At this time, the shooting scene has finished shooting various close-ups of the opening scene, and the actors have officially appeared on the stage and started to perform.

The martial artists and group actors played by the fast soap trap all followed the director's requirements, solemn and solemn, with gloomy and cold faces.

No one will laugh at this time.

Wu Yuanshen was the same, standing solemnly with a calm face.

Next, the four red-clothed executioners played by the members of the martial arts group held An Dehai high, lifted him to the court, sent him to the ten thousand needle clothes, and began the execution. Everyone performed well in this scene, and there was no difficulty.

The executioner wants to hold up the leading role, but he doesn't dare to let the group performers do it, so naturally it must be completed by the crew martial artists, which is safer.

Then An Dehai woke up, rushed out of the ten thousand needle clothes, and fought against the executioner, and the cooperation of the martial artist was also needed here.

This close-up with a large number of lines is well shot.

An Dehai was very well prepared, he passed this long line over and over again, there was no reshoot at all, and his facial expression was also very good.

Zhou Yi didn't expect him to shoot so smoothly, and thought he might have to shoot a few more times!

Director Zhao was very happy.

The next court scene was taken over by action director Huang Huacheng and continued to shoot.

Zheng Zilong appeared on the stage at this time, dressed in a spirit snake white shirt and military uniform, and he was really handsome.

An Dehai first used the toad qigong to fight the crowd quickly, and all three moves and two styles were solved, and then he was about to attack the county order, but was stopped by the second spirit snake who rushed out, and the two sides started a wonderful fierce battle.

Huang Huacheng constantly mobilized the camera and worked with the photographer to shoot the scene.

In the play, the fifth toad recognized the second snake's bracer snake logo.

Right now, it's either you or I'm dead. The second spirit snake didn't care if his identity was exposed: "So what? What if you recognize it? Director Zhao also added a few lines for Zheng Zilong here.

The lines here, An Dehai is also smooth lì tong guò, and then there is a wonderful fight.

In this fight scene, both actors played a very high combat effectiveness, which was very exciting.

This is the play of strong dialogue, and it is definitely first-class.

If you talk about real kung fu, An Dehai must be much stronger than Zheng Zilong, he learns actual combat kung fu, and Zheng Zilong learns national martial arts, but since it is filming, it must be cooperated by both parties, and the fight is exciting, so as to be exciting and good-looking.

The two of them had practiced for a long time in advance, and their natural movements were skillful and they cooperated tacitly.

Among them, all kinds of demolition and breaking moves, and tricks to test the cover door, are all very exciting.

Occasionally, some difficult actions will hang Weiya.

However, most of the action is in the style of ground combat, which is more exciting and beautiful.

Hanging Weiya in the play will give people a very fake feeling, and it can't be used often. In the early days of film development, it was still novel to do this in martial arts films, but then it didn't work, especially action movies and kung fu movies, and there will be fewer and fewer hangings.

Recently, in martial arts films, the shots of Hanging Weiya are gradually decreasing, and more actual combat styles are adopted, which is the trend of the development of the times.

The audience is tired of watching the fancy fighting scenes flying around, and they definitely don't like the style of hanging Weiya, and they miss the classical and orthodox fighting scenes even more.

The film and television industry will naturally make corresponding changes to cater to the audience.

After all, it is impossible for an actor to really jump so high, it is completely beyond the limit of the human body, only superman can do it, and Weiya can play a necessary auxiliary role.

But the overall fighting style of the fight is still a bloody combat style that takes punches to the flesh.

Especially when he tried the cover door, Zheng Zilong really had to hit An Dehai's naked ~ exposed muscles firmly, which seemed very real. And director Huang Huacheng kept shouting loudly, asking them to work hard, to perform the real style, and to reshoot if they didn't work hard enough.

This style of play is too realistic, and in the end Zheng Zilong is a little embarrassed.

It is estimated that after the filming of this scene, An Dehai will have a piece of blue and a piece of purple on his body.

The director didn't deliberately embarrass An Dehai, but for the sake of the shooting effect, he had to play it like this.

Compared with this kind of real-life shooting scene, the characters in some films are slapped a few times, which is trivial.

However, An Dehai is very angry and doesn't care, let Zheng Zilong just fight, no problem.

He is in good health and can completely withstand it, so it's a big deal to go back and rub some medicine and wine.

Now is the time for him to fight for his position and become famous, how can he not even endure this little hardship?

Zheng Zilong can only start, after all, the shooting is not real, and if he shoots a few more times, isn't An Dehai more guilty? It's better to go over and over again.

With this idea, the two fought more excitingly and intensely, and many shots were able to flow smoothly.

An Dehai's few lines are also good.

Director Huang Huacheng gradually became satisfied and smiled with satisfaction.

The two leading actors worked so hard to make the scene, and they really achieved the ideal effect he wanted the most.

Zhou Yi watched from the side, and he was also very satisfied, and felt that the play was indeed exciting, better than in his previous life.

It's really not easy for the two actors to play like this, and they will definitely have a sore back when they go back.

In fact, Zheng Zilong also filmed very hard, and there was a shot of him falling to the ground in the play.

There is nothing on the ground, it is the hard ground of the county government, and it is impossible to add a soft cushion.

When shooting, try not to add too much trouble to the post-production special effects.

Zheng Zilong could only grit his teeth and fall hard.

It's not easy.

The filming scene is very bitter, and it is bitter here, once it is not done well, injuries are commonplace.

Even if there is Wei Ya hanging on it, it is actually very painful for the actor to shoot this kind of action, but Zheng Zilong is really dedicated, and he insists on filming it all, and he doesn't need a martial arts stand-in at all. Originally, a martial arts stand-in was arranged for that shot, and the director was afraid that the leading actor would be injured accidentally, which would affect the filming work later, but Zheng Zilong insisted on not using a stand-in and had to complete it independently.

He has kung fu in his body, so he naturally doesn't want to use a stand-in, thinking that he will finish it himself, and the effect will be better.

If it hurts, it hurts, it doesn't matter.

An Dehai, a rookie actor, can work so hard, why can't he, an "old actor"? Do you want to be compared to Andhey? He didn't want to look so delicate and expensive, and let An Dehai and others laugh at him.

Even if you pretend, you have to pretend to be a tough guy.

In this regard, the director can only respect his opinion and try to do a good job of safety protection.

Zheng Zilong is indeed very professional, which makes Zhou Yi, who is on the sidelines, very admirable, and even more determined to support this young man.

It's really not easy to be an actor, and Zhou Yi inevitably sighed.

It is even more difficult for the leading actor to be able to do this kind of process.

You must know that when filming this shot, the costume on Zheng Zilong's body is a single shirt, which is not thick and does not play the slightest buffering role.

But Zheng Zilong took a picture like that, and his facial expression was in place, and he didn't see pain at all.

If you don't accept this, you can't accept it!

If the facial expressions are wrong, it will definitely have to be retaken.

Of course, Zheng Zilong has to go through it all over again, and patience is enough.

Excellent actors have extremely strong self-control in this regard, and whatever expression they want on their faces, they are all expressions.

This is also what Zhou Yi admires about him.

However, if Zheng Zilong can't even endure this bit of hardship, Zhou Yi may not be willing to support him.

There is a pay, there is a return!

Only if you have enough professionalism can you be praised.

If Zheng Zilong knew the thoughts of Zhou Yi, who was always watching from the sidelines, he would probably be deeply gratified.

During the break of the filming scene, Director Zhao also shot several sets of close-ups of Wu Yuanshen and Tang Wang, which were used in post-editing.

Next, the third scorpion wants to plot against the toad fifth, and he must give Wu Yuanshen a shot in the early stage to pave the way.

There should also be a shot of the county order, which mainly plays the role of misleading the audience.

Whether it can mislead success or not is another story.

But these lenses must be available, they are essential.

The same is true of the few shots of catching Lin Guang and others.

These performances are not difficult, just plain face.

With expressions, the audience can distinguish them, and of course there can be no special expressions.

After a short break, the next thing is to shoot the scene where the toad Lao Wu is plotted.

The prop master has already prepared the props and arranged them for An Dehai.

The main fight scenes of this scene have been filmed, and now it's time to watch the performance.

In this performance, An Dehai played very well, his expressions and lines were extremely good, and he also entered the performance state. With his acting skills, if he is asked to perform the complex psychology of the characters, he will definitely lack a lot, after all, he lacks acting experience, but only let him perform these superficial and superficial scenes, he can complete it well, at least it doesn't look inferior.

Zheng Zilong's supporting role is also very well coordinated and complements each other.

He also showed the evil and viciousness of the second spirit snake.

There are also some close-ups of the county commanders, Ma Zhutou and Lin Guang, who are fast catchers, which are inserted as post-editing.

The difference in the acting skills of the actors is evident here.

Like catching Kuai Lin Guang and other martial artists in a group performance, all they can do is to be expressionless and motionless. If you want to have some outstanding performances, they can't do it at all, they don't have professional training, after all, the director requires that there can't be any body language.

Imagine Stephen Chow in "The King of Comedy" being so noisy, naturally it is absolutely impossible.

Those are all comedy performances, not formal acting.

So how do you perform it?

Zhou Yi watched from the side, thinking in his heart, if it was him, how should he perform?

A performance like catching Lin Guang and them is naturally not good.

That doesn't show his acting characteristics at all.

However, they are small supporting roles on the field, and it doesn't matter if they can't play them.

Here, Zhou Yi admired Tang Wang and Wu Yuanshen's performances even more. They are the objects of Zhou Yi's learning.

Tang Wang adopts a facial micro-expression with his head slightly raised and his eyebrows raised, showing the psychological activities of the characters.

And Wu Yuanshen is even better, which fully reflects the outstanding strength of acting stars.

Not only did he not move his limbs, but his facial expression was even more motionless, but he instantly dilated the pupils of his eyes, which showed the characteristics of the character very well.

This is really amazing, the pupils can dilate when they want to, and they can be retracted and released freely.