Roger Ebert pushed "Fury Road" to the pinnacle of praise with a "classic", and in the film review, he gave a profound analysis, presenting the profound connotation of the film from a new and unique perspective. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

"The loss of faith, this is the answer given by Strello in the crime trilogy, because of the loss of faith, people lose the bottom line of morality, they begin to become indifferent due to the loss of faith, people lose the motivation to live, they begin to become withdrawn, and it is also due to the loss of faith, people lose the concept of justice and begin to become casual, just like the story of Rashomon, everything is for survival, so everything becomes plausible.

The loss of faith was also a nightmare that plagued Max. A little clue is given in the road of rage, Max once carried the shackles of justice and tried to save everyone, but was crushed by this shackles, so that others began to take it for granted, and even complained because of Max's negligence, and had to enjoy Max's efforts inch by inch. This leads Max down the opposite path, abandoning his beliefs and gradually becoming a zombie who will stop at nothing to survive.

But, does such survival really make sense?

This is the question that Max began to think about after meeting with Ferrosa and Nax, and on the road of fighting side by side, Max regained his faith, which was the desire for freedom, the love of life and the persistence of hope, so he picked up his justice again, and embarked on the road of rebuilding his home and society with his comrades.

At the end of the movie, Max chooses to hit the road again and take this glimmer of light to other corners.

Max is undoubtedly one of the most difficult and complex characters in the whole movie, and any slightest emotional laziness and negligence will lead the character to fall into the dilemma of paralyzing the face of the iceberg, resulting in the destruction of the profound thoughts in the script. However, Strello once again proved his talent and ability as an actor, in the vast eyes like the sea, vividly interpreting every emotion, accurate and profound, even the intricate struggle and suppressed forbearance made the audience empathize, a look, an action, an expression, all have a powerful power, awakening the resonance in the depths of the audience's soul!

Once again, Strello gave a performance that was no less than the hard fruit candy, and even more exciting.

In the conversation after the premiere, Lancelot Strello admitted that the protagonist of the film is Ferrosa, a great woman who fought bloodily!

Captured as a child, Ferosa climbed up step by step in the enemy camp with her strength, and when the time was ripe, she planned to escape, carrying the lives of five people on her shoulders, followed by the entire convoy of the immortal old Joe, as if dancing on a tightrope. It takes a lot of courage and determination for anyone to make such a move, regardless of gender, not to mention her progress from a victim to a leader, a rescuer, and a revolutionary.

Strello's role as a woman is not only bold, but also crazy and more shocking, and if Ferrosa is a man, it is equivalent to a man saving five women from another man and taking them on a journey of escape, which means something very different. As a result, he discarded the difference between the two roles of warrior and woman, and created the most praiseworthy warrior on the screen in recent years.

Ferosa's rock-solid eyes reflect fire and sand, resolute and strong, wise and independent, in her, the classification of gender has completely lost its meaning, so that the other female warriors and heroines on the screen have become pale and powerless, exaggerated and sexy at the same time strong women with excellent combat power are not the best interpretation of women's rights, the real women's rights are equal to everyone, there is no need to overemphasize the strength of women, nor can you overemphasize the respect of men, just put both parties in an equal position. This is Ferrosa, who is also respectful when she stands in front of Max.

She carefully built a bridge with trust, became a comrade-in-arms who fought side by side with Max, and handed over her back to each other, she faltered and walked out of a thorny road with persistence and enthusiasm, the road to the future, embracing freedom, and letting Max, who only had the survival instinct like a beast, return to the human side little by little, and she fought a bloody path with spirit and perseverance all over her body, leading other women to independence, and that unwavering faith reawakened Max's hope.

Between Feroza and Max, the tacit understanding of the battle transcends the bond of trust and becomes the support for each other to go on. But most importantly, and most importantly, there is no breeding of any love between them! Not only is Ferrosa a warrior with broken combat power, but she doesn't exist to add a romantic relationship to Max. This is undoubtedly Strello's most groundbreaking choice!

In Hollywood's 100 million-level productions, producers always firmly believe that battle and love coexist, gunfire and romance coexist, even during the escape, the spark between the hero and heroine is always the brightest landscape. But Strello shattered such illusions.

This is the end of the wasteland, a cruel world where the slightest negligence leads to destruction, the luxury of having a romantic relationship never exists, and Ferrosa is not an attachment to anyone, nor does she need anyone's mercy, she is a great warrior, fighting side by side with Max, from the saber rattling at the beginning of their encounter, to the mutual salute at the end, the noble friendship between the two warriors is enviable.

The most touching moment in the whole movie is the sentence Max, my name is Max, this is not the budding of love, this is not the establishment of friendship, this is the respect and tacit understanding between the soldiers, there is no need for the love line between the two characters, it is full enough to make people moved.

What is maintained in Ferrosa is the light of yearning for freedom, but also the rise of feminism. Theron gave the best performance of her career after succeeding the female devil, those resolute and bright eyes, with decisiveness, but also with gentleness and vulnerability, layered and incisive, there is an indescribable tenacity in her performance, which makes people ignore the gender of Ferrosa and the situation of Ferrosa, but unswervingly follow her footsteps and run wildly on the road of rage.

The powerful aura of the two actors, Strello and Theron, collided with the best performances since 2006!

Compared with the two protagonists, Nax is undoubtedly an unexpected surprise.

The character of Nax represents a new generation under the end of the wasteland, they have no concept of morality and sin, and all their beliefs come from the undead old Joe. Strello has such a detail in the script, the children of war represented by Nax are very poor in vocabulary, and they are all the same adjectives over and over again, Nax doesn't even know what to say about the word tree, because all their words come from Immortal Old Joe, and those adjectives are the words that Immortal Old Joe usually puts on his lips. This is the new generation born in the post-Sin City era.

They are fanatical, they are persistent, they are crazy, they are like puppets without their own thinking ability, under the manipulation of the immortal old Joe, carrying out orders, yearning for Valhalla, this kind of belief that is close to a cult, truly interprets the cruel reality that there is no longer a boundary between justice and evil, the so-called morality, the so-called evil, and the so-called mistakes are all missing social standards, and have become the personality cult of the immortal old Joe. So, one day in the future, Max is dead, Ferrosa is dead, and those who once witnessed civilized society are gone, what will happen to this society?

Into an even more terrible darkness? No, society will be lost, completely lost, and that's the scariest part of the wasteland.

But Strello still did not completely extinguish the dawn after all, just like the warrior friendship established between Max and Ferrosa, Nax's fanaticism and belief rooted in the depths of his soul made him make the right choice, and finally blossomed, he sacrificed himself to Valhalla, and at the same time fulfilled the remnants of the seeds of hope, preserving a glimmer of light for humanity.

In Nax, Strello hinted that at the beginning of man, nature is good. At the end of the day, Strello still hasn't lost hope in humanity, and after the crime trilogy, he finally shows a fragile sense of trust in humanity in precariousness.

Fassbinder, the little-known German-Irish actor, gave the most eye-catching performance on the big screen this year, frenetic but not out of control, persistent but not rigid, simple but not superficial, excellent line skills were exerted to the extreme, and every appearance played a vital role in the foreshadowing and promotion of the story. Even in front of the two actors, Strello and Theron, he is not inferior!

Three characters, Strello supports the whole story through three characters, showing the end times after the crime trilogy in front of people, the collapse of faith, the rise of hope and gender equality, truly making the road of rage unique.

It is also worth mentioning that Angalad, as the spiritual leader of the mother race, burst out with incredible light in a limited space!

Angalad was regarded as the pearl of the palm by the immortal old Joe, not because of love, but because of obsession, the obsession of getting a healthy offspring to continue, when this obsession bloomed on the rock of sin and bloomed poppy buds, Angalad lost the meaning of life and became a tool, a tool for inheritance. Strello's single-threaded narrative infuses the character with incredible connotations: she gives birth to a new generation, she is imprisoned in a dark cage, her soul and her life have no meaning, but she walks barefoot on the thorny path of blood and sand, rushing to her own freedom.

She was not only a martyr, but also the germ of freedom and the continuation of hope, her exodus led to the rise of other mother species, and her sacrifice fulfilled the dream of freedom. It can even be said that Ferosa is strong because of her, Nax awakens because of her, Max awakens because of her, and one character connects the scaffolding of the whole story.

Although Angalad is not a member of the Iron Triangle, her role is far more than you think. Strello has sketched such a profound connotation with just a few brushstrokes that one cannot help but be in awe.

Bundchen, as a world-class supermodel, has a kind of determination in her performance of cuckoo crying blood, moths fighting fire, and knife tip dancing, giving Angalad a noble and pure soul, like nirvana, which transforms the film. Incredible! Incredible! Just when everyone thought that Bundchen would become the most beautiful vase in the movie, casting a beautiful landscape, she quietly announced her ambition and desire for the actor.

Maybe it's immature, maybe it's rough, maybe it's unrestrained, Bundchen's performance is not perfect, but you can taste the cry from the depths of your soul. That's really incredible!

Strello's lens flows with a kind of sympathetic care and cold and piercing indifference, and the contradiction between these two completely different emotions has triggered a shock and reflection that cannot be quelled for a long time, which gives his work an irreproducible quality, making the film have the grandeur of a commercial work and the depth of meaning of a work of art. This also creates a true epic classic, beyond the profundity of Ben Hur and Lawrence of Arabia, beyond the shock of Titanic and 2001: A Space Odyssey, and strong among the best in history, and time will prove the value of this work.

Looking back suddenly, the turning point of the era of citizen Kane and Star Wars has come again! "To be continued.