The rhythm is out of balance.

When a person has been walking at the pace of walking, and suddenly bursts out at the speed of a 100-meter sprint, this imbalance that breaks the shackles of rhythm will bring a very prominent shocking effect. Even if this is a 60-year-old, his 100-meter sprint may be about the same speed as someone else's jogging, but the visual effect is still very obvious.

Lance's performance just now is like this, he has always maintained a calm and calm, even severe, sudden acceleration leads to rhythm imbalance, and the psychological impact is naturally thunderous. But in fact, if you look closely, you can see that Lance only drove the speed the moment he sat up straight, and in addition, he still maintained the rhythm of the previous performance, and even the sentence "Have you heard of Rwanda?" He also lowered the volume again, and the guttural voice from the depths seemed hoarse and rough, and the vicissitudes and forbearance between the grinds contrasted with the suppressed monstrous anger.

Vincent was finally enraged in the face of Max's bewilderment and unyieldingness, and his impatient irritability was like a bomb detonated in the depths of the sea, and there was no sign of it on the surface, but the whole city shook the mountains.

Hayden was completely stunned at this time, holding the script in his hand, at a loss, and squirmed his mouth, but found that no sound was made. Lance rolled his eyes in his heart, at this time it was the flashpoint of the confrontation between Vincent and Max, and Vincent's sudden outburst also angered Max, so Max would hit the wall against the wall and hit it back, pushing the atmosphere in the taxi to the extreme in an instant. Vincent then needed to be silent for about half a second to push the tension to the extreme, preferably with the roar of a sports car's engine passing by outside the window.

However, Hayden did not react, and Lance could not open his mouth, so he could only continue at his own pace.

Lance's hands clenched into fists under the chair, though not visible on camera. But the muscles on his body tightened suddenly—Lance was wearing Max's role, loose and fat, and there were no muscle lines in sight, but Tom was wearing a well-tailored handmade suit. So any slight change can be captured by the lens.

The moment he clenched his fist, the air froze, and Lance's voice retracted, calming down again. Only this time, that vague impatience always leaked out in the words, and the slight frowning brow outlined a hint of violence between the dark changes of light, "There are tens of millions of deaths every day before sunset, and not so many people have died since Nagasaki and Hiroshima." Do you care about those deaths? ”

The bland words were full of cynicism, and they were thrown over like a leather whip, crisp and neat, with a deep aftertaste, "Have you ever participated in Amnesty International's Oxfam?" Save the whales? Save the forest? The pace of the words began to pick up. It was as if even his breathing had completely stopped, and finally he answered himself with a thunderous "no", drew an end, and then adjusted his breathing and slowed down the rhythm again, "I killed a fat boy, and you were furious?" ”

The tail note rose slightly, the sharp irony, the cold biting, the nonchalant shudder, slowly seeped between the lines, and then I saw Lance slowly lean back in his chair again. The handsome face changed between light and shadow, as if each frame showed a delicate change of emotion, and finally slowly regained its calm, re-settled in the shadows.

That's it. Lance let out a long breath, then raised his hand and waved, signaling that the scene was over, because the next step was to cooperate with the play, and in the final stage just now, Hayden had no more sound. Without cooperation, it is difficult to reflect the effect of the following scenes.

Then Max still relentlessly said, "Man, I don't know any Rwandans", which has turned Vincent's monstrous anger into helplessness, he doesn't want to deal with Max anymore, so he perfunctorily says that the corpse in the back compartment is a bad person, and he is doing harm to the people. But this ridiculous theory provoked a further backlash from Max, who couldn't help but say the phrase "So, that means I can kill you, right?" ”

Because according to Vincent's theory, people die every day in this world, Max doesn't need to make a fuss at all, he just killed a stranger, and Max has nothing to do with it, Max doesn't need to meddle with justice at all, not to mention, killing bad guys is doing the right thing for heaven, which is legal; From Max's point of view, he was dealing with a murderer - undoubtedly a bad guy, so he could have killed Vincent, and then he didn't have to bear any responsibility or moral condemnation.

This is the basic tone of the "Rashomon" story, which is introduced for the first time in the movie.

The next paragraph requires the cooperation of two people, and the rhythm of one question and one answer is kept on a horizontal line, but the changes in the mood are always fluctuating violently like an electrocardiogram. Without Hayden's cooperation, he was alone.

Lance opened the door of the taxi, walked down, looked at the two people who were completely stunned, snapped his fingers several times in a row, and then called their thoughts back, Lance adjusted his breathing, and was about to open his mouth to ask Tom's thoughts, but Tom's eyes widened, and he said incredulously, "Hell Jesus, where are you a monster?" ”

Lance pursed his lips and tilted his head, "Just like you, in my mother's belly." One sentence made Tom directly break the gong, and shook his head with a speechless smile, "God, God! You're such a fucking bastard! Lance shrugged his shoulders as if Tom were complimenting, accepted it, and then said, "Do you feel a little bit now?" Or do you need me to guide me a little more? ”

In the blink of an eye, Lance was back to normal, and back to discussion, which Tom was not used to, and he opened his mouth to say something, but found that his mind could not turn at all. Whether it was the huge information and shocking experience brought by the performance just now, or the strong strength that Lance showed as a "nobody", this made Tom unable to react for a while.

In fact, the only thought in Tom's mind now is: Is Lance really the first time to appear in a movie?

Yes, that's the standard answer; But the previous Lance spent thirteen years of polishing and precipitation, as well as the basic study at the Royal Academy of Dramatic Art, and the vicissitudes of life in the third life...... Therefore, things are never so simple, there must be an effect, there must be a cause, and if you want to reap, you must have a harvest.

Lance suppressed the slight bitterness in his heart, ignoring the inquiry in Tom's eyes, and continued, "Have you noticed? In this scene just now, you need to suppress, suppress again, and suppress all the feelings, because Vincent is a professional killer, before this scene, he was invulnerable and flawless, but in the face of a tricky character like Max, he almost wanted to kill him directly, and it was a hundred, but the killer's book / can tell you, you have to be calm, it is very easy to kill Max, but two accidents in a row will only increase the difficulty of the task......"

"It's all about missions!" It dawned on Tom.

Lance nodded, "So, you're suppressing, you've been suppressing, you can't leak the feelings." Then it erupts at the right time, and the impact of that strong contrast is the core of the scene. "If the irritability is built up in the way Tom just performed, and it is always on the outside, it is completely inconsistent with Vincent's professional identity.

Michael Mann's version of "Murder with a Knife" won Tom a lot of praise, but it didn't win him an Oscar nomination for the reason that the character development was not perfect, and the main line of the character's plot change was not connected to the main thread of the story, which made Tom's performance explosive, but lacked the details to connect the past and the next.

"In the next part that I didn't demonstrate, Max's unrelenting has annoyed Vincent, but Vincent can't kill him, with the passage of time, Max's resistance will become more and more intense, and Vincent's irritability will become more and more obvious......" In the end, this completed the transformation of Vincent and Max's strong position, back to the core content that Lance said before, Vincent is rigid on the outside and soft on the inside, and Max is soft on the outside and strong on the inside, Vincent relies on force to gain the upper hand in the first half, and Max relies on spirit to turn the situation around in the second half." At the same time, the seeds about Rashomon also began to take root in Vincent's mind, and finally successfully germinated in the ending. ”

After Max hints at the beginning of Rashomon, they are interrupted by the traffic police, bringing the first confrontation to an abrupt end.

After listening to Reims's commentary, Tom was already dumbfounded, he has worked with many big-name directors in his career, including Steven Spielberg, Stanley Kubrick, and the like, each with their own strengths. But Tom has to admit that Lance's interpretation of the script and the character has once again opened a new door for him, not to mention the quality of the finished film, but Tom can believe that in terms of performance, Lance has indeed injected great power into the character - from the core of the script, from the story outside the script.

"Smack, smack!" Lance snapped his fingers twice in a row, waking Tom up, "Wake up, now is not the time to be in a daze." Note that this scene just now is my way of acting, you can interpret it in your way to perform, but don't deviate from this thought trajectory, the most important thing is ......"

"Convergence." Tom took over, Langston paused, then nodded, "That's what I said." Thanks to the use of lighting and lenses, the details of the performance will be infinitely magnified, so the actors need to "fill in the blanks" with their own performances, so that these details contain more meaning, but not too deliberate and cumbersome, otherwise it will seem very pretentious and fake. This is the biggest test of acting skills.

"Tom, pay attention." Lance drew Tom's attention back again, "Forget the way you performed before, forget the baggage of your idol, forget your comfort zone, follow the train of thought just now, follow the context of Vincent's character, and show the thickness of the performance." There is an old saying in China/China that it is not broken, and it is not broken, and then it is broken. Now, it's time for you to break the frame! (To be continued.) )

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