From the next day, all newspapers and magazines once again left a large page of the entertainment section to Ye Zi and this rare bet, and Ye Zi's reputation and popularity also exploded quickly in the Xiangjiang entertainment circle with the emergence of these reports. ＋◆，

Because Ye Zi took the initiative to propose this bet, which completely disrupted Remy. Kim's plan, Remy. King's initial vision achieved only a fraction of its purpose. In addition to his own "Pineapple Weekly" and Zhu Hanwen's article in the entertainment section of "Famous Daily" clearly supported Remy. Jin's statement, other newspapers have brushed aside Ye Zi's "not doing business", and they are more focused on Ye Zi and Remy. Kim made a bet this time, and published articles for this purpose, explaining his views.

A large number of newspapers and periodicals, led by "Famous Newspaper" and "Pineapple Weekly", generally distrust the sales of Ye Zi's albums, and at least eight out of ten articles have such tendencies. They support Remy. Kim's opinion is that 5,000 to 10,000 CD sales should be the limit of this Chinese album. Their view is supported by the number of Chinese albums sold in the Hong Kong market in recent years, and since the mid-80s, no Chinese album has reached gold sales in two months for seven or eight years.

Such a number of support made them all confident.

Of course, there will be opposing opinions, although compared with the opposing opinions, there are not many people who support Ye Zi's album to win, but it is by no means a few people, these newspapers and periodicals are dominated by the entertainment edition of "Cheng Pao".

Because of the cooperation agreement that has been determined with Tantai Wenhui, and because of the exclusive report on Ye Zi's participation in the "Shencheng Spring" a while ago, the entertainment edition of "Cheng Pao" was in the limelight. As a die-hard fan of Ye Zi, Sima Minghui is of course at the forefront.

“…… For us fans, what moves us and makes us willing to pay for an album is definitely not the language, but the quality of the songs. As long as it is a really good song that can touch our hearts, we are willing to buy the album and treasure it at home.

Everybody is saying that Ethan's new album's "I'll Wait for the Flowers to Be Thanks" is a rare good song, yes, I don't deny that, and I love it. But after changing to Ye Zi's Chinese version, will such a "rare" good song become a bad song that cannot be heard?

I really can't understand this logic.

In addition, I also popularize one thing for those who hold such a view, you know this "rare in recent years" Cantonese song masterpiece, its songwriter is named Ye Zi, the arranger is also Ye Zi, and even the producer of the song Ethan is still Ye Zi.

I have no right to interfere with other people's decisions, but for me, on the first day of Ye Zi's new album on sale, I will be the first to appear at the sales site.

This is my solemn promise as a fan of Ye Zi - Sima Minghui!

What kind of album do fans need? This is a commentary article written by Sima Minghui as a fan on the entertainment page of Cheng Pao.

In the following days, Sima Minghui maintained the rhythm of one article a day, and successively published "Cantonese Songs and Chinese Songs", "What Happened to the Xiangjiang Record Market?" ", "Ye Zi in the eyes of a fan", "The significance of introducing talents like Ye Zi to the Xiangjiang music scene" and other articles. Compared with opponents who either borrowed the previous numbers to talk about things, or simply attacked Ye Zi and his albums, Sima Minghui's articles were much more profound in terms of ideas, angles, and intentions, and won unanimous praise from readers, and "Cheng Pao" also took the opportunity to once again make the limelight. The continuous publication of these articles not only provided great help for Ye Zi's album promotion, but also allowed Sima Minghui to completely confirm the status of the entertainment name of "Cheng Pao".

Sima Minghui and Ye Zi grew up together.

Within the camp of the opponents, it is not monolithic.

Professor Lei Ming, who was not optimistic about Ye Zi's album winning on the show, changed his attitude in the "Weekly Music Review" column published in the entertainment edition of "Famous Daily" the next day. Although he has not explicitly supported Ye Zi's victory in the article, his tendencies have quietly changed, and he no longer thinks that Ye Zi's album will definitely not be able to do this.

The following day, Professor Lei Ming published a column in the entertainment section of Cheng Pao, "A Week of Entertainment Review", and his attitude became clearer, and he wrote such a sentence in the article for the first time.

…… To sum up, I believe that the young Mr. Ye Zi has the opportunity to break this strange circle that has lasted for nearly a decade and make his own contribution to the development of Chinese albums in Xiangjiang. People believe that for our Xiangjiang song scene and Xiangjiang record market, the addition of more vigorous Chinese albums to the ranks of Cantonese albums and English albums is the most obvious symbol of the prosperity of the entire music scene and the entire market.

As a member of the Xiangjiang music scene and the Xiangjiang market, the contemptible people are looking forward to seeing this day really come.

……

In the media, you sang and I appeared, such a scene is what Ye Zi wants to see, and it is also what Wenhui wants to see. No matter what these newspapers and magazines say, whether they support or oppose it, this is a precious opportunity for Ye Zi when the album is about to be released and is in urgent need of popular support.

If it's really like Remy. As Jin envisioned, all the media collectively came to besiege Ye Zi's "unscrupulous business", which led to a big discussion between classical music and pop music, Ye Zi, who provoked this dispute, will definitely be in the center of public opinion, and many people will fire at him on the cusp, and if he is not careful, it will cause irreparable losses, which is obviously not good for the release of the album.

Audiences, readers, and listeners are surrounded by the media, and their actions are greatly influenced by the media. If the media is full of condemnation of Ye Zi, no matter how good the quality of Ye Zi's album is, people will turn around in their minds when they plan to buy it. The impact on album sales can be imagined.

Now it has also sparked a controversy, but for Ye Zi and his album, such a controversy is only good for his album sales, not bad. Just imagine, reporters, critics, musicians and even ordinary people can see the comments and sales forecasts of Ye Zi's Chinese album in the media at any time, as a member of the general public, it is natural to have a certain interest in this album.

People will wonder why a Chinese album from a new singer in mainland China would cause such a large-scale media discussion? Is this album good or bad? Is it really as bad (good) as they say? Will Chinese albums be good? And so on and so forth. In the end, these various ideas will inevitably lead to the following thoughts in the minds of some people: Am I going to buy an album and listen to it?

The concentrated discussion of public opinion will inevitably produce such a result, even if only one out of ten people will have such an idea, and only one of the ten people who have such an idea will put it into action, based on the population of tens of millions in Xiangjiang, it will have a great effect on the sales of Ye Zi's album.

Let's continue to imagine that if these 1 percent people buy the album and find that the Chinese album is not as bad as they originally thought, once this impression is generated, the impact on the future sales of the album will be even more immeasurable.

And Ye Zi's album quality is entirely possible to do this!

All of the above, combined with proper publicity, will have a snowballing effect on album sales.

Such an effect, of course, is what Ye Zi and Yutai Wenhui all like to see. (To be continued.) )