Ye Zi's singing became more and more casual. Pen? Interesting? Pavilion wWw. ｂiquge。 ｉｎfo

After two singings, all the lyrics that had been written at the beginning had been sung, but the feeling that Ye Zi wanted to sing in his heart still didn't have any intention of stopping, and he didn't want to stop singing immediately in this place.

No lyrics?

So what's the matter!

Ye Zi opened his mouth and began to chant in a wordless falsetto.

At this time, in the orchestra pit, Miao Junkai's violin solo has replaced Ye Zi's singing voice just now, and is floating lightly above the whole orchestra, which is the last coda in the score. In this place, the album is a tapestry of about a minute, until it disappears completely, and the concert can't of course completely copy the treatment in the album, so Ye Zi gave them a 17-bar coda on the band's score, with a formal closing sentence.

As soon as Ye Zi's voice came in, Miao Junkai immediately reacted.

He recycled the timing of the phrases he played a little, leaving some space for Ye Zi's "singing", and at the same time, the right hand of the bow was slightly lightened, so that the volume of the violin was also slightly reduced.

All this was completed almost instantly, and as soon as Miao Junkai let it go a little, Ye Zi's "singing" was immediately added without difficulty. Immediately, the audience's eyes reproduced the scene at the beginning of the second paragraph, but this time the order of priority was reversed.

The beginning of the second section is dominated by Ye Zi's singing, and Miao Junkai's violin plays a role of filling and polishing, and this time the violin appears as the main body of the musical content, and Ye Zi's "singing" always surrounds the violin, playing with the violin, chasing each other, and playing an effect of setting off the emotions and exerting each other.

In short, Ye Zi wants to use his "singing" to accompany the violin's complete Fill, the last 17-bar finale. At this moment, Ye Zi's real singing strength now is completely and completely revealed.

……

It is well known that the pitch height of the violin far exceeds that of the male voice. The violin performance of this section of the coda is basically hovering between its middle and treble areas, if it is sung normally according to the standard of the male vocal range, Ye Zi's "singing" is difficult to perfectly match with the violin, unless it is like at the beginning of the second paragraph, Ye Zishen sings the lyrics below, and the violin floats on it a few times. Once the roles are arranged upside down, the violin, which is the main body of the music, is already floating in the air, and Ye Zi's "singing" cannot sink below to embellish the violin, and the pitch difference between the two voices is too great, and it is difficult to fill the gap between the vocal ranges.

It's like a male voice singing a low-pitched dox (1), while a violin plays a high-pitched and high-pitched dox (1), and there is a difference of two octaves between the two.

We often hear that a piano is used alone to accompany singing, in addition to the fact that the piano is a harmonic instrument, it can fully meet the needs of accompaniment to singing, and because of the wide range of the piano, its midrange area and the natural pitch of the human voice can cope with it. The same goes for a single guitar as an accompaniment. However, it is almost impossible to see a single violin used to accompany a singing, and of course special treatment does not count in special cases.

In addition to the fact that the violin is not a completely harmonic instrument, the difference between the vocal range of the violin and the natural range of the human voice is too great to harmonize well is also an important reason. (PS: The violin can also play chords of up to four notes, which is very important for solo violins, but it is far from enough to accompany the singing.) ）

Does this mean that the cooperation between the vocals and the violin can only be a method in which the vocals appear as the main body of the music, and the violin floats on top to embellish them? Generally speaking, this is true, but Ye Zi has his own solution to this problem, that is, wordless falsetto singing.

Falsetto can reach the pitch of an octave above the extreme of the singing vocal range, if you take the male voice as an example, it is an octave up to the extreme pitch high pitch C, which can be completely combined with the pitch of the violin. Of course, this is also an extremely difficult thing to do, which is completely a manifestation of singing strength.

The problem of the pitch gap between the vocals and the violin was solved, and a real "equal exchange" began between Ye Zi's "singing" and Miao Junkai's violin performance.

……

"Wouldn't it? Is that okay too? Chen Yichen wiped his eyes, looked at the stage again in disbelief, and whispered in his mouth. Ye Zi's current performance once again exceeded his expectations.

Zhang Lei looked at Ye Zi on the stage, shook his head with a wry smile.

Ye Zi's own songs don't have too many trebles, except for singing once during the Xiangjiang competition, and he has never seen him soar since then, so Zhang Lei has always thought that Ye Zi's treble should not be as good as himself. But today's scene made him clearly know that Ye Zi didn't have the ability to sing high notes, it was just that people didn't sing, and they just didn't need to use high notes to express themselves. Once you really sing it, it's the kind that no one can compare.

Just like now.

Zhang Lei tested it quietly just now, and he tried his best to soar to his limit to the highest note, but that kind of pitch couldn't even touch the position of the lowest note that Ye Zi occasionally lowered.

This made Zhang Lei shake his head with a wry smile, but also shook his head with a wry smile.

Although he also knows that Ye Zi's current falsetto singing is not the same thing as the real voice soprano singing, Zhang Lei already knows completely in his heart that being able to sing such a falsetto to the extreme, and being so comfortable, proves that Ye Zi's true voice treble ability is at least not inferior to him.

This is a certain and 100% certain thing, no wonder he can write a song like "The Sea and the Sky", he can't sing it himself, is it possible?

"Liu Qi, Xiao Yezi got this now...... Can you do it too? Shaking his head with a wry smile again, Zhang Lei bent his elbow and poked Liu Qi beside him, and asked with a smile.

"I ...... I can sing this pitch too. Liu Qi hesitated slightly and muttered.

"Really?" Zhang Lei was taken aback and turned around, looking at him carefully as if he was meeting Liu Qi for the first time: "I'll rub it, then you are really a cow X!" If you and Xiaoye are both ox X, I'm sure I can't. ”

"Liu Qi, I really envy you and Xiao Yezi, really!"

"What's that, isn't it...... Isn't it just falsetto, you can sing it if you practice. Liu Qi muttered again in a low voice, but he secretly sighed in his heart.

If you just talk about the pitch, Liu Qi's falsetto can really reach such a pitch, but it is really difficult to achieve the free fluency and casual swaying that Ye Zi is now showing on the stage, especially the four words that are swaying at will!

At this time, Ye Zi on the stage has completely achieved one of the most coveted realms of a singer's singing skills, that is, to "play" his vocal cords as a musical instrument, and to do whatever he wants.

In such a realm, Liu Qi knows that he will definitely not be able to do it now, and it is difficult to say whether he can do it in the future. In order to maintain his image, he can say it in front of Zhang Lei like he did just now, which is indeed not a lie, but in the face of himself in his heart, Liu Qi can't deceive himself.

With such an opponent, will he really defeat him one day?

For the first time, Liu Qi had doubts about this goal in his heart.

……

The coda progresses to measure 14 and the orchestra stops slightly. Miao Junkai lightened the weight of his hand again, pressed his left hand on the string and gently kneaded, and his right hand moved the bow to pull out a long note, and then gradually reduced the volume, and he had already begun to finish the last two bars.

As soon as Miao Junkai moved, Ye Zi followed closely and also changed. Almost at the same time as Miao Junkai pulled out the long note, Ye Zi's breath sank, and the voice flicked upwards lightly, and a third note was superimposed on the long note that Miao Junkai pulled out to form a stable chord, and then his "singing" followed Miao Junkai's rhythm, and gradually reduced the volume and began to end.

On the first beat of measure 17 of the coda, two voices that have been weakened to the point of inaudible stop at the same time.

(To be continued.) )