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As a scientist, Bruce's scientific research has become a weapon for the military, which Bruce has never wanted. Pen @ fun @ pavilion wWw. ļ½ļ½ļ½Uļ½Eć ļ½ļ½ļ½ļ½
Therefore, after Bruce learned of the existence of the Hulk, his first thought was to destroy the Hulk, and he was desperate to find all the ways to kill the Hulk and not cause a war havoc; At the end of the story, Browski, who incarnates as the hate, tries to destroy everything, he is a complete war machine, and the general Rose standing behind him, which makes Bruce suffer, and in order to regain peace, he has to accept the Hulk and learn to control the Hulk, hoping to destroy the hatred.
The main story line of "The Incredible Hulk" - the awakening of Bruce Banner - will increase the depth and thickness of the whole story, and at the same time make the character of Bruce more three-dimensional and full.
Finally, when it comes to Armageddon, the plot can be set up more dramatically.
At first, Bruce was reluctant to transform into the Hulk, because he was afraid that after the transformation, he would lose his mind and join forces with Hate to destroy New York City; Or maybe they couldn't subdue hatred and became another subject of Ross's study. This hesitation made Hate majestic, destroying half of New York and even capturing Betty.
In order to catch Hatred, Rose gave the order to open fire in a frenzy, regardless of Betty's still in Hatred's hands, sacrificing all his strength in order to imprison Hate and develop more war machines. In such a situation, Bruce chooses to transform into Hulk in an attempt to save Betty and even more so to kill Hate.
Here, it is possible to create a kind of loneliness and grandeur of Bruce alone against the world, and the world collectively fires at him, but he stands in front of Betty. The whole world has betrayed him, and Betty is the only one on his side, and this sense of fate of epic tragedy will undoubtedly push the high/tide to the extreme.
In fact, Lance is still thinking about incorporating this loneliness into the film, and during the small high/high in the middle part of the second part, before Browski transforms into hatred, Browsky and Ross team up to try to subdue Hulk. Betty notices that Rose wants to shoot rockets at the Hulk, and she repeatedly stops her father to no avail, so she breaks free and runs towards the Hulk, blocking him, but the army still fires. So, the guns were fired in all directions, and Hulk held Betty in his arms, blocking all attacks by himself, and the whole world turned into a sea of fire.
This bond between Hulk and Betty will be an important driving force for Bruce to keep Hulk under control.
Back in the finale, Hulk finally triumphs over Hate after a lot of hard work, but before he can kill Hate, Rose starts trying to attack Hulk - he needs Hate to stay, and he wants Hulk to stay. Looking at Betty, Hulk had no way to attack Rose, so he left with Betty in his arms, and Rose gave up his plan to continue the pursuit in order to control his hatred. However, Bruce immediately felt his control over the Hulk begin to disappear again, and after Betty left a kiss on his forehead, the Hulk disappeared again.
The movie ends.
The whole script is clearly divided into three parts, the beginning, the process, and the ending. Each part creates its own little high/tide, such as the opening chapter, in addition to the destruction of the laboratory, when Bruce is found in Brazil, Lance thinks that he can use parkour to shoot and chase down the streets. It's still fresh a decade later, and even more so in 2006, which not only adds freshness, but also uses fast editing to create a more dramatic visual effect than "spy shots".
Under the main line of "Bruce Banner's Awakening", two or three branch lines are entangled, which not only enriches the full plot, but also increases the depth of the work, and at the same time lays the groundwork for a sequel - the sequel can completely revolve around the fate of Ross and Betty, and then awaken the tragic fate between Bruce and his father, and push the Hulk's unacceptable loneliness to the extreme.
In fact, even in "The Avengers", the Hulk is a ticking time bomb, and everyone needs to be more or less on his beware. This loneliness will continue with the Hulk, and he will not be able to become the darling of the people like Iron Man or Captain America, and he is destined to live in isolation forever. At the same time, Hulk's emotional life will also be doomed to be bumpy.
However, these are all sequel content, back to "The Incredible Hulk".
In addition to the overall framework, Lance thinks that there are many details that can be added to complete the script, such as Bruce's solitary life in Brazil after the opening chapter, and in the last life, Zach joined the role of a local Brazilian girl, but the existence of this character has no meaning, just to attract a group of thugs, speeding up the time for Bruce to transform into the Hulk. Instead of using such a meaningless nonsense plot, it is better to increase the flashback memories of Bruce and Betty, which will become the motivation for Bruce to learn to control his emotions, and at the same time can convince the audience that this bond, this love, is convincing.
In addition, when it comes to shooting, Lance also believes that there needs to be a change of attitude. Whether it is "Hulk" or "The Incredible Hulk", in order to highlight the tragic color of the Hulk, the whole light is dark, and even the costumes of the characters in the movie are dark tones. Even in "Batman Prequel: The Dark Knight", the Joker's bewitching fluorescent green hair and purple suit have become a bright color.
The director's attitude needs to be adjusted in essence rather than the light itself. The Hulk is indeed a tragedy, but there is hope in this tragedy, and even Bruce himself always has a ridiculous self-denigration attitude, as if the attitude towards half a glass of water, whether it is "only half a glass of water" or "there is still half a glass of water", this difference in attitude will determine the tone of the movie.
If the script of "The Incredible Hulk" can be filmed according to Lance's vision, then this work can even surpass "The Dark Knight" and become the pinnacle of a true combination of philosophical thinking and superheroes, creating a milestone that is difficult to surpass. However, this is only if, and it is really easy to talk on paper.
What kind of work "The Incredible Hulk" will become is still an unknown mystery.
The process of writing the script for "The Incredible Hulk" was undoubtedly very difficult, more difficult than any of Lance's current works, but Lance gradually found himself enjoying it, and even constantly recording all kinds of ideas, and then overturning and rewriting the parts that had already been completed, and then cutting and filling in them, the fun is really difficult to describe.
Lance began to conceive in his mind how the camera would work, how the light would be framed, and how the performance would be presented if he shot it ā which led Lance to think of an important question: who would play the role of Hulk?
In the script written by Lance, the Hulk is undoubtedly a character with depth and height, not just standing up and posing like Iron Man or Captain America, this character will be divided into two parts: one is the part of Bruce Banner, whose change of mindset will be the main line of the whole movie; One is the part of Hulk Hulk, the loneliness and loneliness after the transformation, and the changes after Bruce gradually grasps the control, which will become the key to winning the audience's resonance.
But...... How is Hulk going to perform?
Perhaps, this is also the reason why the Hulk's works have always failed - other superheroes have always maintained their human form, and there is no problem with acting; But the Hulk must be completed through computer technology, which is undoubtedly a huge test, on the one hand, whether the computer special effects are realistic and can convince the audience; On the other hand, it is necessary to take into account the detailed changes in facial expressions, and the difficulty of the performance is unimaginable.
Motion capture technology, Lance immediately thought of this advanced film shooting technology. This technology can be said to be a milestone in the history of film development, truly making virtual characters can also interpret the delicate emotional changes of human beings, Andy Serkis (Andy-Serkis) is undoubtedly the top actor in motion capture technology, in 2010, he completed the performance of Caesar, the king of apes, with motion capture technology in the work "Rise of the Planet of the Apes", known as "worthy of an Oscar nomination", the barrier between computer special effects and actors' performances is completely broken.
This technology came into the mainstream after the "Lord of the Rings" series, and the role of Gollum was done by Andy Serkis through motion capture technology, but it was James Cameron's "Avatar" that really sparked the revolution, which set off a box office frenzy around the world, giving people a new understanding of computer visual effects, which also made the technology fully popularized by major Hollywood studios.
The promoter behind motion capture technology must not ignore the name of Robert Zemeckis, the director who directed "Back to the Future", "Forrest Gump" and "Desert Island Aftermath", which seems to have disappeared and collapsed after entering the 21st century, and it was not until 2012 that he returned to the public eye with two works, "Flight" and "Walking in the Clouds". In fact, in the past ten years, Robert has been concentrating on motion capture technology, and has successively shot three works: "Polar Express", "Beowulf", and "Christmas Carol", all of which were completed using motion capture technology. However, all three productions were unsatisfactory and did not make the need for motion capture technology seem unnecessary, and at one point the technology was mired in controversy - many in the industry agreed that there was no need for such a technology, and that either using live actors or computer special effects would be enough.
But without motion capture technology, works like "Rise of the Planet of the Apes" would not have reached the heights that followed, and similarly, "The Incredible Hulk" would not have reached Lance's requirements. Motion capture technology is undoubtedly Reims' first choice, and it is a necessary choice.
The problem now is that in 2006, the development of the technology does not seem to have reached the heights it will take four years later. The future prospects of "The Incredible Hulk" are becoming more and more confusing. (To be continued.) )