Chapter 43 Alima's Way to Success
A girl with a ponytail and a Chanel-like professional attire, with her photographer, watched with excitement as the elevator reached the Dǐng Building, then walked down the long corridor and pushed open the heavy copper-trimmed walnut door at the end. Her name is Ma Lisu, and she is an editor of NetEase Social Channel.
Suddenly, her eyes lit up, and she saw a handsome man, three or five years younger than her, sitting calmly behind the long case, contemplating the screen.
"It's so aura, it's so stylish. Is this a 22-year-old billionaire? Ma Lisu's heart shook for a while, her body softened slightly, and she felt an involuntary heat between her legs.
Fortunately, she immediately saw Ye Minru, the female secretary standing next to Gu Mojie. No matter how you look at Ye Minru's posture and aura, she suddenly poured a basin of cold water on Ma Lisu's heart, put away the fantasy of that moment, and returned to the state of work.
"Mr. Gu, Reporter Ma is here, then I'll step back first." Ye Minru bowed just right, and then walked out, straightening her waist and pulling her back, with a dignified demeanor, without even twisting a few times.
Ma Li Su smiled professionally, sat down in front of Gu Mojie, her cameraman set up the camera, and she began to ask questions.
"Mr. Gu, it is a great honor for you to be willing to accept an interview with us on the human resources strategy of the Hatsune Group and the experience of applying the Labor Contract Law to the Hatsune Group."
"You're welcome, there have been a lot of speculations about our company's human resources policy in the society recently, and I think it's better to clarify it in order to get to the bottom of it."
"Thank you for your cooperation, and I'll get started...... Well? Wait, you just used the word 'clarify', do you think there is some misunderstanding of the mainstream interpretation of you in society at the moment? ”
Gu Mojie didn't look at Ma Lisu, just spread his hands so plainly, and there was a pen in one of his hands: "Yes, I think there is a big misunderstanding." ”
Ma Lisu suddenly came to her senses: "Can you tell me what kind of misunderstanding it is?" ”
Gu Mojie: "I know, at present, there are many people outside who think that our Hatsune Group is a fat sheep slaughtered casually, and many people are stupid with money, so they know that they send money indiscriminately to win people's hearts - in fact, this is wrong, we are also as shrewd as Boss Ren of Xia Wei Technology, and we also have Yan ∨dǐng∨diǎn∨ Xiao∨ said, .↑.o¤s_(); The dense P assessment system and the exquisite design of the ascending channel dǐng layer are by no means like the nouveau riche who make money indiscriminately. ”
"This ...... This...... How could you, I mean, do you think you can agree with the recent approach of Mr. Ren of Xia Wei Technology? Ma Lisu was dumbfounded, what she said was really beyond her expectations, and she couldn't communicate at all.
The style of painting is wrong! Shouldn't this person in front of him be a "domineering president with an angel face and an angel heart"? Shouldn't it be very compassionate? Ma Lisu's careful liver twitched one by one, and the attributes of the White Lotus Madonna that she had cultivated after staying in NetEase for many years were almost about to collapse.
"Of course, I agree with Mr. Ren's approach. Actually, we at the Hatsune Group do the same, but we are very low-key, and there is no need to be open to the public. In addition, our small scale makes the outside world unaware that because our company's life span is relatively short, only 600 key employees have been employed for more than two years, and most of these people have been interrupted and resigned on the eve of the implementation of the "Labor Contract Law" on January 1.
Of course, like Mr. Ren, we Hatsune did not force anyone in this process, and all those who resigned were free to choose - a large part of the big red envelopes you saw on the video of Hatsune's annual meeting were rewards for those who voluntarily interrupted their resigning. ”
"Mr. Gu, you ...... How can you do that! Ma Lisu's heart was about to break, "I always thought that you were the hope of the times and the rising sun." You also have a lot of experience in cooperation with the United States, and you have received so many universal values, but I didn't expect you to ......"
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People who know me, who can read my books and see my thoughts, basically know one of my attitudes: originality is great, and routine dog plagiarism is despicable and despicable.
Especially when the routine is to sell oneself to capital and kneel and lick as a means to exchange for industrialized and impersonal opportunities for superiority, it is inferior.
From beginning to end, this idea is implemented, and even the setting of the golden finger dislikes the lowly plug-ins such as "plagiarism" commonly used by the reborn.
However, this book, including myself, is also down-to-earth and pragmatic. I don't elevate "innovation" to the level of imagination and inspiration, not that innovation cannot be achieved by hard work - hard work, plus methods, can be innovative. Innovation should also be accumulated, innovation should also be accumulated, and it is also necessary to be well-informed and then touch the bypass and link association.
In the field of art, in the world of music, what examples can we find in the East Asian cultural circle? Jay Chou Fang Wenshan counts as a group, and Quan Baoer counts as a group.
Some people may say that Xu Song is also counted as a group, and the strings are also counted as half. Deng Ziqi is also counted, and it is also counted...... Not to mention the earlier ancient gods. Of course, from the first diǎn above, these count. When I said Jay Chou and Kwon Bao'er, I didn't mean to belittle the rest.
The key behind is the second diǎn.
"On the premise of winning the audience's basic plate, we are not only satisfied with making money, but also take a small step every year, and drag the vulgar a little bit in the direction of elegance within the range that the vulgar public can bear."
Is Su Dongpo Wei great? It was great, but he was not good at protecting himself, he was too principled, and in the end he wasted his talent and more responsibilities that he could have shouldered, and fell early, failing to fulfill his ambitions, and failing to stop the battle between Wang Anshi and Sima Guang.
If an artist only innovates and is lonely and conceited, in the end, the spring and snow are excessive, and the new is new, but he fails to educate the world, and fails to improve the artistic atmosphere of the social environment, it is a waste of talent after all.
Of course, although these persistent people have not been able to improve society, they are at least more noble than those sluts who "routine, plagiarism, industrial standardization star-making, industrial standardization mass production entertainment", and after getting the sweetness, they have been so routine for a lifetime, and they don't want to change a single diǎn.
Why do I think Jay Chou's "Chinese style" is great? Is he able to write poetry, or is he better than me? To tell you the truth, I think that Fang Wenshan's poetry is definitely not as elegant as mine, but I must say that Fang Wenshan's words are great.
Because his "slightly elegant" is based on Cheng dù, which "conforms to the understanding atmosphere of most laymen in the current society, and then raises it slightly by half a step". It is neither directly catered to, nor is it so elegant at one time that the laity can't even bother to jump a little.
Such people are meaningful for the transformation of this society.
There is a "historical" meaning.
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When I wrote my first book, I remember very well that "Iron Cross of Iron Ambition", which was completed in 3.1 million words, was still unsigned at 2 million words, and there was not a penny.
How did you survive? At that time, I said to myself: "I am writing a book for the Führer, the world of financial dogs, and I don't want this book to come out, do they think that if they don't give me money, they can stop me?" ”
Similarly, this is also the reason why I was too lazy to insist on "Crossing the Sea" and "Stealing Sui Good Horses" later, and accelerated the progress when I pounced. Of course, I will never, not even a bad ending, at best, I diligently speed up the writing and deletion of the branch plot on the outline. Because these books are not about faith and feelings in the first place.
Faith and feelings cannot be abused, and abuse is worthless.
This book is the first time I have written an urban essay, and I always thought that I could still talk about my feelings.
Because this book is a bit capricious, the first time I wrote it, I have no experience, and many characters are redundant and not well shaped - the reason why it is redundant is entirely because the character design at the beginning is almost according to the personal autobiographical design, and the identity background of my family, classmates and friends is almost copied from my real life. I know that such a character is not pitiful enough, not enough to sling, not enough to make the real bottom of society feel a sense of substitution, and it will affect the subscription, and I admit it.
The good thing about feelings is that I still have feelings for this book, even if the grades are not good, I am still willing to write one more diǎn - people need money to live, but they can't just need money. I'm not as shameless as other authors who ask for votes and rewards, so much so that they can't afford to eat if they cry directly.
To tell you the truth, because I don't write books full-time, because I can still work diǎn, I still have something to eat, and as for all kinds of minor problems and sub-health and can't afford to see a disease, I am simply embarrassed to say in today's environment - which poor guy doesn't say that he is terminally ill? My little chronic disease of fatty liver, kidney stones, lumbar and cervical spondylosis, frozen shoulder, is a yarn.
However, the power of feelings is not unlimited, and such a small desire-desire as "writing an autobiography with meaning-lewdness" is not enough to support 2 million words.
Therefore, I introduced the spiritual totem of Quan Bao'er to adjust my beliefs.
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Let yourself see that "the era of the true number of arts and entertainment will eventually come, and the era of the overwhelming novice covering up the voice of everyone else will finally pass." ”
The Ford-type car model can only succeed when solving the contradiction of 'whether there is a car or not', and when everyone has a car, they can't look down on Ford, a totem that represents inferiority and no personality;
Toyota's lean production method and personalized customization model will eventually kill Ford in the era of solving the problem of "whether the car is good or not" - when we buy a car, when we see the interior, on-board appliances, monitoring, and all kinds of high and low configurations, haven't we ever thought about why Apple doesn't let you configure cameras, p, and p when you buy a mobile phone...... This? This is all because in the automobile industry, Toyota Xingxia killed Ford, which brought good news to mankind.
Quan Baoer and Jay Chou Fang Wenshan are using footprints one by one to accelerate the death of Ford and Ma Huateng (of course, it is not ruled out that Ma Huateng will change his life in the future and achieve a drastic transformation. After all, he is a person who is willing to use WeChat to change his life, which shows that he knows that the evolution speed of today's business model is no longer enough to support the length of time that "a business model is enough for an entrepreneur to live for a lifetime". )
And what I am doing is to use Quan Baoer, a spiritual totem of "always micro-innovation, never stop, and always grasp the pulse of Xiaobai's tolerance", to motivate myself to finish the predictions and prospects for the future.
This is a cry from the depths of the soul to resist the "industrialized routine art" with "personalized art".
You can choose to read it, or you can choose to finish this book.
Writing Quan Bao'er has nothing to do with powder and love.
Of course, because I wrote about real people, I admit that I didn't do a good job. Because there are some things that inevitably have the stiffness of "I think the reader knows, but in fact the reader doesn't know", which is not as easy to grasp in terms of "author-reader cognitive consistency" as the face-painted virtual characters. I'll admit I'm lazy, and if I took out some of my soul and personality and put it on a purely fictional character, it would probably look better to write. It's a technical issue, so losing money is also my skill is not as good as others, which is nothing to say. (To be continued.) )