Recently, many readers have a lot of opinions and complaints, and the author has to take a little time to explain one or two in detail, and he is also very helpless. Actually, I don't want to open a chapter to explain the exchange, after all, I'm usually very busy with writing, but after thinking about it, anyway, the volume of "Works Related" is idle, so I'll take advantage of it and write something. It's also good to let everyone know the author's thinking.

Some readers think that these are sixty or seventy chapters, a movie is not finished, the plot progresses too slowly, and the plot lacks climax.

Maybe my book is a little slow to burn.

But if it is procrastinated, it is not necessarily, mainly because the focus of the writing is different.

Especially at the beginning, there are definitely a lot of other things to be introduced, and it won't get into the topic so quickly.

Many of the previous chapters are not actually making movies, so they can't be counted like that.

In fact, in the first 70 chapters, the protagonist has already done a lot.

In terms of literature, he wrote the first few parts of the "Military Commander Secret: Code 007" series, and the royalties have earned hundreds of millions of yuan.

In terms of martial arts, he has several martial arts novels published, which are also well-known.

In terms of music, he has already written three songs for his classmates and is ready to help them participate in The Voice.

In terms of career, he acquired a film company.

In terms of scripts, he has written three film scripts and is working on a TV series script.

In terms of movies, the first work is also about to be completed.

On the family side, there is communication and interaction with my sister.

Not to mention, there are also various background introductions and some important side plots involved during the period.

Think about it, if these things were written according to a normal narrative, would they be able to finish 70 chapters?

It's just that in the book, some places are written in detail, and some places are omitted.

After all, there must be a main line in the book, and making a movie is the main line, which is the focus of detailed writing.

If you still feel that the progress is slow, then how can the progress be considered fast?

In the book, I didn't write about how the protagonist found a publisher and how to negotiate, and I didn't write about the past in detail, let alone write about the sales of the book, and I didn't describe the reaction of the fans more.

Because those are not the key plots, making movies is the key plots, and they need to be written in detail.

Some plots are to see flowers in the fog, some plots are to watch the flowers, and some plots are to stop and sit in love with the maple forest at night, and the frost leaves are red in February!

The background introduction is the former, the side plot is the middle, and the movie is the latter.

Some plots are equivalent to a small sports car sprinting in the fast lane, and some plots are equivalent to a classic car slowly enjoying the scenery along the way. Some plots are equivalent to mountain bike mountain road riding, and some plots are equivalent to bicycles around the track.

The narrative techniques of various plots are different.

That's the plot detail.

Even if it is the same kind of plot, there are differences in detailing and abbreviation.

We will explore this issue separately and will not say much here.

Maybe readers are used to seeing some of the ways of writing by other authors and are used to it, but you can't expect every author to have one style.

If I forcibly change my style, I may not be good at it, and I may not be able to write well. The most important thing is to do yourself well and persist for a long time.

Presumably, this kind of writing will make some readers feel that it is not enjoyable and lacks climax.

In fact, the novel is not without a climax, but it has not yet arrived.

In my understanding, readers who like to read this kind of novel probably think that there are two kinds of climaxes, one is that the protagonist pretends to be forced to slap his face, and the other is that the movie is released, which is overwhelming, and it is probably a variant of pretending to be forced to slap his face.

Many readers will only turn these chapters when they read the book.

Maybe everyone just likes to watch some plots that pretend to be forced to slap their faces.

Actually, I can also write this kind of plot.

For example, the protagonist always asks for leave to film, but the teacher does not allow it, thinking that his academic performance will decline, and then the protagonist immediately uses the test results to pretend to slap his face.

For example, the music teacher doesn't believe that the protagonist can help his roommate create any good songs, so the protagonist takes out the work and runs to the music club to slap his face.

For example, the protagonist wrote James Shibang, and the majority of readers didn't believe it, but as a result, the protagonist was broadcast live on TV, writing spy shadows with his left hand and Mission Impossible with his right hand.

But in the end, I didn't write like that.

I feel that it is very boring to pretend to be slapped in the face.

So in my book, the teachers are normal, love and understand the students, and don't embarrass the protagonist at all.

The music teacher has always been helping the protagonist's roommates, and although he hasn't met the protagonist, he has always wanted to meet and talk.

As for the majority of readers, they simply don't know who the author is, let alone question it.

The protagonist has no chance to pretend to be slapped in the face at all.

I think that's probably the case in reality, although the plot has to be ups and downs, and the text seems to look at the mountains and don't like the flat, but it's always true that it's plain!

It's a little more real.

blindly pretending to slap the face, there will also be a situation where the protagonist's IQ is 60 and the supporting character's IQ is 0.

That's not good. Although it is uneven, it seems fake.

Even before the movie was released, I thought about whether it was to create some contradictions on the theater side? But on second thought, I gave up. With the protagonist's current background, now it's just a small-budget film, who has nothing to do and have conflicts with him?

Some pretending plots are arranged on Lang Jun's body.

The teasing pretending is also very powerful!

But the protagonist shouldn't be teasing.

What film company boss would surf the Internet all day long and have nothing to do with others?

What superstar is constantly on the Internet, tearing with this and tearing with that?

In that case, what else can the protagonist do?

Tearing up all day long, I'm afraid that nothing will be achieved in the end.

Therefore, some plots are not that they can't be written, but that they don't want to be written.

Maybe it will make everyone feel that there is no orgasm, or that the orgasm is too late.

But this is a process of doing business, I hope everyone can accept it!

I hope you can accompany the protagonist and grow step by step.

In the end, when the climax scene should come, it will always come naturally.

Let's talk about it here today, there are some unfinished meanings, and next time I have time, I will continue to talk.

It will be updated as usual in the evening, so please wait.

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