Chapter 348. The rise of the Chinese language!

In fact, as long as you are familiar with Yin Tianyou, you know that Yin Tianyou became famous by writing songs and singing from the beginning, and after becoming famous, he began to involve other industries in a bit of a serious way, especially in making movies, and it took a lot of thought.

Now, his career has turned things right and he has begun to release albums again, which immediately caused a sensation throughout Asia.

With such great anticipation, Yoon Tianyou's new album is finally on sale. The theme is "Journey to the West" and "Water Margin", so the name of Yin Tianyou's new album is called "Two Famous Novels"!

After the release of the new album, Liu Dehua, who is a friend of Yin Tianyou, first found Yin Tianyou's two albums to listen to. After listening to these two albums, Liu Dehua was shocked a lot, and what Yin Tianyou wanted to express may only be understood by him.

In one part of the new album, "I Am a Robber", Yoon Tianyou evolved a completely rebellious and maverick image based on "Water Margin", showing contempt for everything. This is purely a rebellion against the entire real world, and in Yin Tianyou's eyes, this is not a beautiful world at all. And in such a world, it is only appropriate to be a robber, and good people are always just the object of bullying. However, despite the fact that he keeps saying that he is a robber, Yin Tianyou's image is not the kind of bad image, but has his own ideas and principles, so his music is a very intense style, but it is not prohibitive.

Through this album, Liu Dehua can fully imagine that people who like Yin Tianyou's style will definitely be influenced by Yin Tianyou. From this point of view alone, Yoon Tianyou's influence has surpassed that of top pop singers.

And the second part of Yin Tianyou's new album is even more extraordinary. If the first part is just the outward appearance of a rebellious young man, then this part goes deeper into the heart.

In this part. Yin Tianyou also integrated the story of "Journey to the West" into it, and his title song "Little Demon, Little Demon" incarnated as a childlike little monster. sang a very interesting story eloquently, singing innocence and fun.

Of course, Journey to the West not only has demons and monsters, but also a touching emotional story in Journey to the West and Journey to the West. So much so that on the surface, this part belongs to the love song album, but in fact, every note and every lyric shows a kind of emotional yearning and despair at the same time.

But this is not all of this album, in this album, there is still the imprint of Yin Tianyou's previous albums, even if he is emotionally unwilling, even if he is so persistent in his feelings. But he never gave up on his beliefs and pursuits. The whole album seems to have two lines, one is disappointment in feelings, the other is persistence in one's beliefs, and the second line seems to be very vague, but to Yin Tianyou's ears, no matter how weak it is, the voice is stubbornly expressed in every song.

This is Yin Tianyou's own understanding, in fact, it is impossible for all people who listen to the song to have such strong feelings. And when it comes to the best-selling of this album, we have to mention Yin Tianyou's talent. No matter what he wants to express, at least in terms of form, Yin Tianyou is absolutely not out of the category of pop music, and the music he makes is absolutely fresh when people listen to it, and still feel very flavorful after listening to it a few more times.

In the title song of the entire album, "Swan Song". Yin Tianyou's style of lyrics and songs, as well as his bold and unique innovations, amazed Liu Dehua.

One point in particular. The style of this album is quite similar to Liu Dehua's previous "Ice Rain", but it is higher than "Ice Rain" in terms of realm. Liu Dehua's "Ice Rain" is a pure sadness. It's unbearable to hear, although Liu Dehua tried his best to reduce this sadness. But it is still impossible to escape the style of being too sad. And Yin Tianyou's songs are different, although the sadness is the same, but because Yin Tianyou shows his stubbornness and the emotion of not giving up and firmly following his own path, the sadness is another flavor.

After listening to this album, Liu Dehua had a further understanding of Yin Tianyou, and vaguely admired this friend from South Korea. Especially when it comes to the emotion of music, Liu Dehua admires his freedom and perseverance, and at this point, Liu Dehua feels that Yin Tianyou is far more perfect than him.

However, this is also Liu Dehua's self-indulgence, in fact, his situation is different from Yin Tianyou, which cannot be compared.

As an evergreen tree in the Chinese music scene, it is absolutely not accidental that Andy Lau has been able to stand in the music scene for more than 30 years, but because he has been in the music scene for too long, Andy's songs have fixed the pattern, and it is impossible to innovate anymore, and even if there is, the amplitude will not be too large. And Yin Tianyou made his debut in South Korea, he became famous by singing Korean songs, and now he has come to the mainland to develop, in addition to the new Chinese album, not only must have confidence and perseverance, but also need to have the ability to absorb the essence and embrace all rivers, Yin Tianyou has done a perfect job in this regard. It is precisely because he has inherited all the advantages of Korean music and Chinese music that he can find his own path in music, so that his works will always have a unique imprint.

Specific to Yin Tianyou's Chinese album, it also touched Liu Dehua a lot. In his view, the prosperity of art requires works of various forms and styles, and the so-called blooming of a hundred flowers is spring. And Yin Tianyou's songs are definitely a unique and brilliant one in the music garden.

With such feelings, Liu Dehua has more ideas about his upcoming tour. In his original idea, he wanted to take this opportunity to express his research on traditional Chinese music, so he was going to adopt songs in a purely Chinese music style. In terms of form, he didn't think too much about it, and he was still ready to adopt the usual concert practice. However, with Yin Tianyou's performance in this regard, his idea was taken to the next level, and he decided to make some innovations in the form. No matter how good a person is, no matter how hard he works, it is always monotonous, and he wants to make the concert richer and more lively.

The style of the music is still according to the original idea, that is, it is to be purely Chinese, but in terms of form, Liu Dehua has decided to break through the trap of simply singing songs in a concert. His mind drifted far away, there are many aspects of Chinese culture, not just music. It's not just drama, it's all about it. They all need to be inherited, carried forward and developed. With such an idea, Liu Dehua decided to learn from Yin Tianyou's idea. Make your own concert in the form of a stage play.

Of course, when it comes to songs, it's still absolute pop music, but unlike other people in the past and even Lau's own concerts, these pop music will revolve around a theme and show a story. In other words, each song alone is a pop song, but so many pop songs are not simply a mix, but to form a complete story.

Be optimistic. This format does not make people feel dull, and it can maximize the content of the concert.

In his opinion, there are not only traditional opera programs to choose from, but also the four famous novels shown last time, and even some modern classic martial arts novels can also be used. Thinking about it this way, Liu Dehua himself thinks that the concert will definitely be interesting.

However, as soon as the content is rich, it seems that it is a bit insufficient to rely on Liu Dehua alone. So Liu Dehua suddenly thought of his original idea, and decided to pull all the good friends around him, and even Liu Dehua did not rule out that the four heavenly kings could be on the same stage - yes, in order to show the art and charm of the song. And why bother with those old accounts that are about to stink.

Thinking of this, Liu Dehua couldn't help but smile, there was no doubt about it. Yin Tianyou's album undoubtedly gave Liu Dehua a good inspiration. It made him take a bigger step on the road of music.

……

Meanwhile. Park Jin-young, president of JYP Entertainment in South Korea, is also reviewing Yoon Thien-woo's new album.

Although the album is made in Mandarin, it must not detract from Park's research on it.

As a star in the Korean music scene, Park Zhenying is very good at studying music, whether it is European music, South Korea, Hong Kong, or even Japanese songs, Park Zhenying can think about it thoroughly.

But this time, Park Jin-young looked at Yoon Tianwoo's album and was silent for a long time.

If Yoon has not shed the deep-rooted music culture from South Korea in the past, now Yoon has broken this shackle.

is like a young man who studied art in Shaolin Temple, Yin Tianyou was born in Shaolin, so no matter how you look at it when you go to the rivers and lakes, it is from Shaolin Temple, full of Korean entertainment flavor. But now, Yin Tianyou has digested and absorbed what he learned from the Shaolin Temple-JYP and formed his own style, and this style is so integrated with Chinese music, especially Chinese culture, that even Park Zhenying is a little ashamed.

No way, South Korea is too small, no matter what you create, where the cultural foundation is, you can't break free from the shackles.

In contrast, China is rich in land and resources, and Yin Tianyou can absorb more nutrients there and create more profound works.

For example, this new album in front of you.

Perhaps, I'm really old.

Park Jin-young let out a sigh.

……

Mr. Yoon, who is in the mainland, had no idea what a sensation his new album had caused in China and South Korea.

But one thing is certain, and that is that my friends and family keep calling from both places to congratulate them.

Congratulations on what?

The album is a big hit!

It is said that in just half a month, 50 million copies have been sold in Asia, not counting Europe and the United States.

As a purely Chinese-language album, it is not uncommon for it to sell well in the mainland, but it is strange that it can sell tens of millions of copies in South Korea, Japan, and Singapore, Malaysia and Thailand, which is incredible.

What's more, it is said that countless Yin Tianyou's fans even consciously and spontaneously began to learn Chinese in order to understand what Yin Tianyou sang in the song. Especially in South Korea, it is said that Chinese teachers are so sought-after that many students who have only studied for a year or two have turned around and become teachers......

Seeing such a scene, even the Korean tourism department sighed that in the past, Koreans learned Chinese mainly to receive Chinese tourists, but now, it is actually to listen to songs!

The hot sale of Yin Tianyou's Chinese album caused the Korean music market to launch a major earthquake, and the source came from the ace group TVXQ of S-M company, and it also released a Chinese album called "Perfect"!

TVXQ ostensibly said that the main purpose of creating this album was to give back to the vast number of Chinese fans who like him, but smart people know at a glance that TVXQ released this album mainly to see Yin Tianyou's eyes, and he was very red-eyed.

Your grandmother's, 50 million, is still soaring, and according to this momentum, it will break 100 million sooner or later!

The album broke 100 million. What is this concept?

In a place as small as South Korea, I don't dare to think that only a big country like China, with a population of 1.4 billion, will have such a miracle.

I have to say that TVXQ's idea is correct, not to mention the music industry, even the focus of the film industry is shifting to China, don't you see that even Hollywood has begun to create specific movies for China?

But this situation has made many Korean musicians feel a sense of loss, the Korean music that originally spanned Asia is no longer brilliant, and even the pride of South Korea has begun to sing Chinese songs, what is this situation?

Alas, a share! Our Hallyu that Zeng Jing is proud of!

The rise of China's entertainment power has completely destroyed the Korean Wave that originally swept Asia.

……

How did Yin Tianyou know that South Korea, where his career was rising, had such a tragic mood, he was in the mainland, immersed himself in work, and spared no effort to build Tianyi Media into an upstart in the entertainment industry in the mainland. At the same time, with the passage of time, Yin Tianyou's two shortlisted dramas for the Hong Kong Film Awards, "Touching the Golden Captain" and "Journey to the West", were both recognized, so Yin Tianyou had to temporarily put down his work, as well as the new script to be developed, and flew to Hong Kong alone to participate in the annual Chinese film event - the Academy Awards Ceremony!

Although Yin Tianyou grew up in South Korea, he likes to watch Hong Kong movies very much, and can be said to be the most loyal audience of Hong Kong movies. Therefore, he is also very clear about the history of the Hong Kong Film Awards.

The Hong Kong Film Awards was founded in 1982 by the Film Fortnightly, and it was not expected that the Awards would become the most important and authoritative film event in the Hong Kong film industry in the future. It has not only become the "Oscar" in the minds of Hong Kong filmmakers, but also the most concerned event in the Chinese film industry, and there are countless Chinese people behind it.

Compared with many film awards in mainland Taiwan and the Hong Kong Film Awards, although there are some geographical restrictions, because of the lack of a certain consciousness and form of bonding, they can often focus more on the balance between business and art in the evaluation, so the general Academy Awards can include most of the excellent works and characters.

If you have to compare, Hong Kong's Film Awards are somewhat similar to South Korea's Blue Dragon Awards, which attach great importance to both art films and commercial films, so in the shortlisted works, there are often scenes of art films and commercial films fighting in the ring. For example, in 2014, Wong Kar-wai's "The Grandmaster" PK "Fierce War" is a very interesting example. (To be continued.) )