The matter of actresses is very easy to say for Koji Wakamatsu, there are too many girls who want to find a few girls who want to become famous in the city of Tokyo, and you can want any type. I never worried about the heroine when I made Ai Wei movies before, and now I don't need to worry about making this kind of movie that I just take off, this is a real dedication to art. Koji Wakamatsu feels that if he finds a suitable heroine, I'm afraid it shouldn't be a problem for this movie to win an award or something.

If Koji Wakamatsu knew that the script that Tang Yin gave him was once a movie that won an award in Karma, I am afraid that he would be even more devout to this script. The film not only won the award for Best Actress in Garne, but also won an award at another international film award.

"The shooting method of this lens has changed, and the female ghost's clothes are changed to a clean and normal set, so that you don't see blood stains or anything." Tang Yin looked at the female ghost in front of the camera, and always felt that the atmosphere was a little lacking, so he thought about it for a while and then said to Qing Shui Chong beside him. Qing Shui Chong didn't quite understand Tang Yin's thoughts after hearing this, and couldn't help but ask curiously, "Didn't this female ghost die many years ago?" Shouldn't her clothes be tattered, dirty, and bloodstained? ”

"Hehe, this place needs a strong contrast, so that it can make the atmosphere of terror more intense." Tang Yin said with a smile after listening to Qing Shui Chong's words, what they are filming now is the scene where the female ghost kaya coconut appears. After listening to Tang Yin's words, Qing Shui Chong was silent, and quietly watched the actress get ready again, and then shoot again.

The camera moves with the characters in the script, and then sees the delicate back of a young woman upstairs, and then the character can't help but greet the young woman, the young woman turns around suddenly after hearing the greeting, and the one who appears in the camera is a female ghost with her chin dropping! Blood on the face!

This strong sense of contrast frightened Qing Shui Chongdu behind the camera, he still knew that the plotter was on the scene, and he had seen the female ghost's dress, and he was suddenly startled in such a scene. If it was in the movie, I'm afraid those people would have a stronger sense of excitement.

When filming a movie, it's actually not so scary a lot of the time, because there are a lot of people on the scene, and a lot of things are obviously made up of makeup. The level of these makeup artists that Qing Shui Chong is looking for can only be said to be average, and when many terrifying things can't be made, Tang Yin has to go on the stage himself to instruct them how to make zuò.

Don't ask Tang Yin how he can put on makeup, because this is how he popped out the method of making these things in his memory, as if there was an introduction to the horror and bloody scenes in a horror movie in the depths of his memory, so he directly said the method inside, and those makeup artists tried it before the camera was filmed according to this method.

Fortunately, although the level of these makeup artists is not very good, they are obedient and willing to work, and they are quite serious. Because they heard that the director in front of them who stopped Tang Sanshao had already made a good movie, and seeing Qing Shui Chong's appearance, he especially admired this young director, you must know that Qing Shui Chong is a top student who graduated from an art school and has worked as an assistant to many film directors.

There is also an undetermined grapevine - this director is very generous, as long as the people who do things satisfy him and the movie is filmed well, he will not only invite all the people in the crew to eat the finale banquet, but also add red envelopes to all the people in the crew according to the profitability of the movie.

The treatment of the film personnel here in Fusang is actually much worse than that in the central area of Daming, and the crew there will work very hard in order to earn more income, not to mention the people here. And in the end, Tang Yin also added such a sentence: "You think about the scene I said well, and then it is best to create more things, and people who make this type of movie in the future can only find you if they want these effects, in that case, your income and status will become more important." ”

Whether it's in front of the scenes or behind the scenes, who doesn't want to gain fame and fortune? It's just that the problem of makeup has Tang Yin's guidance, but it still takes time for a technology to transform from the text level to the actual effect, Tang Yin and the others thought about this movie relatively simple before, thinking that this movie should be shot quickly without special effects, but in fact it is not.

There are many things on the script that have not been explained clearly, but Tang Yin has seen this movie in his memory, so he clearly remembers the details of each plot, and there are some unreasonable things that need to be modified, and there are many plots that are actually beyond the script. Coupled with the problem of makeup, the filming time of this movie far exceeded Tang Yin's estimates.

And Qing Shui Chong on the side has now truly seen the ability of the young director named Tang Sanshao in front of him, and he has reached the point of worship. At the beginning, he simply wanted to get investment from Tang Yin and shoot his own script, but later he heard that Takaji Wakamatsu said that Tang Yin's directing ability was very powerful, so he moved the idea of letting Tang Yin shoot his own script, after all, he still had no confidence in directing for the first time. But at that time, he was still hesitant about Tang Yin, because his movie was a horror movie, and he didn't think that a good director could make this type of movie well.

But when Tang Yin perfected his simple script, Qing Shui Chong already fully believed that Tang Sanshao's directing ability was really powerful, his script was very simple, and Qing Shui Chong himself understood that he was ready to slowly improve it after the investment, but Tang Yin was able to fully understand his intentions, and directly perfected the script, which made Qing Shui Chong very impressed.

But now, after the movie has been officially filmed for a while, Shimizu Chong's heart is only left with kneeling, although there is no dubbing yet, and it has not yet been fully completed, but he can already imagine the horror scenes of this movie. He never knew that his imagination was not rich enough, and this guy in front of him was the real master of playing horror movies.

In Tang Sanshao's eyes, it seems that there can be a terrifying scene anywhere, in front of the mirror, in the bathroom, in the elevator, at home, at school, on the street, this kind of scene is almost everywhere around people's lives, everywhere Tang Sanshao uses it to create a terrifying atmosphere. The most terrifying thing is the scene where the coconut comes out of the bed, which simply breaks Qing Shui Chong's psychological defense. (To be continued.) )