Chapter 162: Unparalleled in the World
Especially like the talent in front of him, so many Jinshi are here, everyone can come up with one or two good poems, if Qin Xiu casually recites a poem, I am afraid that he will be laughed at for a long time.
But just now, Qin Xiu had successfully stolen Weng Wenmao's top-level poetry skills, coupled with the optimization of the system, Qin Xiu's actual poetry writing ability far exceeded that of most people here, and even Weng Wenmao, the strongest here, was three points worse than Qin Xiu.
Qin Xiu's ability to compose poetry at the moment is simply casual, and he becomes a poem in seven steps, which is unparalleled in the world......
At least there are few people who can compare with it at the moment, he knows that the princess Qin Tongxuan is unwilling to show her face, and it is indeed inconvenient to show her face, so he had to smile and say:
A few days ago, I accidentally saw a biography written by the ancients, and I couldn't help but think of a poem in my heart, and I would like to comment on one or two................................................................................................................................................................................................
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Artistic-cultural nouns are modified to name items
Category: Vocabulary
Art, in ancient times, referred to various skills such as the six arts and the number of techniques; Refers specifically to menstruation. The words of "The Book of the Later Han Dynasty: The Biography of Fu Zhan": "In the first year of Yonghe, Zhao Wuji and Yilang Huang Jing corrected the Five Classics of Zhongshu, Zhuzi Baijia, and Zhushu. “
Chinese name
art
Foreign language name
Art
conception
Refers to a social ideology that is more typical than reality
Pinyin
yi shu
Famous artist
Zhao Ji, Liu Songnian, Zhao Mengfu, Qi Baishi, etc
directory
1 feature
2 types
3 Theory
4 genres
Features of this paragraph
The unity of image grasp and rational grasp
Image, that is, aesthetic image. In a broad sense, it includes aesthetic situations and artistic conceptions, mainly referring to vivid, specific and perceptible images of people and things that can arouse people's thoughts or emotions in artistic activities. Image is the unique mode of existence of artistic activities, and a work of art, as a product of human spiritual production, depends on a certain material carrier, and it must be intuitive, concrete, and perceptual existence that can be directly perceived by human senses. Image is the basic element that constitutes a work of art, so each artistic image must appear in a specific perceptual form, and truly express the external form and internal characteristics of people, things, scenes, and things in life, with flesh and blood, sound and color, so that people have a vivid sense of reality. The artistic image is the result of the artist's understanding and experience of life, and is the crystallization of the artist's aesthetic consciousness, so the artistic image has the freshness and concreteness that the artist grasps when examining and experiencing life, and can feel and grasp the color, line, sound and action of the artistic image through people's visual, auditory and other senses, giving people the aesthetic feeling of hearing its voice, seeing its person, and being there.
The artistic image runs through the whole process of artistic activities. In the process of creation, the artist is always inseparable from the concrete image. Just as Zheng Banqiao painted bamboo, his observation and experience of the image of bamboo began with "bamboo in the garden" and "bamboo in the eye", and the artistic conception gave birth to "bamboo in the chest", and the grinding inkstone exhibition paper was disguised and finally completed the "bamboo in the hand", which shows that the image of bamboo has accompanied the whole process of painting bamboo from beginning to end. Artists not only never depart from vivid and concrete images in the process of creation, but also create works of art that must show concrete and tangible artistic images, and impress every viewer with their strong artistic appeal. Therefore, the process of art appreciation should also trigger the appreciation of the situation and artistic conception in the work through the feelings of the artistic image. This is enough to show that the image runs through every link of artistic activities, and the image has become the most basic feature that distinguishes art from other social ideologies, and it is also a special form of art reflecting social life, and it is the aesthetic creation of the creative subject's instantaneous comprehension of the object. It is perceptual, not inferential, experiential, not analytical.
At the same time, the creation of artistic images cannot be separated from rationality, and the images in art are meaningful images, which are images that penetrate the artist's profound rational thinking. It is not a random copy of the objective picture of life, but the externalization and manifestation of the artist's understanding of life, his attitude towards social things and his rational understanding through selection, processing and integration. Mr. Lu Xun once said: What the painter paints and the sculptor sculpts "is a painting and a statue on the surface, but in fact it is the expression of his thoughts and personality." In addition, the rational thinking of artists engaged in creative activities plays a pivotal role in grasping the atmosphere of the times, selecting materials and themes, conceiving themes and plots, and selecting forms of expression. Artistic activities are the organic unity of image grasp and rational grasp.
The unity of emotional experience and logical cognition
The emotion in art is the aesthetic emotion, which is a non-utilitarian emotion with universal human nature. Emotions are one of the important factors in the generation, creation and reception of artistic motivation. At the same time, emotion is a fundamental element of artistic creation. Artistic activities are always accompanied by emotions, which are the specific psychological manifestations of desires, interests, and personalities, as well as the value judgment of whether the object can satisfy its own desires. The Russian writer Leo Tolstoy once pointed out in his "On Art" that literary and artistic creation is an artistic activity in which an artist "evokes the feelings that he has experienced in his own heart, and after arousing these feelings, he uses the images expressed in movements, lines, colors, sounds and words to convey these feelings, so that others can also experience the same feelings--- which is an artistic activity." "Emotions dominate the whole process of artistic activities, and run through the entire psychological process of artistic creation. The "feeling" in artistic activity is governed by the desire for "enjoyment", and is always attracted by the color and sound of the object that can cause its own pleasure; The "perception" in artistic activities often selects and processes objects according to the needs of emotions, and selects and "judges" objects according to emotional schemas. The "imagination" in artistic activities creates an image that conforms to one's own emotions and purposes according to the direction of the subject's emotional requirements. "Understanding" in artistic activities is often a kind of personalized recognition and perception, through which a deep understanding of life and the meaning of life is obtained, which is undoubtedly an activity full of emotions.
The artist's emotions are often fully displayed through the artistic image, the artist reflects life, depicts the artistic image, is by no means indifferent and indifferent, but condenses his thoughts and emotions, loves and hates, praises and dislikes, and permeates his aesthetic taste and aesthetic ideals.