Regarding these plot designs, Zhou Yi solicited the professional WwWlā of the three screenwriters on the spot

The three screenwriters thought about it, discussed it, and still agreed, thinking that there was no problem with the character's personality being stereotyped in this way. The plot can also be designed in this way. They think that such Zhao Jue, the king of Xiangyang, is indeed innovative, and is more attractive than some face-painted images in Romance and previous film and television dramas. They all admire Zhou Yi for having such a unique character design and plot concept.

The boss who can create a script like "Five Poisons" is indeed not simple.

That's what the three screenwriters really think.

Zhou Yi has won their affirmation and respect by virtue of his own ability.

This is indeed one's own ability, not copying the script of the previous life. Zhou Yi did change the original work a lot.

This is a major change to the load-bearing structure of the original script, and it is an "original" idea of reinterpretation.

For Zhou Yi's new design concept, as well as the specific description and explanation, Director Zhao, Director Rong and Guan Photography who were in attendance, including action director Huang Huacheng, listened very carefully and were very interested, nodded again and again, and secretly admired it in their hearts. Even if they all understood some of Zhou Yi's ideas in advance, listening to him tell the ins and outs of the idea in such a specific way, they really felt that their blood was full of blood, and it was difficult to suppress their excitement. They agreed, appreciated it, and praised it without hesitation.

Manager Yan, who was present, was even more praised, and was very optimistic about this kind of character design and plot structure.

He's a true professional, and he's got a lot of vision.

Everyone thinks that the film is shot like this, the effect must be very good, not only the action effect is good, the scene is very exciting, but also has a strong artistic effect, if the various shots are designed well, and then add various special effects, it is simply cool, absolutely impeccable.

In particular, Director Rong and Guan Photography attach great importance to the art of the lens, and they feel that this design is perfect and worth trying.

Everyone was determined to do it.

In this way, this literary drama and martial arts must be well designed.

In particular, the dialogue lines between Bai Yutang and Xiangyang King Zhao Jue before his death must be carefully crafted repeatedly, with the strong color of grief and reluctance and karma, and it is necessary to highlight the position and ideas of Xiangyang King Zhao Jue. Zhou Yi explained his ideas in detail in detail, so that the screenwriters could better understand, and then carry out complex artistic processing to strive for the best.

In terms of the fighting scenes, action director Huang Huacheng was required to design them in detail, and it was necessary to highlight the characteristics of the bloody, ruthless and brutal fighting style.

Everyone nodded their heads, feeling that these ideas were very good, and they really enriched the literary and martial arts dramas.

In this way, the plot is more exciting and more distinctive, Director Zhao agreed.

The ** fight scene of the final battle at the end of the film is naturally the focus of the film, especially at the end, Zhao Jue, the king of Xiangyang, is a strong opponent, and he does not hesitate to suffer heavy losses, but also kills the little Zhuge Shen Zhongyuan who lives up to his kindness, which can be called the essence of the whole film.

Zhao Jue's defeat has been decided, it is destined to be a situation of death, dragging a few more people to die together, it is really not necessary, but others can not kill, they are all their own masters, which is understandable, but those who bear the favor of the Lord must die!

Even if you're undercover, that's not good!

Apostolation is a capital offense!

This is a tone full of subjectivity, whether good or bad, with a certain degree of traditional thinking.

Xiaoxia Ai Hu is the backer, and Xiao Zhuge Shen Zhongyuan is even more backer, and he is the backer of the master! This is definitely against the traditional ethics and morality of **Xia. Of course, you can say that this is a loyal monarch, but the little man Ai Hu sued the master as a slave, and he had to roll the nail board, but he would not go to receive the reward.

Your little Zhuge Shen Zhongyuan is gracious and betrays the master, no matter what justifiable reason, it is impossible to get out of the way.

Legally, you are not wrong, but that kind of practice is a violation of ethics and morality, so you must die.

The lord humiliates the ministers to death, and the lord dies and the servants die!

As Zhao Jue finally said: "In today's battle, the eldest husband is just dead, and there is nothing to say." Since this king is destined to be born at the wrong time, and there is no place to die and there is no place to be buried, everyone is their master, and this king can't blame anyone. But if you have received great favor from me, how can you not die for me? Since you have failed me, and you have nothing to repay, then you can only repay you with death! If I die today, you must be martyred. ”

This is Zhao Jue's true thoughts, and it is his traditional thinking.

So Zhao Jue didn't kill others in the end, but he had to kill Shen Zhongyuan!

With his overwhelming strength, if he really wants to kill a person desperately, no one can stop him!

Even if it is the strongest black demon fox in the field, it is not enough, even if he lets Zhao Jue, who has fallen into madness, be hit by a continuous knife and blood full of dragon robes, but Zhao Jue still kills Xiao Zhuge Shen Zhongyuan on the spot with a dragon stick, drawing a successful end to this bloody battle.

According to the tone of the film, there is no distinction between good and evil, only success or failure, success and defeat, defeat and defeat, and betrayal of the master will die!

This is the finale of the various characters in the film!

However, Zhao Jue, the king of Xiangyang, did win the respect of the uninhibited black demon fox Zhihua. In the end, he didn't even care about the death of his junior brother Xiao Zhuge Shen Zhongyuan, and he didn't want to humiliate the king with an axe, so he gave the king the long sword left by Bai Yutang to practice. Zhao Jue committed suicide with this long sword with Bai Yutang's unjust soul, completing the cycle of cause and effect, and the retribution was really unhappy.

This kind of ending is indeed thrilling, heart-wrenching, and regrettable.

The heroic pathos of Zhao Jue, the king of Xiangyang, is in stark contrast to the "rat generation" behavior of the remnants of the trap island to "disembowelment and take the alliance list", and that despicable behavior was also shameless and ridiculed by the black demon fox. Although fame and fortune are fleeting, it is enough to make people crazy, and how many people can see through it? The film ended successfully in this tragic and playful atmosphere.

Designing the finale in this way, Director Zhao and others were amazed, and they were indeed very satisfied.

If you can shoot this scene well, no matter the literary drama or martial arts, it will definitely be very exciting.

However, the final battle at the end must be very well designed, and it is indeed not easy to completely exceed the ending scene of "Five Poisons", which is more popular and exciting. The action director leads the martial arts group, and he must work hard, and the pressure is indeed not small.

After all, the ending scene of "Five Poisons" is already extremely good, and it is not easy to surpass it.

Many fans think that the ending scene of "Five Poisons" is an action classic, which can be written into action movie textbooks, how can it be so easy to surpass!

In fact, in Zhou Yi's view, it is not impossible to exceed, after all, the types of fighting scenes in the two films are different, and even very different. In "Five Poison Gates", everyone is hand-to-hand combat, close combat, except for the hidden weapon of the scorpion tail dart, there is no weapon at all, there is no kind of blade into the bone, murderous and dangerous, and there is no kind of domineering spirit that fights in all directions and sweeps thousands of armies.

To put it bluntly, it focuses on the bloody actual combat of fists and fists, rather than the tragic and bloody swords.

You can beat people to the point of spurting blood, but you can't beat people to the point of blood.

The ruthlessness of the blade to the bone, the brutality of broken tendons, all of them!

Why can't it be exceeded?

It's the most important thing to rest on your laurels!

Compared with "Five Poison Gates", the fighting scenes of "Chongxiao Tower" are completely different, basically all of them are sword battles in the rivers and lakes, reckless dragon and snake fights, and all kinds of Qimen weapons emerge in endlessly, which can be filmed more sinister and thrilling, bloody and exciting, and full of tricks.

That's really going to be ruthless and ruthless, to be domineering and domineering, to be weird and weird.

So in terms of play choreography, the crew can be designed to be more exciting and exciting, absolutely no problem.

It's really not good, everyone will work together and study together, and be sure to do the best in this play.

However, action director Huang Huacheng is very confident to challenge the limit, not afraid of difficulties, and takes the task.

The last Panlong stick vs. demon fox knife is the focus of the play!

The dragon stick method must have swept thousands of armies, domineering and domineering, the demon fox knife method must have tricky and ruthless, and the thunderbolt electric light is sinister and ruthless, their action design must be very outstanding, and they must be able to match together, fierce and fierce, it is really difficult to be a person.

Several other fight scenes, such as the Black Demon Fox vs. the Flower Butterfly, and the Five Rats vs. the Great Sage, also have to be designed to be exciting.

It can be said that this film has a lot more fighting scenes than "Five Poisons", and it is much more difficult.

After discussing it, everyone really felt the difficulty of filming the scene, which is indeed not easy.

And a lot of Qimen weapons are needed in the film.

For example, the double hook of the "God Hand Sage" Deng Che, the three-section spear of the "Flower Butterfly" Hua Chong, the water-dividing Emei thorn of the five rats, the short stick, the Qimen umbrella, the climbing rope and other weapons and props must be carefully designed. These are the work of the art team and the props team, and Rong Lao is responsible for supervising them.

Qimen weapons and traps are the highlights and selling points of the film, and everyone knows very well that they must be well designed.

There is a guard of the old Rong to ensure that nothing goes wrong.

Zhou Yi also repeatedly reiterated a detail at the end of the film, that is, the long sword used by Zhao Jue, the king of Xiangyang, to commit suicide happened to be the portable sword left by Bai Yutang, the "brocade mouse", after he died in Chongxiao Tower. This detail should reflect karma.

The screenwriter has to design the details here to be reasonable.

And the art team and the props team also have to design Bai Yutang's long sword, which is also an important prop for the film, and it is used in many plots, and it is also a murder weapon for killing the king, how can you be careless!

The martial arts group should also design Bai Yutang's swordsmanship wonderfully.

After all, Bai Yutang is an important role in the early stage of the film, and the play must be very brilliant. Otherwise, would Zhao Jue, the king of Xiangyang, use that method to kill him? Obviously, there is no self-confidence to win openly. In this case, how can you not play well in the early stage? It has to be convincing!

Everyone nodded their heads and agreed, thinking that this design was indeed very reasonable.

In terms of actors, what can be determined at present is that Gao Song, as the first actor, plays the role of the black demon fox Zhihua who is both intelligent and martial, free and uninhibited. Zhou Yi is the strongest behind-the-scenes customs clearance boss, playing the role of Zhao Jue, the king of Xiangyang. Zheng Zilong plays Bao Zheng's protégé, and the patrol is strictly investigated. Cheng Dakui plays the role of "God Hand Sage" Deng Che. Lin Yan can't play a role, but he can play the role of Yan Chasan's little scholar Yumo, who is responsible for playing treasure.

Tang Wang is not good at playing and has no suitable roles, but the TV series should be able to be arranged, and there will definitely be dramas.

The rest of the roles are figured out by Director Zhao himself, and the company has no suitable actors, so he can only cast them as much as possible.

Zhou Yi also said that he would invite an etiquette teacher in the near future to train him in etiquette temperament for the role he wanted to play. And he also has an aunt who is an associate professor in the Yanying Performance Department, and he can invite her to come to short-term training for her acting skills, and it just so happens that her sister Tang Yan also needs special guidance in this regard, and when filming TV series, she definitely needs Aunt Tanya to accompany and guide her throughout the process.

Aunt Tanya will definitely have time on vacation.

Zhou Yi said this, naturally to make everyone more confident in his acting skills.

Director Zhao and others were a little relieved, thinking that Zhou Yi, as the boss, was so enterprising, it was indeed rare, and his acting skills should be fine. If it really doesn't work, they will guide them on the spot at that time, and it's a big deal to shoot a few more times. Judging from Zhou Yi's performance in "Five Poison Gates", his performance is still very aura, and it is making rapid progress, and it is not difficult to teach. In fact, Zhou Yi has received strict agent training, and he has the foundation of self-hypnosis, of course, he has extraordinary advantages, but Director Zhao and the others don't know about these situations, so there is no need to sue them.

In short, Director Zhao feels that the performance required for the role of the prince played by Zhou Yi is not too difficult and can be taught.

And Zhou Yi has a lot of potential to tap in terms of performance.

Then there is nothing wrong with that.

Zhuo Qinglian said in a timely manner that the etiquette teacher will be in place soon, and there will be no delay in things.

In fact, it is not difficult for the etiquette teacher to take time, the key is that Zhou Yi is about to take the college entrance examination, and the time is very tight, and there is not much time. Now that there are only 13 days before the college entrance examination, Zhou Yi is usually very busy. Everyone should arrange their time well.

At this time, Rong Lao also mentioned that on the TV series, the dance teacher also has eyebrows, and it is estimated that it can be done in two days.

The dance teacher will definitely be in place in advance and prepare.

This is certainly a good thing.

With Rong Lao doing these jobs, Zhou Yi is naturally very relieved.

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