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The huge studio was pitch black, with only one light illuminating the set, and under the cylindrical light there was a pillar horizontally, and on the solid pillar hung a girl, a sexy and beautiful girl with her topless body, and her chocolate-like skin was as smooth as the finest silk satin in the light.

The track used for filming, spread out in a large circle around her, a latest Sony digital HD camera, slowly gliding from the track, Fili Raschel, who controls the camera, has been giving her a big close-up, in addition to the smooth back and sweet face, the **** that is completely exposed and tied up by ropes is also the focus of the shooting.

Jessica Alba's clothes couldn't be less, the shorts that only cover the key parts, and the design of the tight leather suit, highlighting every advantage of her devilish figure, seems to carry the most deadly temptation.

A girl who can make the yellow mongrel unforgettable, a girl who can arouse his sadism, and of course a hot girl who can stir the nerves of a normal man.

Unlike the original comics, Murphy and Frank Miller decided on the tone of the scene after a brief consultation.

is not only for the needs of the plot, but also to increase the audience's interest, so the yellow mongrel who changed from Locke is not only sadistic, but also fancy rope art.

Jessica Alba on the side of the pillar is not simply tied up, makeup artist Jake Watson has learned the essence of many Japanese films after referencing them, and the binding deliberately highlights her strong chest capital.

Originally, Franco Miller had some opinions, but at the end of the filming, if Murphy and Erica Steinberg were on the same pageant, he basically couldn't make much of a storm.

As for Jessica Alba, after signing the **** contract, like all young actors who want to transform, the psychological bottom line for **** has dropped to a very low level.

Hanging from the beam like a fancy butterfly, Jessica Alba is expressionless, like the character Nancy, who has no power to resist.

The yellow bastard appeared behind her after makeup, carrying a long whip in his hand, and the camera lens controlled by a camera assistant was immediately aimed at him.

Murphy sat behind the director's monitor, still without any indication that the filming of this scene has been going smoothly so far.

Jessica Alba does a great job of performing the function of a vase, always showing the sweetest smile when it's time to show off her face, and when it's time to show off her body, the devilish body can seduce any normal man to sin......

It's no wonder that Robert Rodriguez used Jessica Alba, and continued to let her be a vase in a series of B-grade films, her capital is really good.

The yellow mongrel drew his leather whip, and the tip of the whip flew out like lightning, drawing a graceful arc in mid-air, making a crisp sound.

The digital camera, which was shot at high speed, captured it all with unmistakable clarity and transmitted it to the director's monitor in front of Murphy.

Of course, the length of the whip and the position of the actor who played the yellow mongrel were carefully calculated by Murphy, and in any case it would not have been drawn against Jessica Alba's smooth skin.

Murphy has always taken the safety of actors very seriously, and if an important actor is injured, it can lead to the suspension of the crew.

The yellow mongrel continued to swing the whip, and Jessica Alba frowned and burst into tears, as if she had suffered greatly.

Seeing the picture on the monitor, Murphy shook his head slightly, Jessica Alba really has no acting skills at all, the performance here is not ideal, and her appearance is naturally too sweet, coupled with very average acting skills, causing her to become Jessica Alba no matter what role she plays, that role will become Jessica Alba......

However, Murphy didn't call to stop, the filming of more than a dozen scenes related to Jessica Alba before had already given him enough understanding of the Latin actor's acting skills, and he knew that even if he stopped filming more than ten or twenty times, Jessica Alba still performed like this.

The film uses Jessica Alba, and it is not for her to show her acting skills, Murphy's intention is simple, to seduce the interest of male audiences with a sweet face and a hot body.

This play, which he strongly demanded to be changed, also serves this purpose.

“Cut！” Murphy shouted to stop shooting, got up from behind the monitor, and said loudly, "This is over!" ”

He turned to the yellow bastard again and said, "Larsen, well done! ”

Jake Watson has walked up to Jessica Alba and untied the rope from her body, and an assistant next to her brought a blanket and draped it over her ****.

Jessica Alba wrapped up in a blanket and turned to look at Murphy, who nodded to her and complimented, "Jesse, you're doing almost perfectly!" ”

He is not the kind of director who likes to reprimand actors, he always focuses on encouragement, and the other party is Jessica Alba after all, and in addition to being flirtatious, it is impossible to have too high requirements for her.

The perfection I just mentioned mainly refers to the face and figure.

Jessica Alba smiled sweetly at Murphy and went to the side to remove her makeup.

"Change the scene!" Murphy said loudly again, "Change to Venue 7!" ”

Venue Seven is also a bar, which is one of the few scenes that the crew has achieved through real sets, having previously filmed scenes with James Franco and Seth Rogan, and the next scene to be filmed is Jessica Alba dancing a striptease.

Unlike previous movies, because Murphy used rhetoric to get Jessica Alba to sign an actor contract with ****, the scenes here will be closer to the setting of the comics, Nancy will not only dance sexy and hot dances, but also take off her clothes.

After changing the filming location and quickly setting up the set, in accordance with the terms of the contract, Murphy announced that the set was cleared, and in addition to him, the director, only Philip Raschel and a camera assistant, lighting engineer David Robbie, makeup artist Jack Watson, assistant director Paul Anderson and a few others participated in the shooting.

The audience watching Nancy's striptease dance in the finished scene did not exist at the time of actual shooting, and was added through post-production technology.

"Filip!"

While waiting for the actor to put on makeup, Murphy called his director of photography over and advised, "Try not to give Jessica Alba a close-up of her facial expression here." ”

"I understand." Philip Raschel knew what Murphy meant.

Anyone with a discerning eye in the crew can see that in addition to her sweet face and fiery figure, Jessica Alba can get her hands on almost nothing, acting skills or anything, even below the passing line.

Fortunately, the setting of this character and the peculiar picture style of the film can do an excellent job of covering up the huge flaws in her acting skills.

So, except for the scene that has just been filmed, there are not many shots of Jessica Alba's face close-up in the rest of the shooting, and Murphy doesn't need such shots, Jessica Alba only needs to be coquettish and complete 80% of the work.

Unless he is stupid, he will naively think that Jessica Alba can appear in a big explosion of acting skills that is even rarer than God came to earth.

The same is true for the subsequent shooting, Fili Raschel's camera footage is always shot on Jessica Alba's fiery figure, coupled with the tight leather suit she wears with a typical S.M style and the sexy parts that are constantly thrown away from the clothes at the back, this part of the scene can be described as full of highlights.

And again, high-speed shooting technology is used here.

Think about it, when the film is shown normally, how many men will make nosebleeds when the scene is shown in front of the audience in high-speed slow motion?

In fact, in the final analysis, Murphy does use comics as the tone and style of the whole film, but he unconsciously incorporates many personal ideas, such as the camera's discussion of sin and good in Sin City is always superficial, and it has always been the center point of filming and production that can attract the audience.

This is something that Murphy did not mention to Franco Miller, "Sin City" is just a continuation of the comic book in terms of art style, but the core concept has changed when the project was first established.

Murphy is also confident in doing so, and he has the full support of two companies, Miramax and Dark Horse Comics.

The top management of both companies is not stupid, and for Miramax, the total investment of $40 million brings huge risk and revenue pressure; Compared with DC Comics and Marvel Comics, Dark Horse Comics is weaker, and comic book adaptations have become more and more popular in recent years.

Although these have never been formally discussed on the table, the parties have long reached a certain tacit understanding.

After filming Jessica Alba's striptease scene, the filming of the crew has completely entered the finishing stage, most of the consecutive scenes are basically completed, and the rest are some scattered shots.

Murphy led the crew and began to constantly transition between Studio 2 and Studio 3, and all the main actors were also gathered on the crew, shooting few intersecting shots with each other, especially between Seth Rogen and Jonah Hill, two fat men, and staged a fight.

After several months of working out, the fat on these two guys has lost a lot, and they have a lot of strong muscles, and they look more like men.

Filming was completed in early February, and Murphy began to travel between the special effects studio in Venice and the location in Orange County, the former of which had reached a critical stage of special effects production, and he had to review every completed special effects shot.

On a wilderness trail in Orange County, after completing a crash scene, filming ended, and Murphy did not relax, gave the crew a vacation, and immediately rushed to Venice to participate in the most important special effects production.

All the shots needed to be processed with special effects, and even if the effects were synchronized from the start of shooting, there was still a lot of work left undone. (To be continued.) )