Chapter 161: Walking

An Shunjie's luck was a little worse.

He was the No. 4 player tonight, right behind Liu Feifei. When he came on the stage to sing, Mei Yanfang's excitement of accepting apprentices on the spot had not yet passed, and the audience's minds were still on what had just happened.

An Shunjie on the stage had already raised the microphone and was ready to start singing, and the audience was still discussing the topic with each other with great interest, and few audience members paid attention to the game that had continued.

When the host announced An Shunjie on the stage just now, there was very little applause in the audience. This situation caught the on-site director off guard, and when he wanted to take charge again, the time had passed, An Shunjie had already played, and it was too late.

Therefore, An Shunjie walked on the stage alone and coldly, looking particularly depressed. You must know that when the first three players came on the field, the applause of the audience was still very warm.

An Shunjie's heart was very uncomfortable.

During the game, the applause of the audience when the player comes on the field is just a polite act of welcome, and the amount of applause does not represent the player's singing level.

This is common sense, and An Shunjie also knows it. But at this moment, An Shunjie doesn't think so.

When others came on the field, they all applauded and welcomed, why didn't they have their turn? A feeling of being ignored suddenly crept into his heart.

An Shunjie felt that he had been treated unfairly.

No way!

Why?

I can't just leave it at that!

I must sing these two songs well, so that these blind audiences can realize how powerful I am An Shunjie!

In his heart, An Shunjie said silently.

At this time, the prelude had already walked to the place where it was singing, and the two chasing lights were also aimed at An Shunjie's face at the same time, and the strong light made him squint his eyes slightly.

An Shunjie took a deep breath, opened his eyes wide, and raised the microphone in his hand.

In the judges' seat.

Since An Shunjie stepped onto the stage, Chen Junjia sat up straight and focused his attention on him. This is not only because An Shunjie is one of the only two players in Guangdong Province. Because of An Shunjie's performance in the semi-finals, Chen Junjia noticed this young man with a good voice, singing skills, and appearance. Compared with Wu Lili's arrogance, the humble An Shunjie is more in Chen Junjia's eyes.

Chen Junjia had the heart to push him.

Chen Junjia himself became famous in China through the National Young Singer Competition in 88, and he certainly knows the significance of the results of a major competition for a young singer. Since An Shunjie has made unremitting efforts. has already stood on the stage of the finals, if the conditions allow, Chen Junjia does not mind helping him during the game.

Four years ago, Chen Junjia sang "Love in the Hometown" and won the championship of the National Youth Singer Competition, if An Shunjie can also sing this song "Love in the Hometown" and win the championship of the singer competition in the three places. This will definitely be a legend and a good story in the Chinese music scene.

Two champions in one song, isn't it?

This is Chen Junjia's little selfishness. Of course, in the current situation of the finals, in Chen Junjia's own concept, this 'condition allowed' also has a bottom line, that is, An Shunjie's on-the-spot performance in the finals.

At the very least, let's be famous.

This is Chen Junjia's consideration.

After the Jin Bowen incident, these judges in the finals all cherish their feathers very much, and they will not go into battle shirtless like Jin Bowen again.

Listen to the familiar intro music in your ears. Chen Junjia's attention was more concentrated, and he knew that An Shunjie's singing was about to start.

I've walked through mountain after mountain

After a river

Another ~~~ babbling ~~~

Jiang Luo

Well? How? The parallel voice is on the high side.

As soon as An Shunjie spoke, Chen Junjia's brows immediately frowned slightly. When An Shunjie sang the second sentence of 'babbling' falsetto, Chen Junjia's hands lightly paused on the table, sighed, and leaned his back back into the chair, disappointed in his heart.

He knew that his little caution would not be realized.

In the opening paragraph of "Love in the Old Garden", the composer chose the style of folk songs. It begins with an ascending melody of 6665 with a seventh interval from low to high (lala-la-soprano). Judging from An Shunjie's performance in the semifinals, this melody should not have been his problem, but just as Chen Junjia heard, An Shunjie didn't sing this seventh interval as soon as he came up. He sang the upward '5' (treble vercodia) a lot higher.

If the interval relationship is wrong, it will be difficult to guarantee the pitch of the singing. However, if the contestants have strong adjustment skills, have a good intonation concept, and can quickly find the right intonation, there is still a chance to sing in the future.

When the falsetto of 'babbling' is sung. Maybe An Shunjie had already heard the tone of the previous sentence and wanted to try his best to correct his pitch. But then he made a second mistake. Originally, his pitch was already on the high side, so he should try to relax his voice and carefully find the pitch before singing. An Shunjie worked harder on the processing of falsetto, which made the originally high pitch a little higher, and the distance from the standard pitch was even farther.

At this time, according to the principle of inertia domination of singing, the tone of An Shunjie's entire song is inevitable.

Sure enough, in the fast-paced song part later, An Shunjie completely lost the correct concept of pitch, and the whole singing deviated from the standard pitch.

Such a serious mispronunciation is absolutely impossible to hide in the ears of the judges.

On An Shunjie's back, cold sweat was dripping.

In fact, the misalignment in singing is an extremely common phenomenon, and it is not a particularly serious mistake.

When the singer is singing, it is inevitable that the tone will occasionally go out of tune. In the studio, it can be repaired repeatedly, and the situation is slightly better, but when singing live, the situation is even more serious. Even if the strength is as strong as the king and queen, the sound in the concert abounds. It was only after the popularization of computers in the decade that easy-to-use sound correction software appeared, and when making records, the singer's singing could be trimmed note by note, and the final product could hardly be heard. But the sound of the concert is still not uncommon.

Let's not talk about the merits of the sound editing software, at least its appearance has made the pitch of the singers in the record reach a very high standard.

But now, in '92, even the sound of the album record can be heard everywhere, and the phenomenon of the sound out of the live singing is really nothing to make a fuss about.

Of course, the occasional mispronunciation here refers to conditions that are not serious. If a singer sings a note with a pitch of 4 (hair) to a 5 (fu), it is a serious note out of tune under any circumstances and is absolutely not allowed.

However, it is also out of voice, and the situation is different.

Most of the phenomena of the singer's singing are on a certain note in a melody, and they are basically fleeting, and the audience (listeners) will not pay attention to it. Even if the audio recording is recorded, you won't notice it if you don't listen carefully.

When the judges are scoring, they will not deduct points for the singer's unrelated and less obvious voices.

An Shunjie's situation is different.

This movement of his voice is called parallel high (low). It means that the melody sung by An Shunjie is above the standard pitch as a whole, and forms a 'parallel line' with the standard pitch, so it is called 'parallel high (low)'.

This kind of sound movement cannot be ignored, and it belongs to the most serious kind of sound walking. When recording, such a movement will definitely be re-recorded, and when it comes to the competition, the judges will never show mercy to such a movement.

The reason is simple.

Occasional mistones do not affect the overall effect of the phrase, and it is a minor flaw in both the interval and the harmonic relationship. This is not the case with high (low) parallelism, which will seriously affect the interval and harmony of the phrase, and the whole phrase will sound completely dissonant.

That's absolutely not going to work. (To be continued.) )