There are two inn scenes to be filmed tonight, mainly filming the plot of the gecko Lao Si and the toad Lao Wu played by Gao Song and An Dehai at night. One of the scenes has a scene where Zhou Yi comes to eavesdrop on the news. Zhou Yi filmed for the first time at night, so he naturally had to prepare well.

After dinner and talking to his sister on the phone, Zhou Yi has been pondering the plot and figuring out his acting skills.

By the time the evening filming began, he was ready.

In fact, there is not much room for free play in this scene, and it is logical to perform it.

Zhou Yi felt that he still played at a high level, at least no worse than the original work in his previous life. Because he is younger and his face is more immature, he is more amusing in his movements and expressions.

Like the actors in the original work in the previous life, they are all in their 20s, if you look closely, the appearance is not high, and they look a little old, not like the little junior brother, but more like the senior brother, if you play treasure and funny, the effect is worse.

Zhou Yi's age and appearance are just right, and the performance is naturally handy, and the effect is better.

Playing against Gao Song, he was not scared at all.

The director probably also recognized his performance.

This scene is very smooth.

Then there was nothing to do with Zhou Yi.

The next scene was very simple, Takamatsu and An Dehai coped with it easily, and the filming was completed smoothly.

At this point, the restaurant drama and the inn drama are all over.

The crew called it a day, and it was all right.

Another scene was completed, and the whole crew was very happy, and they could finally sleep peacefully.

On Thursday morning, the crew continued to shoot the scene of the signing room in the arranged county office.

There were two heavyweight signing room scenes left yesterday, and they will all be filmed today.

However, there was no Zhou Yi's scene in these two scenes, so he could only watch from the sidelines.

The first thing to shoot is the scene where the little ghost whistles the whistle.

Lin Yan performed Wan Fa very well, the young man's expression was vivid, his little eyes were very smart, very interesting, and his lines were very brilliant, which completely showed the image and characteristics of this character.

No wonder the director fell in love with him at a glance, the young man does have a future.

Playing against Gao Song, Lin Yan can also advance and retreat freely, which is extremely eye-catching.

Pressing the drama or something, it's not as mysterious as the legend, otherwise everyone won't be able to film normally.

If his acting skills are high, he can suppress the scene, even if his acting skills are good, can he still watch the things he shoots?

Suppressing the opponent's drama so that he can't hold his head up is not a good thing for the whole.

Complementing each other and complementing each other is the highest realm.

As long as the actor relaxes his mind and performs his own characteristics, even if the actor in the play is a big name, he can complete the play smoothly. What's more, although Gao Song's acting skills are good, he is not a big name, and everyone is quite adaptable.

Lin Yan has done a very good job in this regard, although he is young, he is very relaxed in the face of the starring role, and he can perform wonderfully.

He has no formal education in the Academy of Performing Arts, and being able to do this can probably only be regarded as a special talent.

Zhou Yi is very good at absorbing the strengths of others, even from Lin Yan, he can find the shining points and learn things.

And he is also very optimistic about Lin Yan's talent, so he wants to cultivate Lin Yan.

But whether it is worth cultivating depends on Lin Yan's follow-up court play.

After the filming of this signing room scene, Lin Yan's role is indeed only left in the court scene.

The scene where the little ghost Wanfa is killed by a throat hook in the back was filmed in the studio as early as the early stage.

If Lin Yan still plays well in the public court drama and is sure that his performance is not a flash in the pan, Zhou Yi is ready to sign him and train him. It is a good thing for both the company and Lin Yan.

Zhengdong Company can get a potential new star seedling.

Lin Yan can get a stable and wealthy life, at least he doesn't have to worry about no filming, he has more time to study acting, and he doesn't have to mix in the group performance pile every day, running around and working on the set, even if it is the lowest-grade artist contract, he has a fixed salary every month.

This can also be regarded as Zhou Yijian's promotion of him in the micro end, which can be cultivated as his own henchman.

In modern society, you don't want to be dead and loyal, but as long as you have a little gratitude and loyalty, it is enough.

After a short break, the crew continued to shoot the last scene of the signing room.

This is the most important signing room drama.

For this scene, Zhou Yi is very much looking forward to it.

Although there is no role for him, Gao Song and Wu Yuanshen are very good-looking, and this is another extremely exciting rival scene. In the signing room, in full view of the crowd, He Yuanxin and Ma Zhutou had a fierce dispute.

The positions of the two in the play are completely different, and their expressions are different.

The horse catches the head deep and introverted, and the mouth is honey and the belly is sword; He Yuanxin was fierce and inexplicable.

The tragic death of the toad Lao Wu was the fuse, and the violent death of Wan Fa and Lin Guang added fuel to the fire.

Gao Song and Wu Yuanshen are ready, and they are obviously going to make a show.

Just look at the shining eyes of the two of them, you can know that this is about to soar to the rhythm of the explosion!

As Zhou Yi expected, this scene was indeed performed wonderfully by the two.

Takamatsu's performance, with its grief and indignation, contains depression and pain, like a volcano where magma is surging and brewing to erupt. Especially when he played He Yuanxin's expression when he learned of the tragic death of his junior brother, he was stunned and dumbfounded.

Wu Yuanshen's performance is like a poisonous sword hidden in a gorgeous scabbard, similar to the two-faced man in "Batman" in his previous life, Wei Guangzheng's appearance contains a dangerous and poisonous mind. His performance is like a deep pool of well water, calm on the surface and turbulent in the depths.

This literary drama can be called the pinnacle showdown!

The two leading actors have acting skills, their performances have their own characteristics, complement each other, and both have played a very high artistic standard, which is amazing. Although the two do not have the title of actor, and their acting skills have not yet reached that god-level level, they are definitely more than enough in kung fu movies, and there is no doubt about it.

Overall, the plain actors of these actors are stronger than the actors in the original work in their previous lives, which really adds a lot to the film. If the play goes to the next level, then the entire style of the film will rise by at least two or three steps.

Zhou Yi feels very lucky, the first film he filmed, it is really rare to meet so many good actors.

In this world of looking at faces, it's a pity that these actors didn't come out, but it was also their luck.

With the filming of this scene finishing smoothly, the morning scenes are over.

Everyone applauded warmly and applauded the wonderful performances of the two leading actors.

It can be seen that Gao Song and Wu Yuanshen are very satisfied with their performances and are also satisfied with their partners' performances.

Both laughed heartily and high-fived each other in celebration.

For the rest of the time, you can take a break, and then continue to prepare for the scenes to be filmed in the afternoon.

The director team and other behind-the-scenes personnel also have their own work to do.

At noon, everyone returned to the teahouse for lunch.

Zhou Yi deliberately took the time to ask the two leading brothers about their performances, and asked them how they had just performed.

What exactly does it take to perform so well?

If he wants to make progress, he must not only see, but also learn, and be good at asking.

Just because you're the boss doesn't mean you're embarrassed to ask someone about it.

The ancients said: If you are a threesome, you must have my teacher.

The boss should also be ashamed to ask.

What's more, this can't be regarded as a "next question"! Everyone is a senior.

Gao Song and Wu Yuanshen are both more casual and atmospheric people, they take care of Zhou Yi very much, they will not hide anything, of course they will give some advice. What's more, Zhou Yi is the boss of the company, and for the sake of this, they have to say a few words.

At the dinner table, everyone chatted casually.

According to Takamatsu, his previous performances were entirely experiential. Because that scene requires his emotions to be full and intense, it is definitely not possible to control the role very calmly, and he must perform that kind of sad and depressed character.

So when filming this confrontation scene in the signing room, he had to work hard to get himself into the role of He Yuanxin.

This is a bit similar to the self-hypnosis that Zhou Yi learned in the military command.

In the play, Gao Song wants to feel that he is He Yuanxin, the tragic death of his junior brother, being framed in prison, this qiē public door is dirty, and it is all real. He is now confronting Ma Zhutou and seeking justice.

When he overturned the table, picked up the candlestick at his feet, and smashed the porcelain vase on the table, he felt that he was venting the sorrow and anger in his chest, as if he was an angry king, and he was furious.

In this way, grief comes from the chest, and grief turns into anger, so that the psychological activities of this character can be perfectly interpreted.

In this way, there is a real sense of "anger starts from the heart, and evil is born to the side of the guts".

Zhou Yi nodded again and again.

Wu Yuanshen also added next to him that like Zheng Zilong's inner monologue scene before, it is actually an experiential performance method.

Zheng Zilong, like Gao Song, has entered the inner world of the characters.

That scene was Wu Yuanshen and Zheng Zilong, of course he saw it very clearly.

Everyone is an expert, and they know how they play each other, and they often think about what would happen if they played that role.

In short, Gao Song and Zheng Zilong both used the experiential performance method.

The experiential school believes that the actor should think about what the character thinks and thinks about the character on the stage, strive to enter the character, and then express the character's emotions. What it pursues is to incarnate as a character. When creating a character, start from the character's heart and get as close to the character's thoughts as possible. To put it bluntly, it's best to find the feeling of "I'm the character".

Of course, Zhou Yi knew this, and he would naturally prepare his homework in advance, and he wouldn't even know the basic definition, so he came to ask.

However, Wu Yuanshen's performance in the morning was completely different.