Satellite live broadcast, only Shaanxi Satellite TV and some local stations in Shaanxi Province can be watched, and the special program "Tan Zhang Huashan on the Sword" produced by "Open Altar" will be edited and broadcast when the next episode of "Open Altar" is broadcast.

However, it was this live broadcast that made the monitoring background of Shaanxi Satellite TV see the ratings figures, and it reached 20% of the provincial ratings, far exceeding the normal ratings of Shaanxi Satellite TV in the same time period.

When arranging seats at the main venue of the sword, Wang Weilin received this set of numbers, and said to Zhang Tan very excitedly: "The ratings of the live broadcast have reached 20 o'clock, which means that one-fifth of the viewers in the province are watching this live broadcast. This Huashan debate has unprecedented influence. ”

Wang Weilin has reason to be excited.

Shaanxi TV planned this special program of "Open Altar", and also worked with the Provincial Tourism Bureau to close the Huashan Scenic Area, and the manpower and material investment for the live broadcast exceeded three or four million yuan. With so much money, it's enough to make a TV series, Shaanxi TV is not a big station, and it hasn't been so generous for a long time.

The column group values Zhang Tan's fame and the influence of Tan-style martial arts, hoping to improve the grade of the "Open Altar" program and the tourism quality of Shaanxi Province through Huashan's sword.

The most intuitive result is the ratings of live programs.

If the audience is indifferent, it means that this event is pure nonsense and a waste of time. The investment of millions of dollars has been wasted, and it is uncomfortable for anyone to feel uncomfortable, especially him, the deputy director who has taken on an errand.

Now the results are satisfactory.

The 20% rating has completely exerted the influence of this live broadcast. I also really saw the appeal of Tan Zhang, the king of writers, young leaders, and martial arts masters who are famous in the Chinese world.

It's sure to be a successful event planner.

Contrary to Wang Weilin's excitement, Zhang Tan heard this ratings number. I didn't think much of it. It's just a simple response to the word, and then I turn my head and forget about it.

for their own appeal. Zhang Tan is very clear.

He is not an ordinary writer, and there is a professional copyright operation team behind him to help him run his business. Zhang Tan, who is deeply affected by big data in the future, asked Luzhou Studio to formulate big data information about various copyrights of Zhang Tan and his novels very early.

Big data is a very common word in the future, and many companies are engaged in big data. Through big data, we can intuitively reflect problems and predict the results of the plan.

For example, Zhang Tan's novels, how many copies of each book are sold, and where readers buy more. Which age group of readers buys more. With such a set of data, the future publicity work can be appropriately adjusted and more targeted to the potential customer group.

This is only one aspect of big data applications, and it is not precise enough at the moment, but it is important enough to serve as a reference.

The big data of Zhang Tan's participation in the show has also been recorded.

The current ratings of "Interview with Yang-Lan" can squeeze into the top ten of the show in 2005, second only to the ratings of interviews with several celestial singers, celebrities and heavyweight dignitaries.

The current ratings of "Art Life" are the highest ratings of the show this year. The ratings for the replay were also much higher than those of other episodes. The interesting confrontation between Zhang Tan and Zhu Jun is one aspect, and Zhang Tan's appeal is also one aspect.

It is not an exaggeration to say that he is a well-known national-level male god.

It is not an exaggeration that Huashan Lunjian can achieve such high attention and ratings. Within Zhang Tan's expectations.

At this time, he was more concerned about the upcoming sword.

live broadcast, you can't lose your talented demeanor, you have to prepare some wonderful lines early. Quietly, it comes in handy.

I can't learn to play the attributes of the joker in the past, this is an academic exchange after all. Be more rigorous and serious.

……

It's long, but it's fast-paced.

Thirty chairs were full. Among them, there are ten people in a circle, namely the two hosts Wang Tao and Li Lei, Tan Zhang, the protagonist of the sword, Zhang Weishen, the martial arts director, Wang Luxiang, a professor at Tsinghua University, Yan Jiayan, a professor at Peking University, Kong Qingdong, a descendant of Confucius, Wei Minglun, a ghost genius in Bashu, Yang Zhengguang, a swordsman in Guanzhong, and Sima Nan, an anti-counterfeiting expert.

There are 20 people left, including Wang Weilin and other entourage, several media reporters and several fan representatives. As for the previous large number of reporters, they were all arranged to go to a small pavilion on the north peak to watch the live broadcast, and the peak was too small for their place.

Wang Luxiang is the on-site host of the main venue of Huashan Sword Debate, and he began first: "Tan Zhang described Huashan Sword Discussion three times in the Condor Trilogy, which is his three different understandings of the martial arts realm, one of which is the in-depth and progressive understanding. The first Huashan sword ...... The Second Huashan Discussion on the Sword...... The Third Huashan Discussion on the Sword...... This description shows Tan Zhang's thinking about a certain realm in martial arts. ”

Rory is a big deal, mainly to say that Zhang Tan wrote three times that Huashan on the sword is very hanging.

This is the opening remarks of today's sword discussion activity.

After Wang Luxiang's exuberance, the topic gradually opened, ten people came and went to discuss martial arts, discuss martial arts culture, discuss the status of chivalry in the hearts of Chinese, discuss the characters and love in novels, discuss the combination of martial arts and history, and discuss the humanistic care behind it.

Wei Minglun asked Zhang Tan: "Lu Xun has a novel "Casting the Sword", which talks about happiness and enmity, what is the connection between this and your 'Huashan on the Sword'?" Is there a difference? If so, where is the difference? ”

"Casting the Sword" is a novel changed by Lu Xun based on "The Tomb of the Three Kings" in Ganbao's "Sou Shen Ji", and it was later made into a movie.

It is said that in the era of King Xuan of Zhou, the King of Chu of Chu was good at killing, and found the world's first sword-casting master "Ganjiang" and his wife "Mo Xie" to forge swords for themselves. After three years of hard work, the two finally forged two swords, a female sword and a male sword. Mo Xie was very prescient and asked the cadre to present the female sword.

Sure enough, the king of Chu got the sword, and he was afraid that the cadre would be used by others, so he killed him.

Mo Xie secretly left the sword, raised his son with hard work, and told his son about the killing of the king of Chu.

The ruler between the eyebrows then carried a sword to assassinate the king of Chu, but instead of killing it, he was wanted. The chivalrous "Pride of the Banquet" found the ruler between the eyebrows. said that he could kill the king of Chu, but he needed the head of the ruler between the eyebrows and a male sword. Without hesitation, the ruler between the eyebrows handed over his head to the pride of the banquet. Yan Zhiao took the head of the ruler between his eyebrows to meet the king of Chu.

Then the design cut off the head of the king of Chu, and fell into the ding to cook together with the head of the ruler between the eyebrows. The two heads were fighting in Dingli, and seeing that the ruler between the young man's eyebrows was not the opponent of the king of Chu, Yan Zhiao himself also cut off his own head, and together they bit the head of the king of Chu to death, and finally they were all boiled to white bones.

The ministers of the king of Chu could not tell which was the head of the king of Chu, so they buried the three heads with royal rites, which is the origin of the tomb of the three kings.

This story can be said to be quite chivalrous.

Zhang Tan has read Lu Xun's "New Story" and read this novel.

On the surface he was smiling. In fact, I was complaining in my heart: What kind of bullshit is this, is there a penny connection between "Casting Sword" and Huashan Lunjian? Have you read my novels? Forcibly linked to it, right?

Smiling at the camera, Zhang Tan quickly organized the language: "Huashan on the sword is about martial arts, the right way is better than the evil way, and it is the pride and ambition between heroes, and Mr. Lu Xun's "Casting the Sword" is a chivalrous warrior to eliminate evil and promote good, all of which are different sides of chivalry. Speaking of "Casting the Sword", in fact, this novel has an impact on the "Heaven and Dragon Slayer" I wrote, and the Heaven Sword and Dragon Slayer can command the world. If you serve the people, you can use them to rely on the heavens, and if you don't serve the people, others can slay the dragon. ”

Zhang Tan's answer. got the unanimous applause from the scene, I don't know if others understood, anyway, they were all nodding.

That's how the topic comes and goes. I was so happy that time passed little by little.

Wang Tao asked, "Tan Zhang's novel." It has built a very large cultural phenomenon and produced great social value. A lot of people in the industry are creating a lot of jobs around your novels and solving many people's jobs. Now can we summarize that Tan-style martial arts has become an industry? ”

Zhang Tan shook his head: "I don't deny that my novels have involved all aspects of operation, and they are indeed a more and more perfect system." But what the industry needs is stability, time will tell, and it is too early to tell. ”

Yang Zhengguang said: "Tan-style martial arts fiction a fictional rivers and lakes, people can hide in it for leisure and entertainment when they are too depressed, which is very pleasant spiritual food, which is also the biggest help that makes martial arts rise to mainstream culture." ”

Zhang Tan smiled and said modestly: "My novel is a fictional and imaginary thing, and my hope and greatest purpose is to provide readers with a pleasant enjoyment. Some of my friends have raised my novels to a very high level, which has aroused the opposition of many literary critics. I am very grateful for the kindness of my friends, and I am very grateful for your comments whether they are high or against them. ”

It's almost time to end the sword.

Li Lei found an opportunity to ask: "Tan Daxia's book has touched countless people, have you ever been moved when you wrote?" ”

Zhang Tan replied: "I have cried about three times when I wrote a book, the first time was when Yang Guo went to the appointment of Xiaolongnu, and waited until the sun went down; The second time was when Zhang Wuji and Xiao Zhao separated; The third time was when Xiao Feng accidentally injured Ah Zhu. These are the episodes in the previous life, when Zhang Tan was reading a book, he really shed tears.

He is not a person who is easily sad, but he really burst into tears at that time, Mr. Jin writes emotional dramas, which can indeed penetrate into the hearts of the people, there are many plots, Zhang Tan feels the warmth of his eyes.

"Do you still feel sad when you recall these clips?"

"Yes, it will be sad to reread it when it is revised, and when it is written into a script, I will feel even more sad, there are always imperfections that haunt my heart."

At this time, in the branch venue, Tan Zhang's book fans, under the guidance of the on-site host, talked about whether they cried when they read the book and what plot they saw.

Book lovers spoke enthusiastically.

"When Yang Xiao knew about Ji Xiaofu's death, I cried."

"I only cried last month, and when I saw that Azhu was accidentally injured and killed by Qiao Feng in "Dragon Babu", I mainly cried for Qiao Feng. and when Yin Susu committed suicide, he mainly cried for Zhang Wuji. ”

"I cried when Yang Kang died, don't despise me."

"I've cried too many times for Yang Guo and Xiaolongnu."

"I don't know why, I watched "Dragon Babu" recently, and I cried once after watching it, I really don't know what I should cry like when I am in the finale." Five of the six volumes of the Eight Divisions of the Heavenly Dragon have been published, and the last volume has not yet been published.

There is also a book lover, who replied very funny: "When the book I bought was thrown into the boiler by the teacher and burned, I cried miserably." (To be continued.) )