An Shunjie's luck was a little worse.

He was the No. 4 player tonight, right behind Liu Feifei. When he came on the stage to sing, Mei Yanfang's excitement of accepting apprentices on the spot had not yet passed, and the audience's minds were still on what had just happened.

An Shunjie on the stage had already raised the microphone and was ready to start singing, and the audience was still discussing the topic with each other with great interest, and few audience members paid attention to the game that had continued.

When the host announced An Shunjie on the stage just now, there was very little applause in the audience. This situation caught the on-site director off guard, and when he wanted to take charge again, the time had passed, An Shunjie had already played, and it was too late.

Therefore, An Shunjie walked on the stage alone and coldly, looking particularly depressed. You must know that when the first three players came on the field, the applause of the audience was still very warm.

An Shunjie's heart was very uncomfortable.

During the game, the applause of the audience when the player comes on the field is just a polite act of welcome, and the amount of applause does not represent the player's singing level.

This is common sense, and An Shunjie also knows it. But at this moment, An Shunjie doesn't think so.

When others came on the field, they all applauded and welcomed, why didn't they have their turn? A feeling of being ignored suddenly crept into his heart.

An Shunjie felt that he had been treated unfairly.

No way!

Why?

I can't just leave it at that!

I must sing these two songs well, so that these blind audiences can realize how powerful I am An Shunjie!

In his heart, An Shunjie said silently.

At this time, the prelude had already walked to the place where it was singing, and the two chasing lights were also aimed at An Shunjie's face at the same time, and the strong light made him squint his eyes slightly.

An Shunjie took a deep breath. With his eyes wide open, he raised the microphone in his hand.

In the judges' seat.

Since An Shunjie stepped onto the stage, Chen Junjia sat up straight and focused his attention on him. This is not only because An Shunjie is one of the only two players in Guangdong Province, but also because An Shunjie's performance in the semifinals made Chen Junjia pay attention to this young man with a good voice, singing skills, and appearance. Compared to Wu Lili's arrogance. The humble An Shunjie is even more in Chen Junjia's eyes.

Chen Junjia had the heart to push him.

Chen Junjia himself was famous in the National Young Singer Contest in '88, and he certainly knows what the results of a major competition mean for a young singer. Since Anshun Jietong Guò has made unremitting efforts to stand on the stage of the finals, if conditions allow, Chen Junjia does not mind helping him during the competition.

Four years ago, Chen Junjia sang "Love in the Hometown" and won the championship of the National Young Singer Competition, if An Shunjie can also sing this song "Love in the Hometown" and win the championship of the singer competition in the three places, this will definitely be a legend and a good story in the Chinese music world.

Two champions for one song. Isn't it?

This is Chen Junjia's little selfishness. Of course, in the current shape of the finals, in Chen Xunjia's own concept, this 'condition allowed' also has a bottom line, that is, An Shunjie's presence in the finals.

At the very least, let's be famous.

This is Chen Junjia's consideration.

After the Jin Bowen incident, these judges in the finals all cherish their feathers very much, and they will not go into battle shirtless like Jin Bowen again.

Listen to the familiar intro music in your ears. Chen Junjia's attention was more focused, he knew. An Shunjie's singing is about to begin.

I've walked through mountain after mountain

After a river

Another ~~~ babbling ~~~

Jiang Luo

Well? How? The parallel voice is on the high side.

As soon as An Shunjie spoke, Chen Junjia's brows immediately frowned slightly. When An Shunjie sang the second sentence of 'babbling' falsetto, Chen Junjia's hands lightly paused on the table, sighed, and leaned his back back into the chair, disappointed in his heart.

He knows. I can't realize that little bit of caution.

In the opening paragraph of "Love in the Old Garden", the composer chooses a folk song style, which begins with an ascending melody 6665 (lala-la-soprano soprano) with a seventh interval from low to high. Judging from An Shunjie's performance in the semifinals, this melody should not have been his problem, but it was just like what Chen Junjia heard. An Shunjie didn't sing this seventh interval as soon as he came up, and he sang the upward '5' (treble soprano) note a lot higher.

If the interval relationship is wrong, it will be difficult to guarantee the pitch of the singing. However, if the contestants have strong adjustment skills, have a good intonation concept, and can quickly find the right intonation, there is still a chance to sing in the future.

By the time he sang the falsetto of 'babble', An Shunjie might have heard the tone of the previous sentence and wanted to try his best to correct his pitch. But then he made a second mistake. Originally, his pitch was already on the high side, so he should try to relax his voice and carefully find the pitch before singing. An Shunjie worked harder on the processing of falsetto, which made the originally high pitch a little higher, and the distance from the standard pitch was even farther.

At this time, according to the principle of inertia domination of singing, the tone of An Shunjie's entire song is inevitable.

Sure enough, in the fast-paced song part later, An Shunjie completely lost the correct concept of pitch, and the whole singing deviated from the standard pitch.

Such a strict sound is absolutely impossible to hide in the ears of the judges.

On An Shunjie's back, cold sweat was dripping.

In fact, the loss of sound in singing is an extremely common phenomenon, and it is not a particularly strict mistake.

When the singer is singing, it is inevitable that the tone will occasionally go out of tune. In the recording studio, it can be repaired repeatedly, and the situation is slightly better, and when singing live, the situation of the sound is even more strict. Even if the strength is as strong as the king and queen, the sound in the concert abounds. It was only ten years later that computers became popular, and easy-to-use sound correction software appeared, and when making zuò records, the singer's singing could be trimmed note by note, and the final product could hardly be heard. But the sound of the concert is still not uncommon.

Let's not talk about the merits of the sound editing software, at least its appearance has made the pitch of the singers in the record reach a very high standard.

But now, in '92, even the sound of the album record can be heard everywhere, and the phenomenon of the sound out of the live singing is really nothing to make a fuss about.

Of course, the occasional dissonance here refers to a situation where it is not strict. If a certain singer sings a note with a pitch of 4 (发) to 5 (嗦), it is a strict zhòng out of tune under any circumstances, and it is absolutely not allowed.

However, it is also out of voice, and the situation is different.

Most of the phenomena of the singer's singing are on a certain note in a melody, and they are basically fleeting, and the audience (listeners) will not pay attention to it. Even if the audio recording is recorded, you won't notice it if you don't listen carefully.

When the judges are scoring, they will not deduct points for the singer's unrelated and less obvious voices.

An Shunjie's situation is different.

This movement of his voice is called parallel high (low). It means that the melody sung by An Shunjie is above the standard pitch as a whole, and forms a 'parallel line' with the standard pitch, so it is called 'parallel high (low)'.

This kind of walking tone is impossible to ignore, and it belongs to the strictest zhòng among the walking sounds. When recording, such a movement will definitely be re-recorded, and when it comes to the competition, the judges will never show mercy to such a movement.

The reason is simple.

Occasional mistones do not affect the overall effect of the phrase, and it is a minor flaw in both the interval and the harmonic relationship. However, this is not the case with parallel high (low), which will severely affect the interval relationship and harmonic relationship of the phrase, and the whole phrase will sound completely dissonant.

That's absolutely not going to work. (To be continued......)