PS: Bow and thank the book friend "Tianshan Moon Looking" for the reward! Let you break the bank, thank you for the high notes!!

They were wrong!

They couldn't be more wrong!

They couldn't have been more wrong!

Ye Zi did not ignore the strength of all these means, but Ye Zi had an unyielding will and strong faith, as well as a rare opportunity to resolve this difficulty.

A few years later, as Ye Zi's fame grew, the finals of the "Shen Yuexiang" singer singing contest that Ye Zi participated in in the initial stage were known to more fans. And Ye Zi's almost magical performance in the finals is widely talked about by more and more Ye Zi's fans.

Later, it was said that only fans who could tell in detail the ten details of Ye Zi's singing in this finals would be absorbed by Ye Zi's fans as official members.

Whether this rumor is correct or not has been impossible to ascertain. However, many fans who are not regular members believe this to be true.

The scene of the game.

In the rumbling of the drums, the lifting stage has slowly risen to the highest point, and Ye Zi's "wolf howl" sound continues to come out in the gap between the drums.

Faced with the current desperate situation, Ye Zi must find a suitable solution in the shortest possible time. This time must be controlled in the prelude, and once the singing is not able to find a way, the black hands will win.

Pressed for time!

Ye Zi had already sensed the problem with the first "wolf howl", and used the second "wolf howl" to finally determine the problem. Immediately afterward, he began experimenting.

The difficulty of reverberation is the easiest to overcome.

For a singer like Ye Zi who has been reborn and returned, this is not a problem.

The use of reverberation in the studio has evolved from long reverbs in the 80s and 90s to short reverbs in the 20th century and onwards. In later generations, the use of reverberation became closer to the method of short reverberation and high definition. Recording engineers are no longer only considering the reverberation effect on the sound, but how to use the length of the reverberation effect to better determine the position of the singer in the stereo effect of the song, so as to achieve the overall effect of the song.

This is true for recording, and live sound operations have followed the pace of the evolution of recording technology, and of course the same is true. This is the trend of the times.

It's just that the live sound engineer uses a little longer reverberation than the amount of reverberation in the studio. This is a change made to take into account the specifics of live singing.

However, the purpose and direction of short reverberation and high definition are completely the same.

Eddie's approach tonight is exactly in line with the mixed response method of later generations. Although slightly different in terms of details. But this method is the one that Ye Zi is most familiar with using the reverberation effect.

The reverberation effect is reduced, which is extremely difficult for singers in this era to adapt to in a short period of time, but it is not effective at all for Ye Zi!

Desperate Difficulty No. 1: Reverberation Reduction.

Break in response!

The problem of rising the tone of the song is difficult for Ye Zi, but it can be solved with a little effort.

This is determined by the absolute strength of the singer. There is no room for falsehood. If you can't do it, if you can't do it, you can't do it. Ye Zi's vocal range is so wide, the problem will not be too big.

It's just that for the black hand, it's more tragic.

Beforehand, they had overestimated Ye Zi's vocal range as much as possible, but it wasn't until the end that they realized that what they thought was overestimating Ye Zi was underestimating Ye Zi.

However, the hands and feet made by the black hand are not useless, and this promotion is still a little difficult for Ye Zi. The difficulty lies in the fact that Ye Zi must sing the song in a vocal area close to his voice change point.

This is a difficult problem for any singer.

The so-called voice change point. Refers to a transition point between the singer's true and false voices. Below the vocal change point, the singer sings completely with a real voice, and the part above the voice change point is a combination of falsetto and true falsetto.

The singing methods of real and falsetto are completely different. And because the vocal area near the voice change point is close to the voice change point, some sounds will become ambiguous, and it is okay to use a real voice or a falsetto, which makes the singer elusive. Therefore, it is not easy for singers to be sure when singing, and it is not easy to control the singing method, and if they are not careful, they will fall into a state of loss of voice.

Singing in the vocal change area is a very skillful test, and it is easy to make mistakes if the strength is a little worse. This is also the last vocal area that singers are willing to face.

For Ye Zi. His vocal skills training has long been successfully completed, even if it is singing in the vocal change point area, he can now control it freely, so that people can't hear Ye Zi's voice change point at all. However, compared to the singing of the real voice area and the false voice area. The vocal change point area is much more difficult to control in singing, and it requires a little more physical strength and breath.

This is also the reason why Ye Zigang was only angry and not worried when he heard the song "was upgraded". For Ye Zi, it is enough to be cautious and cautious when singing the song in G key, and there is no big problem.

Difficulty 2: The song "Ascended".

Break again!

The real difficulty that Ye Zi faced. The volume of the microphone is reduced and there is no monitor. And the most important thing is that the microphone volume is too low.

The audience under the stage sounded normal, but in Ye Zi's ears, the volume of the microphone was completely "drowned" in the sea of sound.

If the monitors on the stage are still on, with his keen ears, even if the microphone volume is very light, Ye Zi has a great deal of confidence in controlling his singing. But after the listener was turned off, Ye Zi's ears could only hear his own singing, and the details could not be heard clearly.

The difference between "hearing" and "hearing clearly" is a world of difference.

In such a situation, it is almost impossible for Ye Zi to have fine control over his singing.

Faced with such a situation, there are not many solutions that Ye Zi can start using immediately.

One is to go to the front of the stage and sing.

This position is no longer on a parallel line with the speaker cluster, and the sound comes from behind the two sides of Ye Zi, which is much better than the sound on both sides of the mere side. The overall volume will increase a little in terms of hearing, so correspondingly, the volume of the microphone will also increase in Ye Zi's ears.

But this is not the best solution.

Singing at the front of the glass stage is indeed slightly better, but it is only very good. And it's a synchronized increase in overall volume, and the muddness of the sound doesn't improve at all.

At the same time, Ye Zi can't stand there and sing all two songs, so the stage effect still has to be considered, right?

Unless Ye Zi doesn't want to win this championship.

This is not an option.

The second way is to increase the volume and penetration of your voice.

When the singing volume increases, the volume coming out of the microphone must also increase synchronously, which makes its own voice more obvious on the basis of the same volume of the band. The effect of strengthening the penetration of the voice is similar, and the effect of strengthening the penetration will be more obvious than the increase in the volume of the singing.

This is a really effective way to draw wages from the bottom of the kettle, but it is difficult, very difficult, and it can be said that it is extremely difficult.

There is a relatively constant maximum value for everyone's volume, and singers who have undergone rigorous vocal training will have a little more volume, but there is also a value that cannot be surpassed.

Since Eddie wanted to pull the volume of Ye Zi's microphone, he must have considered the maximum value of Ye Zi's volume. Now he only pulls down these volumes, which shows that he can be sure that even if Ye Zi sings at maximum volume, he will not be able to hear the details of his singing on stage.

As an extremely professional and excellent sound engineer, Eddie has this ability and such confidence.

With Eddie already controlling the volume of the microphone, the only way for Ye Zi to make his voice louder than usual is to shout slightly during his singing.

However, it is also absolutely undesirable.

The addition of shouting is counterproductive, and does not help the control of the singing, and shouting is also the most destructive to the voice.

This method must not be used.

Then, the only thing Ye Zi can think about now is how to enhance the penetration of his voice. (To be continued.) )