In the shooting, there are a lot of pure action shots, and many action scenes, Han Yi uses moving lenses to shoot, which also need to be processed through fine editing. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

Moving the camera is the main way to shoot action scenes, Han Yi used a track camera, a swingarm camera, a camera stabilizer and a Steadicam, and the action scenes in the film had to present a tense atmosphere, and he edited when the camera was in motion to ensure that one shot after another was in motion.

The action scenes cut out in this way are more compact, making the audience dizzy.

In this shooting, Han Yi used pure single-lens shooting for some shots, but this is only a part, and most of the other scenes continue his usual style, shooting from multiple cameras and angles.

Footage shot from multiple angles cannot be cut back to the same angle mechanically, or reread the same series of lenses that were used not so long ago.

In these multi-angle shots, the actor's eyes are the focus of the editing, the actors attract attention with their faces on TV, in movies and on stage, but the most important thing is the actors' eyes, when editing the intense dialogue scenes, Han Yi pays great attention to the actors' eyes, do they convey the appropriate emotions? How did the actors react to the play? The performance of the actors determines the editing in this regard.

Sometimes, Han Yi focuses more on conveying the main actors of the dialogue and cuts out the reactions of others.

This is to exclude some of the irrelevant side effects in the actor's performance.

Han Yi likes a tight editing rhythm, which is obvious from the very beginning, and exclusion is necessary to maintain the rhythm.

Most actors perform exaggerated, more than appropriate, with actors emphasizing pauses, adding more mistakes than the script requires, and stuttering for longer, at which point the performance needs to be properly edited to bring the performance back to normal, cutting out lengthy movements and dialogues, and making the film real and not artificial.

Therefore, if an actor wants to win an acting award, the director and editor are also the key.

These methods and methods are all in the service of forming the storyline of the film.

Some people say that there are three kinds of movies in the world: scripted type, shooting type, and editing type, no matter which type of editing, you must pay close attention to the story line, and don't be afraid to change the script or shooting content, as long as it is meaningful.

Han Yi has been using storyboards to record and visually present the storyline, which can help the editing team determine the most logical way to present the story to the audience.

Although this is not the first time they have worked together, they certainly have different views on some plots and shots, and even the most successful director needs the help of a good editor, especially to inject some differences into it, and correct mistakes that the director doesn't notice.

Movies have always been the product of teamwork, and the director is only the helmsman in it, and if there is a problem in other links, it may also fail.

Then again, is there anyone in this world who doesn't make subjective mistakes and doesn't notice?

Instead of reviewing every shot in post-production, directors like Han Yi make modifications based on the editing team's version of the performance, whether or not they appreciate the actors' performances.

If he does appreciate a different performance of an actor, he will suggest changing the editing or finding the right part from the framing shot. The more the scene is cut and feels new and presents the most convincing effect, the more the director will identify with the editor's technique.

This work, Han Yi and the entire editing team did not end until late April, and then there were a series of things such as soundtracks, subtitles, etc.

At the same time, it is also necessary to prepare dubbing for different countries for the movie, which is mainly in the languages of several major box offices, such as Chinese, English, etc.

Although Han Yi did not appear in the public eye, Han Yi's name did not disappear in the rivers and lakes because of this, because Han Yi's novel "Dragon Babu" is still being serialized.

This novel has been recognized by Ji Lao before it was serialized, and Ji Lao also specially attached a few words when the book began to be serialized, but just these few words directly attracted many people's interest.

"The pen falls into a storm, and the book becomes a crying ghost!"

What kind of book can be worthy of these ten words, this is what everyone wants to know.

When Han Yi finished editing "Crouching Tiger, Hidden Dragon", he updated it to Chapter 14 of "Dragon Babu" "The Drama Drinking a Thousand Cups of Men's Affairs".

"Qiao Feng" (or Xiao Feng) made a grand appearance!

Chapter 14, Qiao Feng appeared for the first time.

Qiao Feng (or Xiao Feng), this is a big hero! This is a character that has moved countless people, and on his body, looking at his deeds, you can't help but be moved, and you won't be moved.

Qiao Feng is benevolent and righteous, wise and courageous, affectionate and sexual, he has all the virtues of traditional heroes, and his words and deeds are one, flawless and impeccable.

When every reader saw Qiao Feng, although they didn't know that Qiao Feng would not be the protagonist of this book, they were shocked by this character at the first sight.

Duan Yu applauded like this: "What a big man! This must be the tragic song of Yan Zhao Beiguo, a generous man. Whether it is Jiangnan or Dali, there will be no such figures. Bao is different from boasting about what heroic, like this big man, can be called heroic! ”

With just this sentence, Qiao Feng's majestic and majestic momentum is presented in front of the reader. His appearance was a little abrupt, as if the wind came from the valley, but it was a spring thunder in the flat ground. Because with this one sentence, the reader will know. It's a hero!

A real hero doesn't need to be rendered with heavy brushstrokes, no need to build momentum, and no need to set off, as long as he stops wherever he goes, he can overwhelm everything around him, he is strong, proud, and powerful. No one can force their eyes, even among tens of millions of people, to see at a glance.

Why does Han Yi call "Dragon Babu" the culmination of martial arts novels?

There are still three points: characters, plot, and martial arts.

Speaking of characters, the number of impressive characters created in "Smiling Proud Jianghu" is actually not less than that of "Dragon Babu", let me go, Dongfang Undefeated, Yue Buqun, Yu Canghai, Tian Boguang, Qu Yang, Liu Zhengfeng and so on. However, in terms of the setting of the main characters, it is far inferior to "Dragon Babu", especially the setting of the male protagonist. Including "The Legend of the Condor Heroes", "The Legend of the Condor Heroes", etc., the setting of the male protagonist is inferior to "Dragon Babu".

Of course, the inferiority here is not essential, it has to do with the style, pen power, and the protagonist itself, but refers to the reader's impression, the impression in the reader's feelings. (To be continued.) )