Needless to say, this very rare person is of course referring to the orchestra's principal Meng Lai. www.biquge.info At this moment, Meng Lai is almost like sitting on pins and needles in his playing position.

Before starting his formal performance, Meng Lai always had a firm belief in his heart that Sun Yun's performance state would never be completely restored in a short period of time, and he would never believe in this deceptive "myth". But to Munlay's regret, the deceptive "myth" miraculously did appear after the piano was added at the fifteenth second.

Meng Lai could hardly believe his ears.

While playing, Meng Lai subconsciously shook his head, trying to completely drive away the terrible "hallucination" he had just heard from his mind. It is a pity that this is a reality that is absolutely not subject to his will.

Immediately, Meng Lai was deeply disappointed and frustrated.

At that moment, Sun Yun had already devoted himself to playing, releasing his long-suppressed performance talent to the fullest. Ye Zi and Wenhui under the stage were both chanting in their hearts for Sun Yun's state recovery, and Cai Qingde on the stage had immediately adjusted his conducting emotions, and the orchestra members immediately followed. Meng Lai's heart began to twitch again and again, as if an invisible hand grabbed his heart, and at the same time rubbed it fiercely and vigorously.

Listening to Sun Yun's more and more excellent piano performance, Meng Lai's heart gradually sank to the bottom of the water. The feeling of despair came to him like a tidal wave.

In an instant, Meng Lai lost his mind.

Suddenly, the corner of Meng Lai's eyes felt that two eyes shot at him like a sword, and when he raised his eyes, Cai Qingde was commanding while glaring angrily, and the gesture of his left hand was also intentionally or unintentionally brought to this side.

It turned out that Meng Lai couldn't control his performance in a moment of distraction just now, so that the sound of the violin in his hand stood out outside the entire orchestra, forming a "complement" with Sun Yun's piano performance, almost turning this piece into a double concerto for piano and violin.

This is not allowed in an orchestra!

The performance of the orchestra requires commonality, the adhesion and fusion of the sounds of various instruments, and does not need the personality of a single instrument, even the orchestra principal is no exception, but the orchestra leader should lead by example and take the lead in integrating his own personality into the commonality of the orchestra. Of course, where the solo is needed in the music, what is needed is the personality of the performer, and this situation is not included in the normal range of performance.

The violin in Menglai's hand just now stood out from the string group, and although it was only two or three bars, it did not affect the overall situation of the whole piece, but it was still a very serious performance mistake.

Cai Qingde immediately issued a serious warning to him with the most stern eyes, if Meng Lai dared to commit it again, Cai Qingde would definitely stop this rehearsal performance immediately, and show his poisonous tongue and roaring skills to Meng Lai. At that time, Meng Lai's face as the chief was completely lost.

Cai Qingde even faintly hoped that Meng Lai would commit it again, and that breath had been held in Cai Qingde's stomach for a whole day.

Meng Lai's heart was shocked, and he immediately carefully retracted his violin, merging its sound into the whole of the string group.

……

The performance continued step by step, and Sun Yun's piano was sometimes as imposing as a rainbow, sometimes as calm as a pine; sometimes wild catharsis, sometimes delicate pouring; Under the control of Sun Yun's ten fingers, the piano seems so obedient and obedient, she is like a mirror and a mouthpiece of Sun Yun's inner world, telling Sun Yun's understanding of this piece and the new interpretation from Sun Yun.

The observation room was very quiet, and every reporter listened attentively to this representative classical music masterpiece.

If Sun Yun were playing other works by other composers, such as the works of German-Austrian classical composers like Brahms, perhaps many reporters would not have calmed down and carefully appreciated them. But listening to such a well-known "popular" concerto, listening to the familiar melody that is often heard in movies and on the radio, is an unforgettable and pleasant experience for every reporter who appears on the scene.

It's also familiar enough!

No one was distracted, no one was talking to each other, and of course no one was making a loud noise. Even the occasional gentle cough covering his mouth or two will attract a glare from his peers, both familiar and unfamiliar.

Those reporters who specialize in classical music have completely listened to the stupidity, especially the three of them. A few days ago, they had come to watch Sun Yun's rehearsal at the invitation of Cai Qingde, and had written the first few review articles. Until Sun Yun began to play, the three of them still believed that their judgment would never be wrong.

But like Meng Lai, the first note and the first chord played by Sun Yun completely subverted their understanding.

What a glorious performance with so much passion!

Under the performance that is still as precise as a scalpel, all the perceptions and interpretations of Sun Yun as an excellent pianist for this work flow, so clear, so clear, and therefore so touching.

For these senior reporters in classical music, the ability to analyze this work and Sun Yun's performance is definitely one of the best among these reporters at the scene, but these three senior reporters who have heard countless excellent performance versions can only say the word "service" from the bottom of their hearts for Sun Yun's current performance and interpretation.

Unlike Richter's meticulous and unobstructed refinement of all the details of the piano performance, and unlike Argerich's passionate support for the huge structure of the work, Sun Yun's performance has neither Richter's delicacy nor Argerich's momentum, but it combines the best of both worlds. He framed the internal hierarchy of the work with excellent phrasing, and at the same time used enough delicate and rich timbre variations to give this concerto a distinctive oriental color.

Novel and chic -- this is the deepest impression that Sun Yun's performance left on these three absolutely expert veteran journalists. Of course, the grandeur and grandeur of this work itself is also not lacking in Sun Yun's performance.

The music has not yet ended, and the three veteran reporters have already come to their own conclusions that Sun Yun's performance is not only completely restored to its original state, but also a higher level than it was ten years ago.

This will be an unparalleled event in the classical music scene in Hong Kong!

……

A corner of the large rehearsal hall.

As the performance continued, Ye Zi had to endure the pain and put on the monitor headphones again. Such an excellent and excellent performance could not be fully listened to live, which is indeed a very regrettable and even very cruel thing for Ye Zi. However, if he fails to record this performance flawlessly, not only will Ye Zi regret it for life, but the reporters' verbal criticism will completely drown him out.

Even Chairman Yi Feng, who was still thinking about Xiao Jiujiu in his stomach before the rehearsal, would be disappointed with such a result. At this point in the performance, Yi Feng's attack this time failed gorgeously, if he was given a chance, he would definitely apply this resentment in his heart to Ye Zi.

With such an excellent performance, you haven't been able to record it after so much preparation in advance? Then don't blame me for the sore hands.

If it really comes to that time, I'm afraid that even Cai Qingde and Tantai Wenhui won't help Ye Zi speak differently, and their anger will definitely not be smooth.

So...... There was no way, Ye Zi could only devote himself to work.

……

bravo！

bravo！

bravo！

Thirty-five minutes later, with a long stream of piano sounds pouring down like a storm, the whole piece came to a close.

The cheers immediately rang out in the end of the piece. (To be continued.) )