In order to prepare for this grassland song party, Teng Siyuan still made a lot of careful preparations. The next day, because the weather was not too good, after some consideration, Yu Wenle still decided to take a look at Teng Siyuan's competition studio.

As for Liu Siya and others, they chose to stay in the resort and look for opportunities to soak in the hot springs. In this regard, Yu Wenle was not too reluctant, handed over his sister to the two daughters to take care of, and followed Teng Siyuan to his music studio.

Under the recommendation of Teng Siyuan, Yu Wenle also met a lot of musicians who were quite famous in the grassland. Over the years, I have been invited by Teng Siyuan to produce zuò songs for Teng Siyuan and prepare for the next competition.

Looking at the 'Please Come to the Prairie', which had been recorded, Yu Wenle still felt very satisfied after listening to it, and nodded: "Very good!" The accompaniment of the teachers made zuò make this song more feeling. ”

In the face of Wenle's affirmation, Teng Siyuan also smiled and said: "Then what do you mean, it's no problem to compete with this song?" ”

'Of course! For me, I've heard some grassland songs before, but when it comes to it, I'm good at pop music. This time, in fact, it is more about rushing ducks to the shelves, and I still need to learn more from the teachers! ’

Even now, I have a lot more opinions on music creation than I did about simple plagiarism at the beginning. But Yu Wenle knows that on the road of music creation, he still needs to learn a lot.

Even in the opinion of teacher Qiao Yan, getting in touch with other music styles will also help Bunraku in the future of music creation. As a newcomer to music creation, humility is also the principle that Yu Wenle adheres to.

There's no end to learning!

And this kind of humility has made the invited musicians have a lot of good feelings for Bunraku. In their opinion, this time they were invited to serve as Teng Siyuan's music producer, and they originally needed to compose competition songs for Teng Siyuan.

As a result, after some screening, the songs they created were not recognized by Teng Siyuan. On the contrary, it was Yu Wenle, who first sang "Please Come to the Prairie", and then followed by "Night in Ulaanbaatar". It really surprised everyone.

Chatting about the style of the song, after listening to the opinions of these musicians, Yu Wenle also said in a timely manner: "According to the rules of the competition, we will enter the subsequent final stage." It depends more on the preferences of fans on the Internet.

In my opinion, the teachers and Siyuan can actually be compared with the singers of the two generations. In the past, there was no TV or Internet, and the way songs were disseminated was more often at large-scale parties or concerts.

And now some excellent prairie songs. Most of them shoot music videos just like pop songs, and the style of the songs is biased towards popular music that fans love. The simple grassland music actually limits the group of fans.

The core theme of this grassland singer contest is to promote the grassland provinces in the way of singing. Let more inland people listen to the grassland and understand the grassland, and make the singing contest a platform to promote grassland culture.

Relatively traditional prairie music is not what I am good at. Today's grassland, compared to the grassland in the early years. Again, there is a big difference. I'm sure you don't deny this, right?

It is this difference created by the times that makes our generation of young people and teachers different from each other in terms of the style of music they love. But I think that combining the inherent essence and creativity of grassland music is the way out for grassland music in the future. ”

In Wenle's view, the decline of Yanhuang folk music is actually stricter than rock music. It's just that in the matter of complying with traditional folk music, the lack of creativity is also a problem for many folk musicians nowadays.

Although it is in Bunraku's brain. There are a lot of songs about the grassland, and these grassland songs are also loved by the majority of fans. No matter what style of song it is, it must first be loved by fans before it can be called a good song.

Yu Wenle also listened to it before. These musicians produce original music by zuò. From the point of view of Bunraku, these music do not seem to be out of the framework of the inherent steppe music, and make extensive use of Mongolian instruments and the Mongolian language.

If these songs are simply sung in the province of Mongolia, they may be loved by many Mongolian people. But there are not many fans who are afraid of recognition when it is used as a competition song. Mongolian language alone. How many people in the country can understand?

Soon, a music teacher said: "Mr. Yu, isn't the language of the various ethnic groups in the grassland also a major feature of the grassland?" In such a situation, the inclusion of some ethnic languages in music can also play a propaganda role? ”

Faced with the doubts of these teachers, Yu Wenle quickly nodded and said, "Indeed! As I said earlier, some of the music inherited by the nation is indeed worth learning and learning from.

But there is one thing that the teachers seem to ignore, that is, whether the audience watching this competition can understand such national music. Although there is a lot of music to be shared, moving music will still be loved by the public.

It's just that the teachers also know that that kind of folk music is hard to come by. As a freelance singer, the first thing he has to do is to be able to continue to advance in the competition and gain the recognition and love of most audiences.

Only in this way, in the follow-up competition process, his off-the-field support votes can compete with the professional singers participating in this competition. If you can't make it to the finals, how can you talk about promoting these grassland songs? ”

These teachers came to their senses. At this time, they are completely different from writing songs for singers before. If you write songs for singers, most of them write songs according to the style requirements of the songs on the other party's album.

And the song written this time will be used for competition after it is written. The audience's first opinion directly determines the fate of the singer who sings the song. If it's a song, it's all music that others can't understand, and the audience will feel like listening to a heavenly song.

On the contrary, the two songs written by Yu Wenle not only follow the rugged form of grassland music, but also incorporate some elements of pop music. As long as people hear this song, they can imagine a grassland in their minds in the music and lyrics.

Seeing that Yu Wenle already has his own opinions on music, many music teachers also feel it. The young man in front of him may stir up the hot music and bring more classic songs in the near future.

Taking the opportunity of this visit to the studio, Yu Wenle began to explore the song 'Night in Ulaanbaatar' with these musicians. In this song, Yu Wenle expressed his innovation in music, which still impressed these musicians.

When the song "Night in Ulaanbaatar", which combines Mongolian and Chinese, came out, Teng Siyuan, as a singer, also seemed very happy. And many musicians, after listening to Teng Siyuan's singing, also think that this is a good song.

At least they believe that with the release of this song, I believe that many people will be curious about the city of Ulaanbaatar. This kind of song named after a certain city will undoubtedly be more friendly with the judges of the Mongolian province.

It's just that for this song, when to sing it, Yu Wenle's opinion is that there is no need to worry for the time being. Going all out in every qualifying match is the key to whether Teng Siyuan can advance to the finals! (To be continued.) )