Ye Zi's "The Sound of the Waves Remains" sung tonight is also outstanding. After several months of publicity, this song has become a household name and well-known in Shencheng, and as soon as the name of the song was announced, the audience was already applauded. Ye Zi's singing was free, and the artistic conception was far away, and the audience was fascinated by it, and the applause was like a tide.

The singing of this song was extremely successful, and the applause of the audience was the best evaluation. But Ye Zi was not intoxicated by the applause of the audience, he knew very well in his heart that compared to old Jiang like Sister Su Rui and Lin Zixiang, his stage feeling still had the kind of petty family spirit that he performed at night in his previous life, and he was not atmospheric and stable enough, and he couldn't control the stage of this kind of big stage and big performance.

There are reasons for the song, and of course more of his own reasons.

However, as long as Ye Zi is humble and studies hard and practiced, coupled with continuous stage practice, his performance on the big stage will always continue to improve little by little. Is there any singer or actor in this world who didn't start as a toddler? Ye Zi's www.biquge.info of the Biqu Pavilion is already very high, as long as he continues to put in his own efforts and sweat, it will not be far away when he is comparable to these old gingers.

The singing of "The Sound of the Waves Remains" is a little immature compared to the two veterans, but the next song "Late Autumn" by Ye Zi and Huang Kaitan is one of the highlights of this party.

Huang Kaitan offered to sing with Ye Zi, originally just under Lin Zixiang's suggestion, wanting to express his apology and goodwill in this way. He didn't give much thought to the specifics of the chorus.

One person and one section are fine, right?

But in Ye Zi's opinion, it should not be called a chorus, but a round singing. One person takes turns to sing one by one, so what should it be called if it is not called a round singing?

This kind of singing can often be seen on TV, and it is often helpless for the organizer to deal with a program in this way.

Sometimes the evening party (performance) is more important, such as the annual Spring Festival, National Day, Mid-Autumn Festival and other important festival performances that can greatly enhance the image and status of the actors. What to do?

Sometimes one of the organizers in power accepts the offer of some actors and promises to arrange a show for him (her), but the singer (actor) is not capable enough, or the ability is enough but the program has been fully arranged. The gass can't be added anymore, so what?

Sometimes, there are too many good actors attracted by a party to use them. But these actors are desperate to participate in this party, and they can't get away. It's not easy for the organizers to drive people away. Chills other people's hearts. So what to do?

Round-robin singing is a good solution, and no matter how redundant there are, it can be arranged.

Temporarily adding a song is only three or five minutes long, and all these redundant headaches for the organizer can be solved. If the redundancy is two people, then it is best to do it, one person and one section. The three of them then divide it up again, one half of the group and sing it together. It doesn't matter how many people there are, each person sings a few words, and finally the lively chorus completes the singing of the song.

Under such an arrangement, these redundant members have shown their faces in the party (performance), and the purpose of the organizer or the recommender has basically been achieved. Everyone was happy.

As for whether such an arrangement can ensure the quality of the singing, and whether the singer chosen is suitable for the song, that is a secondary consideration. It is not too late to resolve the main contradiction first, and then talk about other things.

This is also to grasp the big and let go of the small, which is in line with the reality of the situation, hehe.

Ye Zi didn't want the opportunity to slip away, and he didn't want this opportunity to become a round singing like the above. In that way, it is just a longer time to show his face and become familiar, which cannot leave a deeper impression on the audience, and there is no more benefit to himself and Huang Kaitan.

Then you can't use this kind of round singing, but make the whole song a real chorus.

This. It's hard to fall Ye Zi.

After careful discussion with Huang Kaitan, the two quickly reached a consensus.

First of all, there is the language problem, which is easy to solve. The first stanza is sung in Mandarin, and the second stanza is changed to Cantonese. Both of them have to learn a few sentences of the other's version.

Ye Zi took advantage of this.

He can sing the Cantonese version sung by Huang Kaiqin for a long time, and he doesn't need to memorize the lyrics, and Huang Kaiqin has to spend a little effort to memorize two Chinese version of the lyrics. However, for singers, memorizing lyrics is quite fast, which is a skill that singers must master, and each has its own ingenuity.

Harmony. That's a must, too. Only in this way will the singing of this song not become two people singing in unison, which will not be interesting at all, and it will not be a real chorus.

After discussion, Ye Zi and Huang Kaitan unanimously decided to add harmony to the chorus, and when singing, they both matched harmony for each other.

The configuration of harmony is mainly done by Ye Zi, and Huang Kaitan provides his own opinions. Both of them have the ability to compose, and the concept of harmony is excellent, but Ye Zi can arrange and orchestrate instruments, and Huang Kaitan is only willing to bow down in this regard. Taking care of Huang Kaitan's familiarity with Cheng dù, the accompaniment was in the Cantonese version, and Ye Zi arranged a few harmonies for the chorus part according to the chords of this version of the accompaniment.

After writing it, the two of them tried it, and they both thought it was quite good, and modified it slightly to make the harmony part more in line with the characteristics of the two singing, and Ye Zi directly set the harmony.

At this point, the problems that need to be solved in advance in the chorus have been solved, and the rest need to be played on the spot after going on stage.

Later in the afternoon, Ye Zi and Huang Kaitan, accompanied by Zhang Wenliang, communicated with the live broadcast director and the on-site director, and obtained their full support and cooperation. After the joint discussion between the program team and Ye Zi and Huang Kaitan, the three songs of the two will be sung continuously without pause starting from "The Sound of the Waves Remains", and will be dedicated to the audience in an overall form.

Subsequently, the two rehearsed seriously. I walked to my respective stage, sang twice with the accompaniment, and matched the harmonies, and made all the preparations before the performance extremely solid.

This provided the basis for a successful evening performance.

In the singing that night, the two singers cooperated tacitly, not at all like they were working together for the first time, and it was completely impossible to see that this choral song was rehearsed temporarily this afternoon.

Huang Kaitan's voice is mellow and warm, very infectious, but it lacks a little change and is slightly soft. Compared with him, Ye Zi's voice has a stronger impact, which completely makes up for Huang Kaitan's vocal defects. Such two voices are put together in the form of harmonic singing, and the effect that comes out far exceeds the effect of two people singing in unison.

In the singing of the whole song, Ye Zi changed his voice slightly, increased the thickness a little, and got closer to Huang Kaitan's voice, making the voices of the two more "close". This is what Huang Kaitan's voice lacks change can't do.

It can be said that Huang Kaitan provided a warm and infectious sound background for this chorus version of "Late Autumn", and Ye Zi used a stronger sound impact to add a stronger touch of emotion to this song? Color.

In this song, the two singers complement each other and really achieve the effect that one plus one is greater than two.

After the singing, the thunderous applause of the audience was the best reward for their wonderful singing.

With this chorus as the foundation, Huang Kaitan's second song, the Cantonese version of "The Outside World" "Green Years", also won strong affirmation from the audience.

After stepping down, Huang Kaitan was very satisfied with this. Among the singers of Xiangjiang's generation, Huang Kaitan is not a singer known for his excellent live singing, his strength is more reflected in the recording studio and his works. The effect of tonight's performance has exceeded his expectations in advance.

On the next day's "Shencheng Evening News", this group started with Ye Zi singing "The Sound of the Waves Remains", and then introduced Huang Kaitan into the performance scene with "Late Autumn", and finally ended with "Green Years".

This group of programs was evaluated as "a very sincere and creative bold attempt at this year's party, which allowed us to see the hard work and sweat of the program team, and also let us appreciate the tacit cooperation and unique personal style of the two young singers in Shencheng and Xiangjiang." This set of programs deserves our great praise." (To be continued.) )