"Lan Lan, Mr. Xi has a song list, you can pick a folk song that you can sing and sing it." Teacher Zhu didn't see the small movements that Ru Lan did, and quickly ordered: "Ye Zi, you go and pick a bel canto song...... Forget it, you can also pick a folk song to sing. ”

"Give you a minute to prepare, Lan Lan sings first, Ye Zi sings second, let's pick it now."

Zhu Fengbo's instructions were very unreasonable, letting two popular singers sing folk songs, and even at the beginning she wanted Ye Zi to sing bel canto songs, which was really strange. However, this kind of thing happened in the first two coaches, so none of the players present were particularly surprised.

Although Ye Zi felt a little strange, since Teacher Zhu had ordered it like this, there must be her reason, so just do what she asked.

After a minute, both of them chose the song and reported it to Mr. Xi, who served as the accompanist.

Rulan couldn't make up her mind at the beginning, but when she saw that the time was coming, she finally chose a Suzhou provincial folk song "Jasmine" that she felt she was most sure of.

Ye Zi looked at Mr. Xi's song list, he did not choose those classic songs that everyone is familiar with, but unexpectedly chose a Tatar folk song "Under the Silver Moonlight" that everyone is not very familiar with, but is very good.

After the song was chosen, the singing began, and Rulan sang first.

Mr. Xi's piano accompaniment is of a very high standard, the chords are accurate and the rhythm is clear, the light and heavy strength and weak control zhì are extremely appropriate, the hints of the singer's singing are very well done, and the promotion of the emotional xù high chao part is also very powerful.

However, Rulan's table xiàn is very ordinary.

It may be that she doesn't usually sing folk songs, or she may not be familiar with the accompaniment form of such a piano, Rulan's singing always has a trace of panic and uneasiness, as if she can't eat accurately, and the song processing and emotional expression can't be talked about at all. In Ye Zi's ears, the female singer's psychological element was really a little worse, and she didn't stabilize until the end of the song. She just sang this song according to the song score, and it was not complete, and there were many small problems in the place where the song was sung and the phrases were divided.

Mr. Xi's amazing piano accompaniment. has covered up a lot of her mistakes, but she can still make the players here hear a little.

After singing, she put down the microphone, and Rulan's expression was a little depressed. Her expression like this is indeed unsatisfactory.

Zhu Fengbo did not comment on her singing. He just patted her on the shoulder, whispered a few words in her ear, and let her sit back down.

Next it was Ye Zi's turn.

Ye Zi's song selection just now was already incomprehensible, and this time he was unexpected. Instead of using the microphone to sing, he spoke directly.

The players didn't quite understand. Teacher Zhu Fengbo nodded secretly.

You must know that this form of pure piano accompaniment is generally used to sing bel canto art songs, and the microphone itself should not be used, unless it is officially performed in a concert hall. However, in that case, the vertical condenser microphone with strong directivity is used, and there are almost no handheld wireless microphones used. The place in this multi-purpose hall is not large, and the contestants are all sitting quietly below, and the voice of any singer should be easily transmitted throughout the multi-purpose hall.

What kind of microphone do you use?

It's just a simple and refreshing singing, wouldn't that be better! Although after amplification of the microphone and retouching of the effects, the singer and instrument will sound a little better. However, the pure voice of the real voice and the simple accompaniment of a certain real instrument, such a natural way of singing, also has the kind of powerful power that hits people's hearts.

In art, in many cases, the most concise, the simplest, and most simple is the best, at least one of the best.

Bel canto art songs have always used pure piano accompaniment, which is the most concise, simple, and simple way of accompaniment. The accompaniment of many Chinese folk songs is also a bamboo flute, a pipe of dong flute or a suona is completely sufficient, and it is also beautiful. Folk pop songs are often accompanied by just one guitar, but no one can deny their beauty!

Who's to say it isn't?

Ye Zi's current singing is like this.

Listening to the chords and simple melodies given by Mr. Xi, Ye Zi stood on the stage naturally and relaxed with one hand on the side of the piano.

After a short melody repeated. The sound of the piano weakened slightly, and Ye Zi closed his eyes slightly and began to sing.

On that golden sand

Sprinkled with silvery moonlight

Look for traces of the past

The past is confused

……

To be honest, the contestants sitting below almost didn't hear Ye Zi's singing. Fortunately, this is in the middle of the class, and the multipurpose hall is very quiet. None of the contestants deserted, and they were all concentrating on the stage. Although compared with the singing they were used to hearing and coming out of the big speakers, Ye Zi's voice seemed very light and light, but as soon as Ye Zi spoke, they still heard it.

They were collectively rejecting Ye Zi, but Mr. Zhu was standing on the stage and staring at him. If anyone dares not to listen carefully to her lectures or listen carefully to the singer's singing on stage, if they don't know anything after a while, Mr. Zhu will be crazy on the spot. In the first class, a contestant was unfortunately caught by Mr. Zhu, and was scolded in front of so many people, and was almost kicked out of the multi-purpose hall by Mr. Zhu.

After that, no contestant dared to desert in Mr. Zhu's class. But it is precisely because of this that they can listen to this singing that they will remember for the rest of their lives.

Ye Zi's singing is really light, according to the standards of the contestants. But the strange thing is that as the volume of the piano increases, Ye Zi's voice also increases. No matter how loud and thick the sound of the piano is, Ye Zi's singing voice can still lightly suppress the volume of the piano, and does not let the volume torrent of the piano drown out his singing.

Ye Zi's singing is very gentle most of the time, so soft that every contestant listens to his singing, and seems to feel that there is a small hand gently sweeping on the tip of their hearts, which is so warm and heartwarming. But every time the love of the song is strong, this little hand will turn into a cold iron fist, and give them a heavy blow in the heart, so that they will be shocked after listening to it.

The transition between the two is natural and fluid, as if that's what the song meant in the first place.

Ye Zi's singing rhythm is very scattered, so scattered that it doesn't sound like there is a beat. For example, the word "to" in the third sentence of "looking for traces of the past" should be two and a half beats according to the rhythm of the song score, but Ye Zi sang it deliberately lengthened a lot, and the voice was as thin as a gossamer when the players couldn't hear it, but the word "thing" naturally followed behind and spit it out, and the rhythm returned to the original trajectory again.

Such a change should be very scattered and chaotic according to reason, but listening to the ears of these players is orderly and far-reaching. When singing slowly, the singing voice can hold their ears tightly. Between the ups and downs, the rhythm of the pounding was beating their hearts fiercely.

Ye Zi's vocal method is also very strange, listening carefully is neither completely popular singing, nor is it singing of folk songs, but a little bit of bel canto skills are added to popular singing.

The mouth is more open, and the resonance point has changed from the front to the top of the usual singing, which makes his whole voice completely "stand". So no matter how light and weak his singing is, he can still penetrate the accompaniment of the piano and convey it to the ears of every contestant.

Ye Zi's emotions when singing are ups and downs, slowly flowing along the artistic conception of the song, and the breath is very thin and thin. When it should be converged, it should be cleanly converged, and when it should be released, it should be overwhelming.

Such a free control ability made all the players present stunned. Even a contestant like Liu Qi, who is already familiar with Ye Zi, is the first time to enjoy Ye Zi's singing.

Liu Qi was ashamed of himself.

The hearts of the contestants began to be entangled.

They are all people who know how to appreciate songs, even players who are not used to Ye Zi, such as Zhu Xuewen, are willing to bow down in front of such singing.

However, it is impossible for them to completely dissipate the dissatisfaction and resentment in their hearts just because of a song.

So they can only tangle it.

Alas, this Ye Zi, how could he sing such a sing? But it's also strange that his singing is not a pure pop song, and it is not the same as the way of singing folk songs, it can be said that he has touched a little bel canto, but it is very different from authentic bel canto.

What kind of singing is this? Although it sounds strange, but ...... But these are not like the four!

This Ye Zi, why can he sing like this? (To be continued.) )