." ”
The person on the other side of the phone immediately asked, "Where are you?" ”
"I'm following them." "They just stopped at the intersection of Ronald Avenue and Seventh Street in Beverly Hills, and now they're into a chain of pizzerias called 'Molds,' and I can see them ordering food in it," Murphy had already typed his mind. ”
"Good!" The other person confirmed, "It's the 'Mortz' pizzeria chain at the intersection of Ronald Avenue and Seventh Street in Beverly Hills, right?" ”
"Yes, this is it!"
Seeing the waiter in the restaurant serving food to two black men, Murphy paused for a moment and continued, "I can confirm that these are the two criminals who committed the murder last night, and they are them!" ”
"Can you briefly describe their characteristics?"
Hearing this, the corners of Murphy's mouth curled slightly, "Of course! One black man was wearing a striped jacket and the other was wearing a beige kaftan, they were both bald, probably about thirty years old, and now there were only these two black men in the store. ”
"Mr. ......"
Perhaps because of the bounty, the other party asked, "What's your name?" How can I contact you? ”
"Murphy, Murphy-Stanton." Murphy immediately replied, "This is my number." ”
He deliberately added, "I see they seem to be carrying guns!" ”
"You say they have weapons?"
At this point, Murphy wasn't going to continue, "Sorry, I'm hanging up, I think they've noticed me." ”
This is of course an excuse, hanging up the phone and putting away the phone, Murphy takes the hand-held camera from the co-pilot, and after skillfully turning it on, the camera is turned down and the window glass is aimed at the two black people in the restaurant.
He looked at that side intently, wanting to concentrate on filming the good scene directed by himself with quality and quantity.
The case took place in the affluent district of Santa Monica, which is also known as Beverly Hills, and Murphy is confident that the police will never turn a blind eye to the information he provides, and will definitely send people to rush to the scene as soon as possible.
Will those two criminals be obediently arrested?
Judging from last night's scene, this possibility is almost zero, how can two black people who are so ruthless not resist the arrest of the police?
Although the two black men were not seen carrying guns at all, Murphy guessed that the odds of a shootout were very high.
Come to think of it, this is an incomparably real police shootout, and in Michael Mann's "The Line of Fire", that shootout scene is praised for its classical realism, but compared to what might happen next, what does that scene count?
Before entering Hollywood, there is a chance to shoot a super hot gunfight scene, which is really rare.
What's more, once he filmed a shootout between police and bandits, what kind of price could the news video sell for?
There are fewer and fewer cars on the road, and the surroundings are gradually becoming quieter, and the occasional night breeze blows into the car, bringing a little coolness to Murphy, and there are already a lot of beads of sweat on his forehead, although this scene is completely according to his train of thought, but when the ** paragraph is approaching, he still feels nervous.
Time seemed to stand still, and Murphy held his breath and looked through the camera at the two black men, who were still eating, and should not be leaving anytime soon.
A police car quietly turned into the road, coming from the opposite side of Murphy, and when it was about to reach the location of the pizzeria, it stopped on the side of the road, and the two patrol officers got out of the car and walked towards the main entrance of the restaurant.
"It's finally coming!"
Murphy muttered to himself, and the camera changed to a wide-angle lens, and when the two patrolmen walked to the door of the restaurant, they were also filmed in the frame.
The two patrolmen pushed the door open and walked into the restaurant, not seeming to see the two black men, but just walking straight towards the counter, as if they were just ordinary customers who had come to buy a late-night snack.
But their appearance obviously aroused the alarm of the two black men, and the footage captured by Murphyton's camera clearly showed that both black men put their hands under their clothes, and the fatter one of them took out something and put it under the dining table.
The parking position was carefully chosen by Murphy, and from this angle, just in time to see the scene under the dining table, Murphy immediately switched to a close-up, and what appeared on the small screen of the portable camera was a swarthy M9 pistol, and the muzzle of the gun was pointed at the two patrol officers.
Controlling the camera, Murphy constantly switches between wide angles and close-ups, as if he were a working director and cinematographer, meticulously capturing all the wonderful shots.
So far, the venue, the shooting background, and the leading actors of the pros and cons are all in place, and Murphy is only waiting for the final shootout scene to start.
However, the two black men were still relatively restrained, and they couldn't figure out why the police were here, after all, the other party might really just come to buy pizza for supper.
Another police car came from the opposite side and stopped near the previous one, and the two police officers also got out of the car and walked towards the restaurant.
The two patrolmen were very slow, and as they walked over, they took out their pistols and examined them, and although they finally put them back in the holster at their waists, they were clearly ready to use their firearms.
Murphy's camera temporarily leaves the restaurant, focuses on the two patrol officers, and follows them back into the restaurant.
Although the two policemen also walked towards the counter, it seemed that they were just coming over for supper, but the expressions of the two black men changed, and in the close-up shot of Murphy, you can clearly see that they muttered something between them, and then the fatter black man stood up first.
"Oh, God!"
Murphy could see clearly that the fatter black man was standing up with the hand holding the M9 pistol raised and aimed it at one of the patrol officers behind him.
The police were also quick to react, reaching for the holster at his waist when the black man stood up.
"Bang! Bang......"
When the shots rang out, one policeman fell to the ground on his back with blood on his body, and the two black men opened fire one after the other, shooting at the policeman, and the remaining policemen also pulled out their guns and fired back.
The fatter black man became the second person to be shot, and the bullet seemed to hit him in the head, and he was hit by a large-caliber pistol at such a close distance, and a large cloud of blood exploded from the back of his head, spraying directly on the glass curtain wall behind him, staining a large piece of red.
It was only then that the other customers in the restaurant, who were already frightened, let out a piercing scream.
Perhaps because they lived in a country like the United States, where guns were rampant, and they had received a certain amount of education before, those customers did not run around after being frightened, but grabbed their heads one by one and got under the table, thus avoiding accidental injuries.
Although he shouted God in his mouth, Murphy's hand was always steady, and he filmed them one by one.
The shootout in the restaurant is more realistic and brutal than any movie picture.
In just a few seconds, the second policeman was shot, and the blood that flowed out after falling to the ground looked so dazzling and dazzling, it could simply attract everyone's attention.
The rest of the black man was quite fierce, and after shooting down the second policeman, he turned his head and fired a shot at the glass curtain wall behind him, and the glass fell to the ground like a broken block of ice, and he rushed to the other side, jumped directly from the restaurant to the alley where he was parked, opened the door of the black car and got in.
The two policemen are still shooting, and unlike in the movie, it is really difficult for the policemen to shoot the people inside the vehicle that has started at high speed.
The black sedan drove out of the alley and turned onto the road where the Ford sedan was parked, Murphy saw that another police car came to support and directly pursued the black murderer, he took the last wide-angle shot of the restaurant, mounted the portable camera on the co-pilot's stand as fast as possible, let the camera shoot directly ahead, and hurriedly started the car to follow.
At the forefront, blacks fled for their lives in a car; In the middle, a police car clenched on; Murphy followed closely, and the camera continued to shoot.
The speed of the car was getting faster and faster, and in the blink of an eye it was approaching seventy miles per hour, but neither the criminals nor the police, nor Murphy himself, had any intention of slowing down.
In an instant, the black sedan at the front reached an intersection, but when it encountered a red light, the black man would definitely not stop, and rushed into the intersection without slowing down.
Beverly Hills, one of the busiest locations in Los Angeles, is one of the busiest in Los Angeles, and even late at night, there are plenty of cars coming and going.
In the movie, there is always a thrill in running through the red light at an intersection where this kind of traffic flows, but reality is not a movie after all.
The black sedan rushed into the intersection and was halfway through when it was hit by a Chevrolet SUV that was speeding on the right and couldn't stop.
There was a screeching sound of metal colliding, and the black sedan was hit by an off-road vehicle that weighed much more than itself, and could no longer maintain its balance, and rolled sideways.
It was an intersection, and there were other cars passing through, and the tumbling black sedan immediately caused a series of collisions, and all kinds of vehicles were like bumper cars in the park, and they crashed into a pot of porridge in a mess.
Murphy stepped on the brakes, and his Ford sedan stopped outside the intersection, and when he saw the situation inside, he immediately took the camera that was still filming in the passenger seat and replaced it with manual shooting.
Not only that, Murphy jumped out of the car and immediately rushed to the scene of the crash, looking for a suitable angle to photograph this rare car accident.
At this moment, the black car, which was the center of the accident, was kicked open from the inside, and a man covered in blood staggered out, supporting the ground with his empty hands, as if trying to stand up.
It was not only Murphy who got out of the car, but also the policemen who pursued the police car, and when they saw the black man covered in blood trying to get up, the two policemen who were slowly approaching immediately pulled the trigger......
[It's about to be 515, I hope to continue to hit the 515 red envelope list, and the red envelope rain will be able to give back to readers and promotional works on May 15. A piece is also love, and it must be better! 】