If we look closely, we will find something wonderful all around us.

For example, when we are in a noisy environment as an observer, and many people are talking at the same time, it is generally difficult for the observer to hear what a specific person is saying. Because loud voices "bury" the person's speech, it is difficult to hear what the observer is saying unless he is very close to that specific person.

Lip interpretation certainly doesn't count.

However, there is also a common peculiarity in such cases, where one or several people in the crowd speak easily and are not louder than others.

If the person mentioned earlier and the person mentioned later are placed in the same noisy environment, the volume of the voice of the two people is the same, and the distance between the observer and them is also the same. At this point, it will be found that the observer of the previous person's speech cannot hear clearly, while the observer of the latter person's speech can easily hear clearly.

Isn't it wonderful?

In fact, this is the result of different results due to the different penetration of each person's voice.

Ye Zi is facing the same situation as the previous person in a noisy environment. He tried to increase the penetration of his voice, to make his voice like the latter, to penetrate from the noisy environment.

Not only for others to hear, but more importantly, for yourself to be able to hear clearly.

This may seem like a simple thing, but it's actually very difficult to do, especially in the short time of ten seconds before the performance.

The penetrating power of singing is related to many factors, such as the timbre of the voice, sound quality, vocal skills, vocal position, resonance position, resonance application skills, and so on. For singers who have undergone strict vocal training, these singing skills have basically been fixed, which means that the penetrating strength of the singer's voice has also been fixed. It's hard to change in a short period of time.

Ye Zi's singing skills are almost complete, and it is also difficult to change in a short period of time. However, Ye Zi could try to change other things.

This other thing refers to the overtones when singing.

The so-called overtones refer to the faint sounds that are made on top of the basic sounds.

When two small bells collide with each other, they make a "ding" sound. But the sound doesn't stop after the "ding" sound. Rather, there will still be a small continuation of the sound that we can hear.

The sound of "ding" is the basic sound.

The small sound that follows it is called an overtone.

Overtones are one of the most important components of sound penetration, and Ye Zi's idea is to hit the overtones.

The concept of overtones is most commonly used in the playing of musical instruments. Whether it is Western instruments such as violin and guitar, or national instruments such as flute and erhu, the rich overtones are one of the reasons why people love these instruments.

In song singing, the concept of overtones is generally not involved, but more involves the secondary derivative technique of overtones - vibrato.

But now. If Ye Zi wants to enhance the penetration of his voice, he must start from the singing overtones, so that his voice has more powerful and richer overtones, so as to enhance the penetration of the voice.

The strength of overtones is one of the concrete manifestations of sound penetration, and it is the most important one.

Ye Zi's method points to the roots.

In order to achieve the ultimate goal of enhancing penetration by adding overtones, the first thing that must be done is to have perfect vocal skills.

This. Ye Zi has no problem.

Secondly, the basic sound must be extremely solid. Only on the basis of a solid foundational tone. An increase in overtones is possible.

This point, Ye Zi can still do it perfectly.

Thirdly, the formation of overtones is mainly produced by sound oscillations. Therefore, in order to get richer and more powerful overtones, a higher frequency of sound oscillation is also necessary.

This is what Ye Zi wants to try to do. Moreover, it must be done in a short time.

But how to go about it?

Ye Zi is not only a reborn. He also has a hidden identity - a cultivator.

The daily transportation of true qi carried out by a cultivator is similar to the breath control, breath movement, and breath support during singing.

This makes Ye Zi's breath when singing almost endless, and he can also manipulate his fingers freely in terms of control.

This is a ** treasure when Ye Zi sings, and other singers can't compare it in any way.

Right now. If Ye Zi wants to get a higher sound oscillation frequency to increase the overtones and enrich the overtones, he still has to rely on the precise control of the breath.

This must be done with the help of cultivation.

In his previous life, Ye Zi had tried such a method, but several attempts almost ended in failure, but the method was mastered.

Nowadays, even a dead horse has to be tried as a live horse.

After determining the direction, Ye Zi started to act without hesitation.

Ye Zi quickly attached the true qi to the vocal cords, forming an extremely thin protective film. The increase in the frequency of sound oscillation means an increase in the load on the vocal cords, and without the protection of this layer of true qi, Ye Zi's vocal cords will not be able to support such a high-frequency oscillation.

That's why other singers can't try. Without such protection, once you try, the result is likely to be a tear of the vocal cords? Crack.

Immediately afterwards, Ye Zi accurately controlled the amount of breath in the vocal cords, and at the same time used the vibration of the breath to drive the vocal cords, so that the vocal cords vibrated more violently when making sounds.

Whew~~~

The sound of "wolf howl" came from afar, and Ye Zi only felt that his vocal cords felt like he had been caught, and he almost coughed out.

This frequency is certainly not right.

Then come again!

Woo woo ~ ~~

Another burst of tearing? It was uncomfortable, but the sound still hadn't changed much. And even if the vocal cord position was protected by True Qi, the load on it greatly exceeded Ye Zi's original prediction.

No way!

If you continue like this, you don't wait for singing, and your vocal cords are already overwhelmed. The human vocal cords are still too delicate to withstand too many oscillating frequencies.

In his previous life, Ye Zi failed at this juncture.

What to do?

What to do?

Ye Zi has a little headache!

This solution to the problem is certainly correct, but the difficulties faced are also difficult to solve for a while.

If you withdraw now. There will definitely be no problems with the vocal cords, but there will be no change in Ye Zi's situation. I can't hear the details of my singing clearly, what the concert of these two songs will look like, Ye Zi himself can't guarantee it.

However, if the test continues, the load on the vocal cords increases again, even if it is protected by true qi. Ye Zi also can't guarantee that there will be irreparable damage to the vocal cords.

Ye Zi was in a dilemma.

At this time, Tang Nu's two-bar drum flower had already been played, and the prelude music had officially sounded, and Ye Zi still had a short twelve bar of time, which would not exceed fifteen seconds.

Calm down!

Calm down!

Ye Zi secretly told himself, and at the same time began to quickly analyze the situation.

The vibrations of the vocal cords cannot reach higher frequencies, and that is because the vocal cords are fleshy after all, and they must have an insurmountable limit.

So, what if you don't use the vibrations of the vocal cords?

Don't use vocal cords?

Hey? This idea has never been tried. Will it work?

If you don't use vocal cords, then what?

Vibration of the larynx?

No way. The larynx is also fleshy, and it also has an insurmountable limit.

Resonance?

Now the resonance of the individual chambers has been maximized and cannot be increased.

What exactly is it used?

Anyway, just give it a try.

Whew~~~

Ye Zi withdrew the layer of true qi attached to his vocal cords, and wailed casually. Who knew that this time the voice was sharp, and it directly "drilled" into Ye Zi's ears. Since Ye Zi took the stage, he heard the details of his voice clearly on the stage for the first time.

Well?

How did this sound come about? Try again.

Ye Zi immediately wailed again as he did just now. The voice returned to its original appearance.

Four measures have passed in the prelude, and there are still eight measures left in the end.

Calm down!

Calm down!

Ye Zi kept telling herself.

The one in front is the same as the one in the back. But the effect is completely different. Is there any difference between these two?

Distinguish?

The first sound is made after the protection of the True Qi is removed, and the second sound is another test. What's the difference between the two?

Remove the true qi?

That's right, it should be true qi.

As soon as he thought of this, Ye Zi immediately tried again.

A thin layer of true qi was attached to the vocal cords again, and then Ye Zi slowly withdrew his true qi while howling again.

This time. His attention was not on how to make a sound, but on the true qi that was slowly withdrawing.

As soon as the sound sounded, the true qi that was slowly withdrawing began to oscillate at the same time, driven by the oscillation of the vocal cords.

Another penetrating "wolf howl" that was a little harsh "drilled" into Ye Zi's ears again.

Ye Zi quickly carried the evacuated True Qi back and returned to the surface of his vocal cords again. But this time. The True Qi did not completely attach to the vocal cords, but left a slight distance.

The prelude has reached the beginning of the ninth measure, and there are still four measures left, in the blink of an eye.

Ye Zi calmed down, once again accurately controlled the distance between his true qi and his vocal cords, and took a deep breath.

There was no time to experiment with the most suitable distance between the two, Ye Zi had to do one last test immediately, and the singing was about to start.

Even if this experiment is not successful, Ye Zi has already found an opportunity and method to make further breakthroughs in his singing skills. Such a harvest is by no means comparable to the championship of a competition.

However, Ye Zi's heart still hopes that this experiment can be successful. This will be the best means for Ye Zi to fight back against the black hand.

Whew~~~

A somber and desolate "wolf howl", with the majesty and heaviness of the land of King's Landing, shook and swirled in the studio hall.

Ye Zi, who was on the stage, finally showed a shallow smile on his face.

The right foot stretched forward, and then the body turned around with the left foot as a shaft, and the microphone in his right hand was raised, and Ye Zi was ready to start singing.

The third item of the desperate difficulty: the microphone volume is reduced, and the listening back is turned off.

It's finally broken! (To be continued......)