Yesterday it was about four o'clock in the morning, and I left, very suddenly. Then, yesterday during the day, we accompanied the last leg of the road.

When I left, I didn't have any real feeling, watching him convulse a few times and fall into our arms, my mind was just blank, and I didn't seem to have any emotions.

Looking at the cardboard box, it was like returning to the time when he had just been adopted, so weak, so soft, and lying quietly in the cardboard box.

It's as if he's been here with me for four years and now he's going back.

When I sat down and saw his favorite toy, saw the cardboard box he liked, saw the place where he usually looked at me on his stomach, and looked at Elizabeth and Mango in a daze, I couldn't help but cry.

Tomorrow's Calamity was in a critical period of ascent, and I thought that I was becoming more and more professional, that I could catch up on the manuscript overnight, and that I could use my phone to code out thousands of words while waiting outside the operating room.

I've always taken writing very seriously, and I hope that I can become more and more professional. I used to wish I could write a comedy so professionally in the evening even if I lost a loved one in the morning.

But I'm only now realizing that I really can't do it, and I regret that I've been so busy every day for the past six months, and I haven't had much time to play with them. I remember that every time I wrote, he would come to rub me, and he wanted me to hug him, touch him, and play with him.

I always thought about waiting for what I was free to do when the book was over, but I never thought that I would never have the opportunity to do these things again.

While Tomorrow's Calamity is critical right now, I don't know how many I'll be able to update each day in the next few days with guaranteed quality.

In the next few days, I will try to ensure the quality as much as possible, and try not to let my emotions affect the development of the plot, as much as possible.

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