Shaking his head helplessly, he put the photo to the side, and on the side of John. Karui and Aemond glanced at each other, he had been looking at this picture for so long, it seemed that he should have valued this work very much, this is a very important information!

"Huh?"

Although Li Yi has long learned to hide his emotions, because they are all photos, he didn't hide them very deliberately, so when he saw the third photo, he couldn't help but sigh softly. Pen fun and pavilion www.biquge.info

Coincidentally, this third photo is also a photo of a calligraphy work, and it is actually cursive, but it is different from the second one, this is a tablet, the length is very long, but because it is a photo, I can't see the specific size, but the seal on the top is densely covered, almost forty or fifty!

Different from the original calligraphy, this stele was marked at the beginning that it was written by Tang Shi Huaisu, and there was another line of small characters indicating that this was the rubbing of the Song stele, Li Yi carefully identified it with a magnifying glass, and found that this should be the "Holy Mother Post" written by Huaisu.

Compared with Zhang Xu, there are many works of Huaisu who are as famous as him, and the most important thing is that there are many authentic works, but no one has ever seen the authentic works of "Our Lady's Post".

For calligraphy works, of course, the authentic handwriting is the most precious, just like the "Bellyache Sticker" just now, although it is only 30 words, but if it is a genuine handiwork, its value may not be under Huang Tingjian's "Pillar Inscription", and even in extreme cases, let Li Yi take this "Scream" to exchange one, he may not hesitate for too long.

After the authentic work is the imitation of the famous master, this needless to say, and then down is the stele extension, especially the original stele has been lost the famous works, its value is sometimes not less than the real handiwork, but relative to the stone stele handed down, the value of the stele extension depends more on the version.

The version of the stele refers more to the collection version, that is, it depends on when the stele was rubbed and which celebrities have been collected, which is mainly judged by the seal left on the stele.

The Song stele of "Our Lady's Post" is still there, and it is currently collected in the Chang'an Stele Forest, so there are a lot of steles that have been handed down, but judging from the seal on this one, this is likely to be the oldest and most precious one of all the steles.

"Xuanhe? Political peace? ”

Seeing these two era names, Li Yi couldn't help frowning, it seems that he really didn't guess wrong, this stele may really be the oldest version, and it may also be the most authentic version, in a sense, its preciousness, even compared to the original handiwork.

Xuanhe and Zhenghe are both the era names of the emperors of the Song Dynasty, and they are also the names of an emperor.

The emperors of the Song Dynasty are a group of very magical existences, not to mention the others for the time being, just this era name is dazzling, on average, every five or six years will be changed.

Li Yi remembers it very clearly, and this stele also shows very clearly, the inscription of "Our Lady of the Post" was engraved in the third year of Yuan You, that is, the seventh emperor of the Northern Song Dynasty, Song Zhezong Zhao Xu, who reigned for 15 years, was only 24 years old when he died, and Zhao Ji, who succeeded him later, was a famous tragic figure.

Xuanhe and Zhenghe are the two era names used by Zhao Ji of Song Huizong, that is to say, the time from the inscription of this stele is only one or two decades at most!

"It's a pity, it's only been one or two decades, and the real thing has disappeared, could it be that it was used by Zhao Xu to accompany the burial?"

Li Yi pondered it carefully and found that there was really such a possibility, because if the authentic work was still there, Song Huizong would never have cherished a stele so much and turned a blind eye to the authentic work.

"Buried ......"

Li Yi scratched his scalp, Song Ling had already been discovered, although the information did not say the specific excavation situation, but this problem actually does not need to be thought about at all, because even if ordinary tomb robbers did not start, it is difficult for it to escape the poison of those thieves when the warlords were fighting, that is to say, even if it is speculated that the true work of the "Holy Mother's Post" is in the tomb of Zhao Xu of Song Zhezong, most of them no longer exist in the world.

Li Yi took the magnifying glass and looked at it for a while, and successively found the seals of Zhao Mengfu, Xiang Yuanbian, Qianlong, Jiaqing, Xuantong and others, he nodded secretly and solemnly put the photo aside.

The fourth photo is a jade seal, but it is not the jade seal of Qianlong, a printing maniac, but one of the heavy treasures lost in the Old Summer Palace, the imperial treasure of the Old Summer Palace Qichun Garden of Emperor Jiaqing of the Qing Dynasty!

At present, there are only two groups of Jiaqing jade seals in the Old Summer Palace, one is the jade seal of Qichun Garden, and the other group is the jade seal of Jiaqing "Fuchun Hall".

There are two jade seals of Fuchuntang, one is "Fuchuntang Treasure", one is "Fuchuntang", and there are three jade seals of Qichunyuan, namely "Fenglinzhou", "Shuijing Shaming" and "Linyou Phoenix Dance".

Among them, the three jade seals of "Fenglinzhou", "Shuijing Shaming" and "Fuchun Tangbao" were unveiled at Christie's auctions in 09 and 11 respectively, and were auctioned off by mysterious buyers before and after, and the specific transaction price was not disclosed, and the media estimated that it should be about 15 million soft sister coins.

As the third "Lin You Phoenix Dance" in the Qichun Garden group seal, it has never appeared, and the world has many guesses, but it has never been able to determine the whereabouts, and now, Li Yi has seen it, because the jade seal in the photo is this mysterious "Lin You Phoenix Dance" seal!

"You nnd!"

With a grunt, Li Yi put the photo aside and picked up the fifth.

Fifth, sixth......

Li Yi read these 26 photos one after another, and picked out two of them, one is the lion seat poetry pillow produced by the Changsha kiln in the Tang Dynasty, and the other is the Ming Dynasty's golden cloud dragon pattern vermilion lacquer top box.

Changsha kiln is the birthplace of colored porcelain in the Tang Dynasty of China, which can be roughly traced back to the early Tang Dynasty, gradually prevailed in the middle and late periods, reached its peak in the late Tang Dynasty, and then declined in the end of the Five Dynasties.

Because the kiln site is located in Changsha Tongguan. The town is in the area of Shizhu Lake, so it is also called Tongguan kiln.

According to incomplete statistics, there are 12 provinces in China, 13 countries such as North Korea, Japan, Indonesia, etc., all of which have unearthed Changsha kiln porcelain, so there are many imitations on the market, but in fact, most of the real Changsha kiln porcelain are collected in museums around the world, and the circulation on the market is often not a fine product, and the number is very small.

At present, there are more than 70 varieties of Changsha kiln porcelain, which can be called the crown of porcelain kilns in previous dynasties. It's just that unlike later generations, although Changsha kilns also have bottles, jars, dishes and other shapes, the most common ones are all kinds of porcelain pots and animal toys.

In addition, the porcelain pillow produced by the Changsha kiln is also very famous, and the value of the fine products is even more precious than the children's pillow produced in the Ding kiln of the Song Dynasty. This Leo poetry pillow on the photo provided by Karui is one of them.

This porcelain pillow is covered with green glaze throughout, the pillow and the base are rectangular, and the middle lion supports the pillow surface, which looks as if it is a "work" word.

The pillow surface of the poem pillow is rectangular octagonal, and the two ends are decorated with brown and green hexagonal geometric patterns, and the middle part is a seven-character quatrain in a brown color book. This porcelain pillow looks small and exquisite, with a unique shape and unique decoration, and it is definitely a superb piece of porcelain pillow.

Compared with this porcelain pillow, the gold cloud dragon pattern vermilion lacquer top box made by the Ming Dynasty court is definitely a top national treasure.

Lacquer gold, also known as gun gold, Shen Jin, is a lacquer craft developed from the cone painting technique of the Warring States Period, which was first seen in the Western Han Dynasty and reached its peak in the Ming Dynasty.

The bowl refers to a kind of box in ancient times, this kind of box, mostly small makeup, often multiple sets, the top cover is connected with the body of the cup, it is square, and the top of the cover is sloping downward, so this style of building also becomes the dome.

This box, the gold skills are extremely skilled, the knife is fast, the strength is beautiful, the gold flashes, the brilliance is dazzling, and it is a model of gold craftsmanship in the early Ming Dynasty.

The whole wooden box is divided into three layers, with a set of buckets and drawers under it. The top and four sides of the box are decorated with dragon patterns, and the edges are decorated with honeysuckle patterns. Among them, the dragon pattern five-clawed snake body, fine scales and curly tail, and the cone carving are vivid, expressing the supreme authority of the emperor.

Moreover, the loose leaf, nose piercing, handle and lock key of the box, etc., are all reduced gold iron parts, and decorated with cloud dragon patterns, etc., what is more commendable is that there is no rust to see, this is definitely a rare hand-me-down.

"John. Karui, I'm very interested in these things, as for whether they can be exchanged or not, whether they can compare the value of this "Scream", I have to wait until I see the real thing to make a conclusion, I don't know when you can let me see the real thing? ”

John. Karui hesitated for a moment and said:

"Mr. Li Yi, if you want to see the real thing, I suggest that you should come back to Norway with me, because you also know that these things will be very troublesome to go through customs, and they are too precious, I am afraid that too much transportation will bring them some unnecessary damage, and most importantly, after you arrive in Norway, I can provide you with more than just these twenty pieces of ...... to choose from."

"That's ......"

Li Yi pondered for a moment and asked:

"When will you be back in Norway?"

"Hehe, I've finished my business this time, and I can leave at any time."

Li Yi nodded and said:

"Please wait a moment, I will have to make a few more phone calls before I can confirm the trip."

Li Yi needed to contact Tazawagawa, because after that exchange, he entrusted Tazawagawa to contact Fujisawa first, and if possible, he could directly start relevant negotiations. Although Tian Zechuan has not heard back to him yet, he estimates that there will be specific news feedback in the next day or two.

The other is on Rogov's side, because there will be a gathering of antique dealers after the Biennale, and he promised him to introduce him to a few collectors with a large number of Chinese cultural relics at the party, which are not to be missed. (To be continued.) )