Friday night, until the end of Sunday, almost all the time, is rehearsal for the crew. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 info Mr. Huang Xifan personally guided, Yang Xianfu and Tian Guofeng also did it themselves, and they have been staying in the crew to rehearse, working very hard and very hard. Especially Mr. Yang Xianfu, the ending scene is really heavy, much more than Tian Guofeng, and naturally he has to put more effort into it.

It's not that with a stand-in, you can practice less, that's not okay, if you can play the main shots by yourself, you still have to play by yourself and do it yourself.

For playing, of course, the less stand-ins are used, the better, and the stand-ins are just prepared, not over-the-top, and take care of everything, you must understand this.

For the old gentleman, it is really rare to work so hard.

In terms of professional ethics alone, he doesn't allow himself to just sell his face and then let all the work be done by a stand-in, which is simply an insult to his character.

This is professionalism, Zhou Yi really admires it, and feels that it is much stronger than some small fresh meat.

Zhou Yi himself has no classes except for Saturday mornings, and the rest of the time has no classes, which can be used for training, and he has also been staying in the crew and not doing anything special. Now we are a team, and we must be sincere and united in order to have combat effectiveness and to shoot this decisive battle well.

As for Mr. Huang Xifan's action design, there is really nothing to find fault with, it is definitely better than Zhou Yi imagined in advance.

People have been in the circle for half their lives, of course, they have real skills, and they are not idle people.

Everyone was very satisfied with the design of the fighting movements.

In this world, there is also a Chinese Guoshu Museum in China, it can be said that the atmosphere of Guoshu is definitely stronger than in the previous life, and the action design in the industry is naturally not inferior to the previous life, mainly depending on whether the actors can perform or not, and whether the level is enough. The strength of the actor is not good, and no matter how good the action design is, it is in vain, after all, the audience is watching the actors' performances, not the comic strips of the action design.

Actors with high appearance can't fight, and actors who can fight have poor appearance and can't be the protagonist. Whether it is in the past life or in the present life, it is a stubborn disease in the industry, and there is no way to do it. If you want to find someone who is handsome, hot, and has acting skills, it's like a dream.

In the previous life, it was a coincidence, and there were several superstars, but then they also declined.

There is no Bruce Lee in this life, there is no Hong Kong action movie trend, and if that kind of atmosphere is not brought up, it may not be able to catch up with the previous life!

China is indeed strong in this life, but it is not necessarily stronger than in the previous life.

This is a butterfly effect!

The emergence of Zhou Yi is indeed a change, and it is not an exaggeration to say that it came into being.

Like Mr. Huang Xifan's style of play, Zhou Yi feels that he is indeed very evil and evil, he has the title of "evil king" in the industry, and he is really not called indiscriminately, only the wrong name, not the wrong nickname.

However, his style of action does have high requirements for actors, not only requiring actors to have a solid foundation in national arts, but also to have strong comprehension.

If the actor's strength is not enough, he can't act like that, but he has the feeling of "painting a tiger can't become an anti-dog". This is the reason why the industry thinks that Mr. Huang Xifan's action design is good and bad, and he makes one and loses one. In fact, his action design is more suitable for villain performances, but even if it is a villain performance, it needs the cooperation of the protagonist and complements each other, otherwise the fight will collapse.

If it weren't for this, the old gentleman would not have been up and down in the industry, he didn't become famous, it wasn't his strength, it was no one to play it, or the actors were very poor, the audience was naturally dissatisfied, and the responsibility fell on the action director, he couldn't help it.

is famous in the industry, has no status, and no one dares to use it easily, which is the case.

But for Zhou Yi, naturally there is no problem.

He has a deep understanding of national arts, and his own strength is enough. That kind of movement, only he can do well, perfect, the coordination of the body, the stretch, the sense of strength, are all very perfect, and the performance is just right.

Mr. Huang Xifan is indeed very satisfied and feels that a better day is coming.

It's really rare to meet an action actor with such good quality.

Don't look at the action actors, it is difficult to win awards, but actors like Zhou Yi are rare like giant pandas in the industry.

During the rehearsal, Zhou Yi had a very accurate grasp of Mr. Huang Xifan's movement style.

That broken knife could play all kinds of tricks in Zhou Yi's hand, as easy as an arm to make a finger.

Zhou Yi also had a lot of exchanges with Mr. Huang Xifan. In Zhou Yi's view, Mr. Huang's action design, the first emphasis on the word "break", is probably influenced by Go and inspired. Go and Guoshu are both traditional Chinese skills, and there are also touch-bypasses.

The broken knife is short, which seems to be a disadvantage, but Mr. Huang's knife design every time the killing machine starts from the broken place, the danger is born from the broken place, and the emphasis is on the knife from the incredible place, and the knife from the place where the opponent does not allow the attack, suddenly interrupt the opponent's offensive, force the opponent to stop, force its defense, and then launch a high-speed close knife battle full of oppression.

If you can't win, you can also calmly retreat, wrap around the attack, and start from the beginning.

Don't look at Mr. Huang's fierce design of moves, but they all embody the traditional idea of Go, which is a very elegant thing.

The ultimate showdown in this movie is whether the long arm is against the one-armed, or the long knife breaks the knife, and it must not be designed with conventional martial arts.

Encirclement, breaking, levy, that's it.

Encircle first, then break, then levy, if you can't levy, you will get rid of the first, then encircle, then break, and then levy.

This kind of winding play seems crazy, but it is actually in line with the logic of the national art play.

The knife goes sideways, looking for gaps, and between life and death, the knife hand is required to be bold and careful, not only with the courage of flesh and blood, but also with the awe-inspiring evil spirit.

Of course, this is completely different from the action design concept of orthodox national sword fighting, and even goes against it.

The orthodox national art knife battle is not Go, but chess, paying attention to the confrontation between the two armies, fighting head-on, and opening and closing the Chu River and Han borders. Like Jet Li's knife battle design in "Huo Yuanjia" and "Tai Chi Zhang Sanfeng" in the previous life, it is all like this, no matter how violent and dangerous the fight is, but it is still a head-on fight, or that kind of "chess" play, not a "Go" style of play.

When Zhou Yi filmed "Rushing to the Sky Tower" in this world, he used a stick against a knife, and the knife method used by Gao Song was also this orthodox knife fighting routine, but he liked to use a desperate fighting style of losing both sides, fighting the strong with the weak, which looked more sinister, sparkling, and more crazy and brave.

But these designs really can't be more orthodox.

The knife battle style designed by Mr. Huang is not a "chess" style, but a "Go" style.

Why is it said that his actions are evil, evil is evil here, he is not taking the orthodox line, and he does not take the ordinary road.

Listen to the thunder in the silence!

See the sword in the middle of nowhere!

The knife is silent, and the knife is not allowed to be slashed!

In the previous life, Tsui Hark's ultimate play design in "Broken Knife" actually has a bit of this meaning, but it is only a superficial taste, no conceptualization, and no particularly in-depth design, although the playing style is hierarchical, and it is very violent and crazy, but after all, it does not go deep, just blindly highlights the fast and ruthless, and the shooting is also very messy, it seems to be violent and crazy, but many details are not explained clearly.

Can you explain it clearly, this is a test of action design skills, you can't just give a result, just let everyone see the result is like this, but the middle fight process is completely unclear, then it won't work, lack of a clear concept of action.

Of course, the style of that film is like that, and if you change the director, you may not be able to make it better.

But it's a pity that the ideology of the action scene still hasn't been able to go further.

The film's style and play design may not have been accepted at the time, and the box office results were not satisfactory.

It may also be that the actor is not popular, then I don't know.

However, the concept of action design and traditional cultural ideas of the action director at that time definitely could not reach the level of Mr. Huang Xifan now. Some people think that as long as you can play a play, don't think, how can that be?

Without ideological guidance, wouldn't that be a random design?

Today, there are no action design awards at national and industry top awards such as the Golden Dragon Award and Huabiao Award, and many action directors in the industry are very dissatisfied and have been striving for it, why is this? Because they feel that their work is misunderstood, their work is also very thoughtful, not just copying the things of their predecessors. Everyone is always making progress, how can you not give recognition to the award? That's it.

The evil king Huang Xifan, many people in the industry call him Huang Laoxi, he is indeed very evil, but the evil is very deep.

His action design is eight words: the knife goes sideways, and the evil spirit is awe-inspiring.

It's easy to say, but it's hard to do.

Why is it that only he can design it like this, and others can't?

Some things are deeply rooted in the bone marrow, they are used to nature, and they cannot be designed how they want.

Didn't Liu Jialiang know that Jackie Chan's playing style would be a big hit in his previous life? I don't know Jet Li's style of play is more popular? Of course he knew, but he would never design it that way, and he wouldn't be able to, and there were a lot of factors involved.

In this regard, Zhou Yi really admires Mr. Huang.

For this play, according to Zhou Yi's summary, it is that the enemy takes the big, I take the small, the enemy takes the far, I take the close, the enemy takes the long, I take the short, the more the enemy moves, the more annoyed the heart, the more I move and the more calm the heart, the enemy is helpless, I am at ease.

This is basically the general outline of the fighting style of the decisive battle between good and evil.

All movement design follows this general outline.

During training, Zhou Yi often talked about these ideas with Mr. Huang Xifan and Director Xu, from Go to the knife method, and the general outline to talk about the playing style, Zhou Yi talked about the Tao at the head, and the sky was full of flowers, not only the national art is invincible, but the mouth cannon is also invincible. Mr. Huang laughed, thinking that Zhou Yi was really interesting, but the heroes saw the same thing, and everyone could really think of going together, so that they could play a wonderful and evil super knife battle.

Tian Guofeng and Yang Xianfu, the two old gentlemen, admired Zhou Yi very much and felt that Zhou Yi was really a top student.

Some people can only be martial artists, but some people can be superstars, which can see the level gap.

You can only win for a while by relying on your face, and you can win a lifetime with your own thoughts.

Zhou Yi's thinking ability and comprehension ability are really powerful, and he has a wide range of knowledge, not just fighting.

If you can have this understanding, you will be able to perform with ease.

Director Xu was inspired by Zhou Yi and made a small change in the props, adding a paragraph to the remnants of the knife technique that the actor Fang Gang got from Xiaoman: "...... Nineteen years of the knife...... Newly issued in the Young. There is a gap in the other section, but there is no thickness in the blade; With no thick into the room, there must be room for its recovery. "The original script didn't say where this knife book came from, only that Xiaoman's father got it, and it was burned by Xiaoman's mother, leaving only a little fragment, which was recorded as an auxiliary kung fu of the left-handed knife.

However, Director Xu added this paragraph, which seemed lofty, implying that the knife score came from the inheritance of "Zhuangzi and the Master of Health".

Why is the power of the left-handed broken knife so strong, and the protagonist can fight against the long-armed gods and demons with one arm, and finally design to kill the old demon?

That's obviously because the inheritance itself is very high, and only the remnants of the spectrum are also very powerful.

As for the rivers and lakes, why no one has practiced in the predecessors is obviously not qualified enough to understand the mystery of the sages.

If you want to practice knife skills, you must at least be able to see the "intermittent", that is, you must be able to see the "breaking point", so that you can "grow from the broken place", interrupt the opponent's offensive, and carry out oppressive counterattacks. If you can't see the "breakpoint" and attack blindly, you will definitely be killed.

The people who practiced this sword book in the past are probably dead like this.

You don't have the Eye of Death, and you don't have the abilities of the Eye of the Dotted Line, and you practice blindly, what can you do if you don't die?

As for why the protagonist can be trained, because he has talent!

Director Xu and Zhou Yi exchanged ideas, and everyone thought it was really fun to shoot like this.

When these people get together, ideas can collide with sparks.

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