Hongxing is a girl after all, and after a few words, her voice couldn't help but tremble slightly.

Bai Yang listened to her answer to Tie Niu, and was even more anxious, just wanting to find the so-called goddess as soon as possible to prevent her from sucking Ding Lingling's essence and blood.

So he ignored the furniture in the room and looked directly at the walls on both sides.

He found that the walls on both sides were also made of green bricks, but they were very flat, and the bricks were carved with patterns one by one.

These patterns are staggered up and down, left and right, like the graffiti of modern people.

Bai Yang stood in front of the right wall and watched carefully, and he couldn't sort out a pattern for a long time, and even felt that these patterns were very likely to be carved by the Biyou Goddess in the long immortal years, and she was extremely bored.

Seeing that the poplar was fascinated by the wall, Tie Niu Hongxing also walked to the other side to look at the carving on the right wall.

Tie Niu suddenly shouted out and said, "Lao Bai, come quickly, it seems that this place is ...... There is really the Qin Shi Huang alchemy pill you said!"

Poplar immediately walked over, and sure enough, next to the window, which resembled a shutter, there was a very vivid picture carved -

In fact, the pictures on the walls on both sides are very expressive, which shows that the carver is highly sculpted, even if he carves it casually, he is also very skillful.

Among them, the one that Tie Niu said clearly has a person wearing a crown on his head, and three men and two women are prostrating at the feet of the man, and among the three men and two women, there is a woman wearing Miao costumes.

Immediately after the second picture, there are three men and two women, fanning the fire and adding firewood around an alchemy furnace.

The third picture is three men and two women in a circle, and there are a few round and shiny things in the circle, which must be the elixir of immortality.

The fourth picture shows five men and two women walking apart, with armored samurai in hot pursuit.

The fifth picture shows a woman in Miao costume, leaning into the arms of a man also dressed in Miao costume, with mountains behind them.

In the sixth picture, more than a dozen armored warriors are slashing and killing a few Miao people, and the Miao girl is hiding far away, probably indicating that the pursuers arrived and cut all the people in Miao Village to death, and the woman escaped alone in the chaos.

On the wall on the right, only these six pictures are depicted.

Hongxing and Baiyang watched silently, but Tie Niu couldn't help but babble again and again, and said, "Lao Bai, you guessed all right, this ...... Biyou Goddess seems to be really Qin Shi Huang's alchemist, and ...... She is really a Miao person, this man may have been her man! She must have fled back to her village, but Qin Shi Huang's soldiers and horses chased after her and killed her entire village, and she was the only one who escaped alone! But why did Qin Shi Huang chase her, did she really steal Qin Shi Huang's immortal medicine, and because she took the immortal medicine, she will live forever until now?"

Poplar had no way to answer his question, and he had no intention of answering it at all, but immediately turned around and returned to the right wall where he had watched before.

The patterns on the right wall are far from being as easy to sort out in order as the pictures on the left wall.

Most of them were women in Miao clothes, with different men. There are Han Chinese, and there are also people of other nationalities.

Tie Niu followed over and took a look, and said: "The picture here should be the situation of this Biyou goddess marrying other men one after another, this one is more gorgeously dressed, it should be the prince Xiao Changlin who built this big house!"

Poplar actually thinks the same way he does. After all, if the Biyou Divine Maiden is really immortal, then it is impossible for Xiao Changlin to be only a man.

As for who of these men in the pattern comes first and who comes later, it is impossible to judge.

However, Poplar's attention was quickly attracted by a painting at the bottom of the table.

Because the painting does not depict a man, but a little girl who is also dressed in Miao costume.

"How can there be a little girl here......? This blue ghost god girl came out, right?" said Iron Bull again.

Still no one could answer him.

Poplar only glanced at the carvings and tapped them with his hand on the wall.

"What are you doing, Lao Bai?" asked Tie Niu.

"This room plus the temple in front of it is only one hundred and twenty square meters at most, but this house is at least three hundred square meters from the outside, so there must be a mezzanine on both sides of this house!" Bai Yang replied, and couldn't help but look at Hongxing, "Hongxing, you are more proficient in mechanisms than us, hurry up and help us find it again! Since the Biyu Priestess is not in this room, it must be in the mezzanine on the side." ”

Hong Xing nodded, glanced at the walls on both sides, and then took a step from the left corner of the wall to the opposite corner of the right wall, and tapped it with a camphor stick in the right corner.

Poplar and Tie Niu didn't know what her basis was, anyway, it didn't take long for her to suddenly take a few steps back, beckoned Tie Niu to come over, knocked a green brick in the corner of the wall with a camphor stick, and said: "You use a camphor stick to push this green brick, be careful that there is a hidden weapon to shoot!"

Tie Niu nodded, and with the camphor stick in his hand, he stabbed at the green brick.

There was still no hidden weapon shooting, but under the stab of the iron bull, the green brick loosened slightly, and on the side of the green brick, a doorway more than a meter wide suddenly slipped open.

"Hongxing, you are amazing, how do you know that this green brick is a mechanism?"

"If I tell you, you won't understand!" said Hongxing.

Bai Yang was also full of admiration, but the first priority at the moment was to save Ding Lingling, so he didn't have time to think about it, he approached the door hole directly, probed in first to take a look, and couldn't help but exclaim "Ah", and then walked in.

Just his "ah" startled the iron bull, and hurriedly followed in, and couldn't help but cry out "ah".

The room was only about thirty square meters, and there was a black lacquered coffin in the room.

The coffin appears to be very old, with some of the black paint peeling off.

On both sides of the coffin are vases, antiques, and bronze objects.

At the top of the coffin, there is also a stone stele, on which are engraved a few big characters: the spirit of the husband Xiao Changlin.

Perhaps because there is no sun and moon in the mountains, the year of birth and death is not indicated on the stele.

"It turns out that this is the coffin of Xiao Changlin, the prince of Great Qi! This goddess seems to be quite infatuated, Xiao Changlin is dead, and she has always kept his coffin at home!"

Poplar and Apricot didn't comment on his words, but looked up at a painting hanging on the wall behind the coffin.

Because the windows were not pressed here, the room was quite dark. Hongxing turned on the flashlight and shone it, and found that it was not a drawing made of paper, but a very durable dye, painted on a white slate that was polished very flat.

Ancient Chinese paintings were originally focused on meaning rather than form, but this painting is very realistic, and the eyebrows and facial features are extremely similar to real people.

The painting depicts a man and a woman.

The woman is dressed as a Miao person, wearing silver ornaments on her head, with a silver ring around her neck, leaning on the man's arms, smiling and charming.

The man is dressed in a wide coat with large sleeves, which should be the clothing style before the appearance of Tang costumes. He was long and handsome, and he was close to the woman, like a beautiful couple.

The corner of the painting is covered with a stamp, and the stamp is a seal character, which the aspen does not know much.

There are a few lines of dragon flying and phoenix dancing above the stamp, and the font is strong and powerful, which should be a man's handwriting. It may be the inscription of the poem annotated by the man on the picture.

Poplar didn't bother to make out the lines of inscriptions, turned his head, and walked towards a small door on the right.

The door was only one meter wide and five or six meters high, and the aspen had to bend slightly to get in.

The inside was getting darker, but when Poplar glanced at it, he saw that there was also a coffin inside.

There was also a slate painting hanging behind the coffin, which also showed the beautiful woman in Miao costume, nestled in a handsome young man.

It's just that this man has changed into a Tang costume.

There are also some antique utensils on both sides of the coffin, which must be the beloved objects of the man in the picture.

At the front of the coffin, there is also a stone tablet, on which is written: The spirit of the husband Li Yuntang.

"The man in the painting in front of him is in Han costume, this man has changed into Tang costume, could it be that this Biyou goddess really lived for hundreds of years, from the Han Dynasty to the Tang Dynasty?" said Tie Niu.

"I'm afraid, there's another room in front of me!" said Poplar.

On the right side of this room, there is also a small doorway, and Poplar bends down to enter, and the first thing he sees is still a black lacquered coffin.

There is also a stone tablet painting on the back of the coffin, showing a man in armor and a mighty general.

Look at the inscription on the stone tablet below, it is: The spirit of the husband and grandson.

"How many men has this Biyou Goddess married?" said Tie Niu, unable to help but babble.

"If she is really immortal, it is not surprising how many men she marries! I guess this is just the coffin of some of the men she particularly likes, and I don't know how many more men he doesn't like very much!"

Bai Yang agreed with Hongxing's statement, but he didn't care about it now, seeing that there was no longer a door on the right, it must have come to an end, so he withdrew from these three houses and said: "There must be a mezzanine on the right! Hongxing, you want to find a way to find a mechanism, since there is no Lingling and Senior Brother Xiang in these three rooms on the left, it may be in the mezzanine on the left!"

"I'm afraid that there may not be one on the left!" Hongxing shook her head, "As far as I feel, there should be a few houses on the left where coffins are placed!"

"But it's strange why the Biyu Priestess would put all the coffins of the men she married in the house, and how can these men live with her in this case?" said Tie Niu.

His question was actually very critical, but Bai Yang didn't care about it at the moment, and was about to urge Hongxing to find out the mezzanine mechanism on the right first, when he suddenly heard a "squeak" sound, and a hole suddenly appeared on the floor of the room.

Bai Yang and the other three were taken aback, flashed to the side first, and then Bai Yang pulled out two short swords with both hands, and shouted at the entrance of the cave: "Lingling, are you down there?"

No one answered him, but with the sound of footsteps, a man walked up from under the hole.

(See Chapter 085 "The Skeleton in the Leather Bag")

[There is still one shift today, and from tomorrow, two shifts a day will be resumed. Thank you for your support!]